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the problematics of motherhood in twentieth century women's fiction

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<strong>the</strong> mo<strong>the</strong>rs towards a more personalised mo<strong>the</strong>r<strong>in</strong>g, free from<br />

<strong>the</strong> dictates <strong>of</strong> patriarchy; and a change <strong>in</strong> parenthood<br />

patterns wlth <strong>the</strong> <strong>in</strong>volvement <strong>of</strong> fa<strong>the</strong>rs In <strong>the</strong> rear<strong>in</strong>g <strong>of</strong><br />

children, mak<strong>in</strong>g mo<strong>the</strong>rhood an 'androgynous' activity ra<strong>the</strong>r<br />

than a 'fem<strong>in</strong><strong>in</strong>e' one.<br />

6.1.3. The fourth chapter --- 'Technological<br />

Mo<strong>the</strong>rhood'--- discussed <strong>the</strong> ideological treatment <strong>of</strong><br />

technological mo<strong>the</strong>rhood and its relation to fem<strong>in</strong><strong>in</strong>e /<br />

femlnist mo<strong>the</strong>rhood. It explored <strong>the</strong> questions: Does<br />

<strong>women's</strong> liberation require a biological revolution? Should<br />

women rel<strong>in</strong>quish <strong>the</strong>lr reproductlve roles and take recourse<br />

to techniques <strong>of</strong> reproduction or should <strong>the</strong>y reta<strong>in</strong> <strong>the</strong>n<br />

reproductlve powers <strong>in</strong> order to ga<strong>in</strong> <strong>the</strong> actual experience<br />

<strong>of</strong> mo<strong>the</strong>r<strong>in</strong>g, at <strong>the</strong> same time ensur<strong>in</strong>g that it is not<br />

talnted by <strong>the</strong> patriarchal lnstltutlon <strong>of</strong> mo<strong>the</strong>rhood? The<br />

ongo<strong>in</strong>g debate between supporters and detractors <strong>of</strong><br />

technolog~cal mo<strong>the</strong>rhood as reflected <strong>in</strong> select femlnlst<br />

utoplas and dystoplas was studied <strong>in</strong> this chapter.<br />

6.1.4. The focus <strong>of</strong> <strong>the</strong> flfth chapter --- 'The Aes<strong>the</strong>tics<br />

<strong>of</strong> Mo<strong>the</strong>rhood' shifted from <strong>the</strong>matic to aes<strong>the</strong>tic aspects <strong>of</strong><br />

mo<strong>the</strong>rhood, <strong>in</strong>dicat<strong>in</strong>g how a self-consc~ous fem<strong>in</strong>ist<br />

narrative polnt <strong>of</strong> view, structure, genre, imagery and myth<br />

contributed to work<strong>in</strong>g out <strong>the</strong> <strong>problematics</strong> <strong>of</strong> mo<strong>the</strong>rhood.

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