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the problematics of motherhood in twentieth century women's fiction

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198<br />

5.4.2. In Herland, Charlotte Perk<strong>in</strong>s Gilman uses <strong>the</strong><br />

utopian mode as a mach<strong>in</strong>e for dismantl<strong>in</strong>g popular pre3udices<br />

concern<strong>in</strong>g <strong>in</strong>terconnected concepts as gender stereotyp<strong>in</strong>g,<br />

sexual dlvislon <strong>of</strong> labour, and mo<strong>the</strong>rhood, with an eye to<br />

some future reconstruction. Reta<strong>in</strong><strong>in</strong>g <strong>the</strong> equation <strong>of</strong> women<br />

to nature. Gilman accepts <strong>the</strong> claim that 'biology' 1s<br />

dest<strong>in</strong>y and transforms it <strong>in</strong>to <strong>the</strong> def<strong>in</strong>ition <strong>of</strong> woman as<br />

truly different and <strong>in</strong>herently superior to men Joyfully<br />

clalmlng nature as woman's own provlnce, Gllman creates an<br />

ocherdorld <strong>of</strong> female retreat, maklny it a vantage polnt<br />

cutslde tke prevail<strong>in</strong>g culture Par<strong>the</strong>nogenetic<br />

reproduction In <strong>the</strong> utopla, whlch suggests that <strong>women's</strong><br />

bodles are or can be free from phallocentrlc law, functions<br />

on ano<strong>the</strong>r level as a declaration <strong>of</strong> female llterary selfsuffrc~ency<br />

Herland is ln facL one <strong>of</strong> <strong>the</strong> earllest<br />

femlnlst utoplas to exhibit pol~tlcal and textual<br />

sophlstlcatlon, and to construct a femlnlst read<strong>in</strong>g posltlon<br />

as a strategy ln <strong>the</strong> productlon cf a femlnlst subject<br />

Gllman's use <strong>of</strong> <strong>the</strong> n<strong>in</strong>eteenth cen:ur). convenclon <strong>of</strong> love<br />

story and her susta<strong>in</strong>ed use <strong>of</strong> <strong>the</strong> quest narrative, axd thls<br />

deconstructlve prccess<br />

5.4.3. Atwood's The Handmaid's Tale <strong>in</strong>terest<strong>in</strong>gly<br />

illustrates that a man's utopia can be a woman's dystopla<br />

Atwood's dystopian targets <strong>in</strong>clude reproductive technology,<br />

patriarchal hlerarchy and <strong>the</strong> repression <strong>of</strong> women <strong>in</strong> a male-

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