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ROY LICHTENSTEIN von Adelka Schmelzer

ROY LICHTENSTEIN von Adelka Schmelzer

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K u n s t u n d K o m m e r z<br />

1 9 6 3 z o g R o y L i c h t e n s t e i n w i e d e r n a c h N e w<br />

Yo r k u n d w i d m e t e s i c h i m f o l g e n d e n J a h r g a n z<br />

d e r M a l e r e i . I n d e r F o l g e z e i t e n t s t a n d e n e i n e<br />

Vi e l z a h l v o n We r k e n d e s K ü n s t l e r s , d i e i n<br />

v e r s c h i e d e n e T h e m e n b e r e i c h e e i n z u o r d n e n s i n d<br />

u n d o f t m a l s a l s S e r i e n g e m a l t w u r d e n .<br />

Seite 30: Roy Lichtenstein, Roto Broil,<br />

1961. Fritöse. Öl auf Leinwand,<br />

174 x 174 cm.<br />

Seite 31: Roy Lichtenstein, Washing<br />

Mashine, 1961. Waschmaschine.<br />

Öl auf Leinwand, 143,5 x 174 cm.<br />

Yale University Art Gallery, New<br />

Haven, Leihgabe Richard Brown Baker.<br />

links: Roy Lichtenstein, Drowning<br />

Girl, 1963. Ertrinkendes Mädchen.<br />

Öl auf Leinwand, 171,6 x 169,5 cm.<br />

The Museum of Modern Art, New York,<br />

Philip Johnson Fund und Schenkung<br />

Mr. Mrs. Bagley Wright.<br />

N e b e n d e r r e i n e n M a l e r e i w i d m e t e e r s i c h a u c h<br />

d e r P l a s t i k s o w i e d e r I n s t a l l a t i o n k ü n s t l r i s c h e r<br />

O b j e k t e ; a u c h h i e r i m m e r a u f d e n L i c h t e s t e i n -<br />

S t i l b e d a c h t . R o y L i c h t e n s t e i n n u t z t e i m G e -<br />

g e n s a t z z u A n d y Wa r h o l n i e F o t o g r a f i e n a l s<br />

Vo r l a g e f ü r s e i n e B i l d e r. S t a t t d e s s e n v e r w a n d -<br />

t e e r w e i t e r h i n Vo r l a g e n a u s C o m i c s e r i e n o d e r<br />

a u c h a u s Z e i t u n g e n , w i e e t w a b e i G i r l w i t h B a l l<br />

( 1 9 6 1 , d t . M ä d c h e n m i t B a l l ) .<br />

S e i n F r ü h w e r k z e i c h n e t e s i c h n o c h d u r c h e i n e<br />

s t a r k e T h e m e n f ä c h e r u n g a u s . B e i v i e l e n d i e s e r<br />

B i l d e r s i n d d i e Vo r l a g e n n o c h g r e i f b a r u n d e i n<br />

d i r e k t e r Ve rg l e i c h i s t m ö g l i c h . B e i a n d e r e n ,<br />

w i e e t w a d e r D a r s t e l l u n g G o l f B a l l , h a n d e l t e s<br />

s i c h o ff e n s i c h t l i c h u m S t u d i e n z u r D r e i d i m e n -<br />

s i o n a l i t ä t . S t a r k e E i n f l ü s s e v o n P a b l o P i c a s -<br />

s o u n d v o n P i e t M o n d r i a n l a s s e n s i c h b e i d e n<br />

B i l d e r n L i c h t e n s t e i n s d i e s e r Z e i t e r k e n n e n ,<br />

z u g l e i c h w e r d e n i n s e i n e r s i m p l e n O b j e k t w a h l<br />

P a r a l l e l e n z u z e i t g e n ö s s i s c h e n K ü n s t l e r n w i e<br />

C l a e s O l d e n b u rg d e u t l i c h , d e r To r t e n s t ü c k e<br />

39

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