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the problematics of motherhood in twentieth century women's fiction

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223<br />

(WET:95) and "canned childLren1 " (WET:99). Ano<strong>the</strong>r<br />

denigrat<strong>in</strong>g image, <strong>in</strong>animate like <strong>the</strong> mach<strong>in</strong>e, occurs <strong>in</strong><br />

Morrison' s Beloved. here, Se<strong>the</strong> is just "property that<br />

reproduced itself wlthout cost'' (B:281).<br />

5.5.8. The concept <strong>of</strong> 'woman as womb' dates back to <strong>the</strong><br />

anclent Greeks. Reduction <strong>of</strong> woman to her reproductive<br />

functlon not only demeans her status as a human be<strong>in</strong>g but<br />

also makes her feel frustrated at her failure to control her<br />

own body Offred <strong>in</strong> The Handmaid's Tale voices her<br />

frustration at be<strong>in</strong>g a handmaid, a mere vessel to carry <strong>the</strong><br />

Commander's child. "We are conta<strong>in</strong>ers, it's only <strong>the</strong> <strong>in</strong>sides<br />

<strong>of</strong> our bodies that are important" (HT 96) After Connie's<br />

mo<strong>the</strong>r ln Woman on <strong>the</strong> Edge <strong>of</strong> Time has her womb removed,<br />

she is "no longer a woman An empty shell" (WET 39)<br />

Sybll, cynlcal about woman's part <strong>in</strong> sexual <strong>in</strong>tercourse,<br />

remarks "who wants to be a hole?" (WET 78)<br />

5.5.9. Images <strong>of</strong> femlnlne mo<strong>the</strong>rhood or stereotyped<br />

images <strong>of</strong> <strong>the</strong> mo<strong>the</strong>r abound <strong>in</strong> <strong>the</strong> novels under study, <strong>the</strong>n<br />

purpose be<strong>in</strong>g ei<strong>the</strong>r to descrlbe <strong>the</strong> women protagonists <strong>in</strong><br />

<strong>the</strong> femlnlne stage or to set <strong>the</strong> fem<strong>in</strong>lst mo<strong>the</strong>rs aga<strong>in</strong>st<br />

<strong>the</strong>lr fem<strong>in</strong><strong>in</strong>e counterparts<br />

5.5.9.1. In Laurence's The Div<strong>in</strong>ers, Morag tells Ella. "I<br />

make boxes for myself . . . and <strong>the</strong>n get fur~ous when I f<strong>in</strong>d<br />

myself <strong>in</strong>side one" (D.188). The 'boxes' she makes for

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