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the problematics of motherhood in twentieth century women's fiction

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This chapter explores <strong>the</strong> major questions Does <strong>women's</strong><br />

liberation requlre a biological revolution? Should women<br />

rel<strong>in</strong>quish <strong>the</strong>ir reproductive roles and take recourse to<br />

techniques <strong>of</strong> reproduction such as artificial <strong>in</strong>sem<strong>in</strong>ation<br />

by donor, <strong>in</strong> vitro fertilizat~on and embryo transfer, or<br />

should <strong>the</strong>y reta<strong>in</strong> <strong>the</strong>lr reproductive powers <strong>in</strong> order to<br />

ga<strong>in</strong> <strong>the</strong> actual experience <strong>of</strong> mo<strong>the</strong>r<strong>in</strong>g, at <strong>the</strong> same time<br />

ensur<strong>in</strong>g that it is not talnted by <strong>the</strong> politlcs <strong>of</strong> <strong>the</strong><br />

patriarchal <strong>in</strong>stitution <strong>of</strong> mo<strong>the</strong>rhood The chapter fur<strong>the</strong>r<br />

delves Into <strong>the</strong> repercussions <strong>of</strong> reproductive techniques -<br />

ellm<strong>in</strong>ation <strong>of</strong> stereotyped roles, disruption <strong>of</strong> heterosexual<br />

patterns and nuclear Eamlly structures, collectlvlzed<br />

rear<strong>in</strong>g, and <strong>the</strong> obliteration <strong>of</strong> sexlsm, raclsm and classlsm<br />

from socrety<br />

CaAPTER V:<br />

TEE AESTHETICS OF MOTEERBOOD shlfts <strong>the</strong> focus<br />

from <strong>the</strong> <strong>the</strong>matlc to aes<strong>the</strong>tic aspects <strong>of</strong> mo<strong>the</strong>rhood<br />

lndlcatlng how a self-conscious femlnlst narrative po<strong>in</strong>t <strong>of</strong><br />

view, structure, genre, imagery and myth contribute to<br />

work<strong>in</strong>g out <strong>the</strong> problematlcs <strong>of</strong> mo<strong>the</strong>rhood<br />

Classify<strong>in</strong>g <strong>the</strong> texts lnto those wrltten from a<br />

daughter's perspective and those narrated from a mo<strong>the</strong>r's<br />

viewpo<strong>in</strong>t, <strong>the</strong> chapter shows how <strong>the</strong> former mode <strong>of</strong><br />

narration <strong>in</strong> Tho Dark Eolds No Terrors and Meridian ecllpses

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