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City of Light: The Story of Fiber Optics

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36 CITY OF LIGHT<br />

An Array <strong>of</strong> <strong>Light</strong> Pipes<br />

A host <strong>of</strong> other inventors also dabbled with remote viewing, including Henry<br />

C. Saint-René, who taught physics and chemistry at the agriculture school in<br />

Crezancy, a town <strong>of</strong> about 500 people in the French district <strong>of</strong> Aisne. Most<br />

<strong>of</strong> his ideas came from other inventors, but he proposed a novel display based<br />

on moving tinted glass slides in front <strong>of</strong> lighted openings. Grading the tint<br />

from top to bottom would control brightness, but Saint-René worried that<br />

gaps between the moving slides would ruin the effect.<br />

As he searched for a way to eliminate the gaps, he recalled the principle<br />

<strong>of</strong> light guiding in fountains. He thought curved glass rods could collect light<br />

from each opening and deliver it to a screen, where their other ends could<br />

be packed together without gaps to form an image. He wrote:<br />

A bent glass rod—its two ends cut perpendicularly to its axis—will receive<br />

on its lower, vertical cross-section the light which it will conduct (acting<br />

like the liquid conduit in an illuminated fountain) to the upper, horizontal<br />

cross-section, where it is perceived by the eye. 4<br />

Saint-René realized that each rod homogenized the light passing through<br />

it, so he needed rods with small ends to show details. He wrote: ‘‘<strong>The</strong> whole<br />

array gives a complete illusion <strong>of</strong> the object if the diameter <strong>of</strong> each point does<br />

not exceed 1/3 millimeter when the viewer is at a distance <strong>of</strong> one meter from<br />

the image.’’ 5<br />

It is unclear whether Saint-René built anything, but he liked the idea.<br />

However, he evidently lacked the money to file for a patent, or doubted he<br />

could earn back his investment. Instead, in the summer <strong>of</strong> 1895 he wrote a<br />

description <strong>of</strong> his invention and sent it in a sealed packet to the French Academy<br />

<strong>of</strong> Sciences in Paris, which has a novel system for documenting claims<br />

<strong>of</strong> priority. Inventors can wait years, then ask the Academy to open the packet<br />

and publish a summary in Comptes Rendus to prove their priority. Saint-René<br />

bided his time for over 14 years before asking the Academy to publish his<br />

summary.<br />

No one else shared Saint-René’s enthusiasm, even in 1910 when his idea<br />

finally saw print. His display was the first use <strong>of</strong> a bundle <strong>of</strong> glass rods or<br />

fibers to transmit images. Yet it remained obscure because his remote-viewing<br />

system was impractical, one <strong>of</strong> countless schemes that came and went before<br />

the new technology <strong>of</strong> television evolved at the hands <strong>of</strong> a new generation <strong>of</strong><br />

engineers and inventors. Saint-René himself vanished from the scene, and his<br />

records probably were destroyed with those <strong>of</strong> the agriculture school when<br />

World War I ground through the area. 6<br />

<strong>The</strong> Birth <strong>of</strong> Television<br />

Invention and technology changed in subtle but crucial ways in the decades<br />

between the Paris exposition and the 1920s. Corporate research labs emerged,

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