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the problematics of motherhood in twentieth century women's fiction

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manipulation <strong>of</strong> her self whereas Mrs Hill <strong>of</strong> Meridian is<br />

unable to do so Though Se<strong>the</strong> <strong>in</strong> ~eloved identifies herself<br />

primarily as a mo<strong>the</strong>r, she 1s capable <strong>of</strong> translat<strong>in</strong>g<br />

maternal silence <strong>in</strong>to maternal anger<br />

CBAPTER 111: FEMINIST MOTHERBOOD - The conflict between<br />

<strong>women's</strong> desires and <strong>the</strong> domlnant values <strong>of</strong> fem<strong>in</strong>lne<br />

mo<strong>the</strong>rhood, which made women voice <strong>the</strong>ir protest, led to a<br />

change <strong>in</strong> attitude towards mo<strong>the</strong>rhood, which one can term<br />

<strong>the</strong> 'fem<strong>in</strong>ist' phase The transition from <strong>the</strong> 'fem<strong>in</strong><strong>in</strong>e' to<br />

<strong>the</strong> 'fem<strong>in</strong>ist' - which beg<strong>in</strong>s with <strong>the</strong> realization by women<br />

that <strong>the</strong> patriarchal <strong>in</strong>stitution <strong>of</strong> mo<strong>the</strong>rhood is not <strong>the</strong><br />

natural human condition - forms <strong>the</strong> crux <strong>of</strong> thrs chapter<br />

Fem<strong>in</strong>lst mo<strong>the</strong>rhood signals a revolt <strong>of</strong> <strong>the</strong><br />

protagonists aga<strong>in</strong>st <strong>the</strong>ir mo<strong>the</strong>rs which is not so much a<br />

personal attack on <strong>the</strong> mo<strong>the</strong>rs as it 1s agalnst <strong>the</strong><br />

<strong>in</strong>stitution <strong>the</strong>y represent, a debunk<strong>in</strong>g <strong>of</strong> <strong>the</strong> maternal<br />

<strong>in</strong>st<strong>in</strong>ct, <strong>the</strong> myth/mystique <strong>of</strong> mo<strong>the</strong>rhood through <strong>the</strong><br />

protagonist's question<strong>in</strong>g/re]ection <strong>of</strong> <strong>the</strong> maternal role<br />

foisted on her, an attempt to break free from <strong>the</strong> image <strong>of</strong><br />

<strong>the</strong> angel <strong>in</strong> <strong>the</strong> house whlch is crucial <strong>in</strong> plac<strong>in</strong>g <strong>the</strong> women<br />

In a eocietal context beyond <strong>the</strong> role <strong>of</strong> a mo<strong>the</strong>r, a veer<strong>in</strong>g<br />

towards a more personalised mo<strong>the</strong>r<strong>in</strong>g that helps <strong>the</strong> mo<strong>the</strong>rs<br />

ga<strong>in</strong> a room <strong>of</strong> <strong>the</strong>ir own, an <strong>in</strong>volvement <strong>of</strong> fa<strong>the</strong>rs too <strong>in</strong>

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