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Deaf ESL Students - Gallaudet University

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O News<br />

PHOTO: ANGELA FARRAND<br />

“We are excited about working with <strong>Gallaudet</strong> <strong>University</strong>,<br />

one of the premiere national organizations in the education<br />

and disability field,” said Rayna Aylward, director of<br />

Mitsubishi Electric America. “The TecEds project promises<br />

to pave new trails in the creative application of technology<br />

to teaching children who are deaf.”<br />

“The Mitsubishi Foundation’s support will enable a larger<br />

cadre of K-12 teachers at our two demonstration schools<br />

to successfully use technology to reinforce and enhance curriculum,”<br />

said Phil Mackall, director of Information Services<br />

and Computer Support at the Clerc Center. “In turn, we will<br />

disseminate what we learn in this project to educators across<br />

the nation, encouraging them to share their comments and<br />

successes with us via the power of the Internet.”<br />

NTD Summer Program<br />

<strong>Students</strong>, Teacher Enjoy Acting Workshop<br />

Matthew Vita and Betsie Delaune, students from the Model<br />

Secondary School for the <strong>Deaf</strong> (MSSD) and MSSD performing<br />

arts teacher Angela Farrand were among those who<br />

attended the first intensive theater training summer program<br />

for high school-age deaf students and their teachers<br />

offered by the National Theatre of the <strong>Deaf</strong> (NTD).<br />

The two-week course held last summer in NTD’s home<br />

office in Chester, Connecticut, introduced students to a variety<br />

of performing techniques and theater history. Courses<br />

were taught by NTD artists, directors, and acting teachers.<br />

The students practiced abstract movements, improvising a<br />

tug of war with mime teacher David Yeakle; they rehearsed<br />

scenes with Shanny Mow. They enjoyed and learned techniques<br />

for visual storytelling with Bernard Bragg. With<br />

teacher Dennis Webster, students created a timeline on the<br />

history of stage lighting from early centuries to the present.<br />

Sachigo Ho instructed students in the art of Japanese NOH<br />

Theatre, Kabuki dance, and drumming.<br />

“One of the most important things that I came away with<br />

was an understanding that the process of producing a theater<br />

production is as important as, or perhaps even more<br />

important than, the final product itself,” said Farrand.<br />

“In one of the NTD workshops,” Farrand said, “our student<br />

was given an assignment of how a deaf/blind character<br />

could communicate on stage. At first our student tried to<br />

change the character. ‘Why can’t the character be just deaf?’<br />

But the instructor challenged the student to follow the assignment.<br />

The student figured out a way for the deaf/blind character<br />

to sign into the hand of another character and have<br />

that character interpret for the other players.”<br />

This experience was put to good use in fall when<br />

Farrand directed the MSSD students in a performance of<br />

James and the Giant Peach. The earthworm in the play was<br />

deaf and blind. This spring, NTD plans to send an artist-inresidence<br />

to MSSD. The two MSSD students will help the<br />

resident artist lead workshops.<br />

Clerc Center Reading Project<br />

Explores <strong>ESL</strong> Issues<br />

The <strong>Gallaudet</strong> <strong>University</strong> Laurent Clerc National <strong>Deaf</strong><br />

Education Center will soon issue the first evaluation report<br />

on the Shared Reading Project, the national endeavor to<br />

encourage parents to read to their deaf and hard of hearing<br />

children through working with tutors who are deaf and<br />

LEFT: MSSD student Betsie Delaune, foreground, leads the way in an<br />

improvisation exercise at NTD’s summer theater program. TOP RIGHT: The<br />

MSSD drama team, students Betsie Delaune and Matthew Vita, and performing<br />

arts teacher Angela Farrand, revel in the opportunity to participate<br />

in the NTD summer workshop for young dramatists.<br />

46 Spring 2000

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