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the problematics of motherhood in twentieth century women's fiction

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239<br />

- <strong>the</strong> ways <strong>in</strong> which fem<strong>in</strong><strong>in</strong>e mo<strong>the</strong>rhood socially conditioned<br />

mo<strong>the</strong>rs through reductive images; identified women only with<br />

<strong>the</strong>ir mo<strong>the</strong>r-role, valu<strong>in</strong>g <strong>the</strong>m only for <strong>the</strong>ir chlld-bearlng<br />

capacltles; demanded a renunciation <strong>of</strong> aims and <strong>in</strong>terests <strong>of</strong><br />

mo<strong>the</strong>rs, <strong>in</strong>culcat<strong>in</strong>g <strong>in</strong> <strong>the</strong>m <strong>the</strong> abillty to relate to o<strong>the</strong>rs<br />

only through <strong>the</strong>ir famillal role; <strong>in</strong>stilled In <strong>the</strong>m a deslre<br />

for sons ra<strong>the</strong>r than daughters so that <strong>the</strong> patriarchal rule<br />

was perpetuated; conf<strong>in</strong>ed mo<strong>the</strong>rs to <strong>the</strong> domestic sphere<br />

creat<strong>in</strong>g 'The Angel <strong>in</strong> <strong>the</strong> House', asserted that mo<strong>the</strong>r -<br />

love was supposed to be unconditional as female anger<br />

threatened <strong>the</strong> <strong>in</strong>stitution <strong>of</strong> mo<strong>the</strong>rhood, used religion,<br />

myth, customs and rituals to determ<strong>in</strong>e familial structures<br />

that subord<strong>in</strong>ate women.<br />

6.1.2. The thlrd chapter --- 'Fem<strong>in</strong>ist Mo<strong>the</strong>rhood' ---<br />

highlighted how <strong>the</strong> conflict between <strong>women's</strong> desires and <strong>the</strong><br />

domlnant values <strong>of</strong> mo<strong>the</strong>rhood which made women volce <strong>the</strong>n<br />

protest led to a change ln attitude towards mo<strong>the</strong>rhood,<br />

culm<strong>in</strong>at<strong>in</strong>g ln 'femlnlst mo<strong>the</strong>rs'. Thls chapter dealt wlth<br />

<strong>the</strong> revolt <strong>of</strong> <strong>the</strong> protagonlsts agalnst <strong>the</strong>ir mo<strong>the</strong>rs whlch<br />

was not so much a personal attack on <strong>the</strong> mo<strong>the</strong>rs as it was<br />

aga<strong>in</strong>st <strong>the</strong> lnstitutlon <strong>the</strong>y represented; <strong>the</strong> debunk<strong>in</strong>g <strong>of</strong><br />

<strong>the</strong> maternal <strong>in</strong>stlnct through <strong>the</strong> protagonist's question<strong>in</strong>g<br />

or relection <strong>of</strong> <strong>the</strong> maternal role foisted on her, <strong>the</strong><br />

attempt <strong>of</strong> <strong>the</strong> protagonist to break free from <strong>the</strong> image <strong>of</strong><br />

<strong>the</strong> angel <strong>in</strong> <strong>the</strong> house by tak<strong>in</strong>g up a career, <strong>the</strong> veer<strong>in</strong>g <strong>of</strong>

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