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the problematics of motherhood in twentieth century women's fiction

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142<br />

femlnlne to <strong>the</strong> fem<strong>in</strong>ist, whereas <strong>in</strong> Deshpande, Less<strong>in</strong>g and<br />

Laurence, it is circular - Saru, Kate and Morag oscillate<br />

between <strong>the</strong> two poles. Deshpande, Lesslng and Laurence take<br />

<strong>the</strong>ir protagonists to <strong>the</strong> br<strong>in</strong>k <strong>of</strong> femlnlst mo<strong>the</strong>rhood,<br />

<strong>of</strong>ferrng a glimpse <strong>of</strong> <strong>the</strong> emerglng new mo<strong>the</strong>r while Walker<br />

unhesitat<strong>in</strong>gly leaps <strong>in</strong>to this challeng<strong>in</strong>g arena. The<br />

personal/domestic battle and <strong>the</strong> <strong>in</strong>ternally felt urge ln<br />

Sam, Kate and Morag, expands <strong>in</strong>to a racial, social and<br />

ideological battle <strong>in</strong> Walker's mo<strong>the</strong>r

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