the problematics of motherhood in twentieth century women's fiction

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daughter and her wrlting and while miotherling the text, she
enters into a loving and reciprocal relationship with the
other, to let the daughter too tell her own story In her
relatlon to Pique, she finally reconciles the confllctlng
claims of other and self, of belng a mother and an artist,
the confllct at the heart of the female Kunstlerroman
5.2.6. Llke The Diviners, The Millstone ~llustrates that,
besldes belng wrltten, women do write as mothers, and that
thelr wrlting can be furthered rather than merely impeded by
thelr motherhood The novels refute the elther / or theory
wrltlng or motherhood, work or chlld -- whlch imply that as
long as her motherly capacltles are put to use, a mother
does not need to wrlte But both Laurence and Drabble drlve
home the polnt that creatlvlty through reproductlon alone 1s
not an end ;n Itself, women should explore other forms of
self-expression too Motherlnq and creatlve writlng are not
mutually exclusive areas In Drabble's novels, Jerusalem
the Golden, The Waterfall and The Millstone, the mothers who
wrlte have an unproblematic, a;most Ideal relatlonshrp to
thelr chlldren. In The Millstone, Rosamund 1s able to write
better and successfully complete her thesls after her chlld
1s born Yet the novel leaves thls question open to debate
Can a creatlve woman wlth chlldren have a satisfying,
permanent relationship wlth a man7