Sheffield Live - Ofcom Licensing
Sheffield Live - Ofcom Licensing
Sheffield Live - Ofcom Licensing
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Community Radio<br />
Licence Application<br />
November 2004<br />
Commedia <strong>Sheffield</strong> Ltd<br />
6 Paternoster Row, <strong>Sheffield</strong> S1 2QQ<br />
Company Limited by Guarantee no: 04295047
Public Version 1.0 30th July 2004.<br />
A. Please read the Notes of Guidance for Community Radio Licence<br />
Applicants before completing this form. For assistance with individual<br />
questions, please refer to the relevant sections of the application<br />
notes which accompany this form.<br />
B. Please read this document carefully and then answer all the questions<br />
as fully and accurately as possible.<br />
C. Please complete this form in English. One typed copy should be sent by<br />
e-mail to: communityradio@ofcom.org.uk (if it is not possible to e-mail<br />
your application, please send one typed copy to the address below).<br />
D. Applications will be made available for public inspection on <strong>Ofcom</strong>’s website.<br />
Details of which parts of an application may be submitted in confidence are<br />
included on the first page of the 'Application Notes' which accompany this<br />
form. If you wish to submit any information in confidence other than that<br />
which is indicated in the Application Notes, as being specifically permissible in<br />
such a form, confirmation that this is acceptable must be sought in advance, in<br />
writing from <strong>Ofcom</strong>'s Community Radio <strong>Licensing</strong> Team.<br />
E. If you are completing the form on behalf of some other company, please make<br />
this clear in an accompanying letter. You will need to provide evidence of<br />
your authority to act on behalf of the applicant. The form should be filled in so<br />
as to include information about the applicant, not about you acting on their<br />
behalf.<br />
F. Sufficient information must be supplied about the identity, composition and<br />
ownership of the applicant and any body which controls the applicant to<br />
ensure that the applicant may hold a community radio licence granted under<br />
the Broadcasting Act 1990 (as amended) in accordance with the<br />
Communications Act 2003 and under the Community Radio Order 2004.<br />
Before a licence is granted, further details may be required.<br />
G. In submitting this application you agree that, should a licence be granted,<br />
<strong>Ofcom</strong> may publish contact details for the licensee (specified in section 2.6)<br />
of this application form), which may include personal data, on the <strong>Ofcom</strong><br />
web site and/or in other relevant publications.<br />
H. This application form covers the requirements of the Broadcasting Act 1990<br />
(as amended) and the Wireless Telegraphy Act 1949. If the application is<br />
successful you will be issued with both a Broadcasting Act licence and a<br />
Wireless Telegraphy Act licence.<br />
Community Radio <strong>Licensing</strong>, Radio Planning & <strong>Licensing</strong> Team<br />
<strong>Ofcom</strong><br />
Riverside House<br />
2A Southwark Bridge Road<br />
London SE1 9HA.<br />
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Public Version 1.0 30th July 2004.<br />
SECTION ONE. OPENING STATEMENT.<br />
1.1 Opening Statement.<br />
Please provide a short introductory statement summarising the target community, the<br />
objectives of the service, and its broadcasting philosophy.<br />
(For more information please refer to section 1.1 of the accompanying notes).<br />
<strong>Sheffield</strong> <strong>Live</strong>! will provide a dynamic, positive and outward looking urban community<br />
radio service celebrating the diversity of <strong>Sheffield</strong>’s inner city. It seeks to cover most<br />
of <strong>Sheffield</strong>’s urban heartland including the wards of Central, Nether Edge, Broomhill,<br />
Crookes, Walkley, Burngreave, Manor, Arbourthorne, Gleadless and Darnall.<br />
On <strong>Sheffield</strong> <strong>Live</strong>! you will hear our many voices, accents, stories, music and<br />
languages. <strong>Sheffield</strong> <strong>Live</strong>! will promote, encourage and involve local musicians,<br />
bands, DJ’s, composers, writers and artists. It will engage many cultures and<br />
communities, particularly people facing disadvantage and exclusion, black and ethnic<br />
minorities and others groups under-represented in the mainstream media.<br />
The population within the proposed coverage area includes large Caribbean, Somali,<br />
Yemeni, Chinese, Indian, Pakistani, Bangladeshi and Irish communities as well as<br />
more recent refugees and a large, international student population. <strong>Sheffield</strong> <strong>Live</strong>! will<br />
aim to break down stereotypes and cultural barriers, to promote mutual<br />
understanding and to celebrate our city’s creativity and global connections.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will build on firm foundations. We have operated annual Restricted<br />
Service Licence broadcasts since 2000. Since 2002 <strong>Sheffield</strong> <strong>Live</strong>! has been<br />
broadcasting regularly, four days a week on the Internet. <strong>Sheffield</strong> <strong>Live</strong>! has<br />
extensive studio, production, training and access facilities already in place and a<br />
membership base of over 1000 individuals from all sections of the community.<br />
<strong>Sheffield</strong> <strong>Live</strong>! seeks to be among the first of the new generation of community radio<br />
services in the UK and to give fresh meaning to the phrase “Made in <strong>Sheffield</strong>”.<br />
Please continue to Section Two on next page.<br />
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Public Version 1.0 30th July 2004.<br />
SECTION TWO – About your organisation and how to contact you.<br />
<strong>Ofcom</strong> needs information about your organisation and needs to be able to contact<br />
you.<br />
(For more information about the individual questions below, please refer to<br />
sections 2.1 to 2.7 of the accompanying notes).<br />
2.1 Proposed Name of Station<br />
<strong>Sheffield</strong> <strong>Live</strong>!<br />
2.2 Contact Address<br />
6 Paternoster Row<br />
<strong>Sheffield</strong> You must include the postcode S1 2QQ<br />
Is this address:<br />
The main address of your organisation? <br />
The registered office of your organisation? <br />
The home address of the main contact? ?<br />
Other contact details for your organisation, as applicable:<br />
Phone (work) 0114 2814082 Phone (home)<br />
Mobile number Fax number<br />
E-mail address sangita@thedrum.org.uk<br />
Website address www.sheffieldlive.org<br />
2.3 Contact Name<br />
Sangita Basudev<br />
Section continues on next page…<br />
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Public Version 1.0 30th July 2004.<br />
2.4 Company Details: What type of organisation are you? Please tick the<br />
appropriate boxes and provide the additional information requested.<br />
Company Limited by Guarantee Waiting to be registered ?<br />
OR Registration Number: 04295047<br />
Date of Registration or Application: September 2001<br />
Company Limited by Shares ? Waiting to be registered ?<br />
OR Registration Number:<br />
Date of Registration or Application:<br />
2.5 Is your organisation a registered charity in England, Wales, Scotland or<br />
Northern Ireland? If so, please provide details here.<br />
Registered Charity ? Waiting to be registered ?<br />
OR Registration Number:<br />
Date of Registration or Application:<br />
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Public Version 1.0 30th July 2004.<br />
2.6 Public Contact Details.<br />
For publication on the <strong>Ofcom</strong> website and/or in other relevant publications (published<br />
either by <strong>Ofcom</strong> or third parties directed by <strong>Ofcom</strong>) should a licence be granted.<br />
Contact Name:<br />
Sangita Basudev<br />
Contact Address:<br />
<strong>Sheffield</strong> <strong>Live</strong><br />
6 Paternoster Row<br />
<strong>Sheffield</strong><br />
S1 2QQ<br />
You must include the postcode<br />
Other contact details for your organisation, as applicable:<br />
Phone number:<br />
0114 281 4082<br />
Mobile number:<br />
Fax number:<br />
E-mail address:<br />
info@sheffieldlive.org.uk<br />
:<br />
Website address:<br />
www.sheffieldlive.org<br />
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Public Version 1.0 30th July 2004.<br />
2.7 Supporting Documentation.<br />
<strong>Ofcom</strong> needs to check that your organisation is eligible to operate a Community<br />
Radio service. Please tick the appropriate boxes to show which of the following<br />
documents you have provided:<br />
Certificate of Incorporation <br />
Memorandum & Articles of Association <br />
(Please make sure you include your organisation's name and postcode on the front<br />
page of the constitutional document(s) provided.)<br />
Please continue to Section Three on next page.<br />
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Public Version 1.0 30th July 2004.<br />
SECTION THREE – Ownership.<br />
Please provide the following information in relation to the directors of the applicant<br />
group.<br />
(For more information about the individual questions below, please refer to<br />
sections 3.1 to 3.15 of the accompanying notes).<br />
DIRECTORS<br />
3.1 Name of member or director<br />
Michael MCCARTHY<br />
3.2 Contact Address<br />
23 Endcliffe Rise Road<br />
<strong>Sheffield</strong><br />
Other contact details<br />
You must include the<br />
postcode<br />
Phone number 0114 221 0386 Mobile number 07775 646482<br />
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S11 8RU<br />
Fax number 0114 221 3086 E-mail address Mike.eventus@<br />
workstation.org.uk<br />
3.3 Other Employment<br />
Director of Eventus Limited<br />
3.4 Relevant interests<br />
Community based cultural activity, creative industries, social enterprise<br />
3.5 Expected Role in Community Radio Station<br />
Chair of the Board and Non-Executive Director<br />
PLEASE REPEAT QUESTIONS 3.1 – 3.5 FOR EACH DIRECTOR OF THE<br />
APPLICANT GROUP<br />
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Public Version 1.0 30th July 2004.<br />
DIRECTORS<br />
3.1 Name of member or director<br />
Waqaas BHATTI<br />
3.2 Contact Address<br />
30 Burton Road<br />
<strong>Sheffield</strong><br />
Other contact details<br />
You must include the<br />
postcode<br />
Phone number 0114 2757295 Mobile number<br />
Fax number E-mail address<br />
3.3 Other Employment<br />
Director of Yellow Arch Studios<br />
3.4 Relevant interests<br />
Interest and experience in music, media and community arts<br />
3.5 Expected Role in Community Radio Station<br />
Non-Executive Director<br />
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S3 8BX<br />
PLEASE REPEAT QUESTIONS 3.1 – 3.5 FOR EACH DIRECTOR OF THE<br />
APPLICANT GROUP<br />
Section continues on next page…
Public Version 1.0 30th July 2004.<br />
DIRECTORS<br />
3.1 Name of member or director<br />
Stephen BUCKLEY<br />
3.2 Contact Address<br />
104 South View Road<br />
<strong>Sheffield</strong><br />
Other contact details<br />
You must include the<br />
postcode<br />
Phone number 0114 279 5219 Mobile number 07801 945037<br />
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S7 1DD<br />
Fax number 0114 279 8976 E-mail address sbuckley@gn.apc.org<br />
3.3 Other Employment<br />
Co-Director/Consultant, Community Media Solutions Limited<br />
Various freelance media consultancy<br />
3.4 Relevant interests<br />
President, World Association of Community Radio Broadcasters<br />
Council Member, International Freedom of Expression Exchange<br />
Previous involvement in two local regeneration agencies<br />
Former Director of the the Community Media Association<br />
3.5 Expected Role in Community Radio Station<br />
Non-Executive Director<br />
PLEASE REPEAT QUESTIONS 3.1 – 3.5 FOR EACH DIRECTOR OF THE<br />
APPLICANT GROUP<br />
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Public Version 1.0 30th July 2004.<br />
DIRECTORS<br />
3.1 Name of member or director<br />
Alan DEADMAN<br />
3.2 Contact Address<br />
43 South Grove Road<br />
<strong>Sheffield</strong><br />
Other contact details<br />
You must include the<br />
postcode<br />
Phone number Mobile number<br />
Fax number E-mail address<br />
3.3 Other Employment<br />
Coordinator, The Juju Club<br />
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S10 2NP<br />
3.4 Relevant interests<br />
Local promoter of global music. He is the Founder and Coordinator of the Juju Club<br />
Co-founder and Partner of Headcharge, local dance music club<br />
Involved in the planning and programming of community festivals in <strong>Sheffield</strong>.<br />
3.5 Expected Role in Community Radio Station<br />
Non-Executive Director<br />
PLEASE REPEAT QUESTIONS 3.1 – 3.5 FOR EACH DIRECTOR OF THE<br />
APPLICANT GROUP<br />
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Public Version 1.0 30th July 2004.<br />
DIRECTORS<br />
3.1 Name of member or director<br />
Elisabeth KETTLE<br />
3.2 Contact Address<br />
9 Montgomery Avenue<br />
<strong>Sheffield</strong><br />
Other contact details<br />
You must include the<br />
postcode<br />
Phone number 0114 250875 Mobile number<br />
Fax number E-mail address<br />
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S7 1NZ<br />
3.3 Other Employment<br />
Group Support Worker (Neighbourhood Renewal Chest) for Voluntary Action<br />
<strong>Sheffield</strong> and South Yorkshire Community Fund<br />
Freelance writer, Voluntary Action News<br />
3.4 Relevant interests<br />
Experience and involvement in <strong>Sheffield</strong> voluntary and community sector<br />
3.5 Expected Role in Community Radio Station<br />
Non-Executive Director<br />
PLEASE REPEAT QUESTIONS 3.1 – 3.5 FOR EACH DIRECTOR OF THE<br />
APPLICANT GROUP<br />
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Public Version 1.0 30th July 2004.<br />
DIRECTORS<br />
3.1 Name of member or director<br />
Veena Swaminathan<br />
3.2 Contact Address<br />
Flat 23 Chestnut Court<br />
55 Union Road<br />
<strong>Sheffield</strong> You must include the<br />
postcode<br />
Other contact details<br />
Phone number 0114 2586099 Mobile number 0782 1073906<br />
Fax number E-mail address<br />
3.3 Other Employment<br />
Freelance software developer<br />
3.4 Relevant interests<br />
Member, Institute of Electrical Engineers<br />
3.5 Expected Role in Community Radio Station<br />
Non-Executive Director<br />
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S11 9EH<br />
PLEASE REPEAT QUESTIONS 3.1 – 3.5 FOR EACH DIRECTOR OF THE<br />
APPLICANT GROUP<br />
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Public Version 1.0 30th July 2004.<br />
DIRECTORS<br />
3.1 Name of member or director<br />
Frank WILKES<br />
3.2 Contact Address<br />
35, Littlewood Drive<br />
<strong>Sheffield</strong><br />
Other contact details<br />
You must include the<br />
postcode<br />
Phone number Mobile number 07837 965464<br />
Fax number E-mail address<br />
3.3 Other Employment<br />
Manager, Red Tape Studios<br />
3.4 Relevant interests<br />
3.5 Expected Role in Community Radio Station<br />
Non-Executive Director<br />
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S12 21Q<br />
PLEASE REPEAT QUESTIONS 3.1 – 3.5 FOR EACH DIRECTOR OF THE<br />
APPLICANT GROUP<br />
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3.6 Please provide the names and addresses of the members of the company. If<br />
the applicant is a company limited by shares, this information should be provided in<br />
respect of participants with an interest of more than 5 per cent in the applicant, as<br />
well as participants with an interest of more than 5 per cent in any body which<br />
controls the applicant.<br />
The following members are Directors of the company:<br />
Mike McCarthy (Chair), 23 Endcliffe Rise Road, <strong>Sheffield</strong> S11 8RU<br />
Waqaas Bhatti, 30 Burton Rd, <strong>Sheffield</strong> S3 8BX<br />
Steve Buckley, 104, South View Road, <strong>Sheffield</strong> S1 2BX<br />
Alan Deadman, 43, South Grove Road, <strong>Sheffield</strong> S10 2NP<br />
Elizabeth Kettle, 9 Montgomery Avenue, <strong>Sheffield</strong> S7 1NZ<br />
Veena Swaminathan, Flat 3, Chestnut Court, 55 Union Road, <strong>Sheffield</strong> S11 9EH<br />
Frank Wilkes, 35, Littlewood Drive, <strong>Sheffield</strong> S12 2IQ<br />
Commedia <strong>Sheffield</strong> has a membership of over 1000 individuals. None have more<br />
than a 5 per cent interest. A list of names and addresses is supplied separately.<br />
Please state whether the applicant or any member about whom information has been<br />
provided under question 3.6 above is involved in any of the activities listed below,<br />
and give the extent of such interest. For these purposes the applicant includes<br />
associates of the applicant (i.e. directors and their associates and other group<br />
companies). If any of the following categories do not apply, applicants must still<br />
complete this section, clearly indicating that this is the case by writing 'none' in each<br />
such section.<br />
3.7 Local Authorities<br />
Frank Wilkes is Manager of Red Tape Studios, a project of <strong>Sheffield</strong> City Council<br />
3.8 Bodies which are wholly or mainly of a political nature, or which are affiliated<br />
to such a body:<br />
None<br />
3.9 Bodies whose objects are wholly or mainly of a religious nature:<br />
None<br />
3.10 An individual who is an officer of a body falling within 3.9 above:<br />
None<br />
3.11 An advertising agency or an associate of an advertising agency:<br />
None<br />
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3.12 Other Broadcasting Act licensees, specifying which licences:<br />
None<br />
3.13 Affiliations with other bodies not outlined above, (for example related charities<br />
or community groups):<br />
None<br />
3.14 Other matters which may influence the application.<br />
<strong>Ofcom</strong> requires that applicants should, at the time of making this application, notify<br />
<strong>Ofcom</strong> of any matters which might influence <strong>Ofcom</strong>’s judgement as to whether:<br />
a) any director/manager or the applicant group, or,<br />
b) any individual, or any director of a company, who will have an interest of 10<br />
per cent or more in the applicant group<br />
may not be considered a ‘fit and proper person’ to participate in a radio licence.<br />
Tick here if there are no reasons why <strong>Ofcom</strong> might consider the applicant not to be a<br />
fit and proper person to participate in a radio licence: <br />
If you have not ticked the above box, please provide details on a separate<br />
sheet, such that this information may be kept confidential by <strong>Ofcom</strong>.<br />
3.15 Has the applicant made any other application to <strong>Ofcom</strong> (or its predecessor<br />
broadcast regulators – the ITC and the Radio Authority) for any licence within the last<br />
five years? If so, provide the licence reference number(s) and / or the name(s) of the<br />
service(s) for granted licence(s).<br />
Tick here if the Answer is No ?<br />
If you have not ticked the above box, please provide details of here<br />
Sharrow <strong>Live</strong>! Restricted Service Licence July 2000<br />
<strong>Sheffield</strong> <strong>Live</strong>! Restricted Service Licence July 2001<br />
<strong>Sheffield</strong> <strong>Live</strong>! Restricted Service Licence July 2002<br />
<strong>Sheffield</strong> <strong>Live</strong>! Restricted Service Licence July 2003<br />
<strong>Sheffield</strong> <strong>Live</strong>! Restricted Service Licence July 2004<br />
<strong>Sheffield</strong> <strong>Live</strong>! Access Radio Pilot Scheme: Letter of Intent, July 2001<br />
Please continue to Section Four on next page.<br />
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Public Version 1.0 30th July 2004.<br />
SECTION FOUR – Management.<br />
Please provide details of those individuals who will be responsible for management<br />
and policy-making process.<br />
4.1 Details of board, management committee or equivalent:<br />
Commedia <strong>Sheffield</strong> has a voluntary Board of Directors with extensive expertise in<br />
community media, community development and urban regeneration. Most of the<br />
members of the Board are long term residents of <strong>Sheffield</strong> and they bring contacts<br />
and involvement in a wide range of local community initiatives and activities.<br />
Mike McCarthy (Chair)<br />
Mike McCarthy is an urban regeneration and cultural industries advisor. He is the<br />
Founder and Director of Eventus, a creative industries consultancy and has<br />
experience and interests in social enterprise and community-based cultural activity.<br />
He has been Chair of Commedia <strong>Sheffield</strong> since it commenced trading.<br />
Waqaas Bhatti<br />
Waqaas is Director of Yellow Arch Studios a local community music project. His<br />
background and interests are in music, media and community arts.<br />
Steve Buckley<br />
Steve Buckley has been involved in community broadcasting initiatives in the UK<br />
since the early 1980s. He was Chief Executive of the Community Media Association<br />
from 1991 to 2004 and now co-manages a media consultancy, Community Media<br />
Solutions. Steve has lived and worked in <strong>Sheffield</strong> since 1991 and has been active in<br />
local regeneration and community development. He served as a Board Member of<br />
<strong>Sheffield</strong>’s Cultural Industries Quarter Agency and Inspiral Limited (a sister company<br />
support creative businesses). Steve is a co-founder of Commedia <strong>Sheffield</strong>.<br />
Alan Deadman<br />
Alan Deadman is a local promoter of global music. He is the Founder and Coordinator<br />
of the Juju Club, <strong>Sheffield</strong>’s leading global music club, established in 1988. Alan has<br />
promoted and organised tours and visits to <strong>Sheffield</strong> by an enormous range of artists<br />
from Europe, Africa, Latin America and Asia. He is a Co-founder and Partner of<br />
Headcharge, <strong>Sheffield</strong>’s top monthly dance music club night. Alan is also closely<br />
involved in the planning and programming of community festivals in <strong>Sheffield</strong>.<br />
Liz Kettle<br />
Liz Kettle is a Group Support Worker for Voluntary Action <strong>Sheffield</strong>, the umbrella<br />
body for the <strong>Sheffield</strong> voluntary and community sector and for South Yorkshire<br />
Community Fund. She is also a freelance writer for Voluntary Action news, the<br />
national voluntary sector magazine. Liz has extensive voluntary sector<br />
contavcctpreviously worked for a local voluntary sector advice agency, South<br />
Yorkshire Funding Advice Bureau.<br />
Veena Swaminathan<br />
Veena is a freelance software programmer and developer. She has worked for a<br />
number of software companies before setting up her own software business in<br />
Singapore. Since moving to <strong>Sheffield</strong> she has been involved as a volunteer with<br />
<strong>Sheffield</strong> <strong>Live</strong>! assisting with redevelopment of the <strong>Sheffield</strong> <strong>Live</strong>! website.<br />
Frank Wilkes<br />
Frank Wilkes is the Manager of Red Tape Studios, a music industry training and<br />
facilities centre established by the Education Department of <strong>Sheffield</strong> City Council. He<br />
currently also chairs the South Yorkshire Music Industry Association. Prior to joining<br />
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Red Tape in 2001, Frank was manager of Darnall Music Factory, a <strong>Sheffield</strong>-based<br />
community media and music project. Frank has extensive experience in delivery of<br />
accredited training schemes, managing public funds and community development.<br />
Section continues on next page…<br />
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4.2 Indication of Staff structure, to include numbers of unpaid, (volunteer) staff<br />
positions and number of paid staff (if any):<br />
<strong>Sheffield</strong> <strong>Live</strong>! is the community broadcasting arm of Commedia <strong>Sheffield</strong>, <strong>Sheffield</strong>’s<br />
leading community media organisation which also manages “The Drum” community<br />
media centre. There are three full-time and two part-time employees although this is<br />
planned to increase following recent new commitments from funders and with the<br />
development of the community broadcasting service. The present paid staff are:<br />
Sangita Basudev (Manager)<br />
Sangita has 19 years of experience in community media including community radio,<br />
RSLs and community video. She has extensive experience in community<br />
development and the voluntary sector and is also a trained counsellor who has<br />
worked in alcohol advice, victim support, women’s refuges, and telephone helplines<br />
for women and girls. Prior to joining Commedia <strong>Sheffield</strong> in 2001, Sangita was Project<br />
Manager at the Community Media Association responsible for initiatives to involve<br />
women and young people in community broadcasting. She has been involved in a<br />
wide range of local community initiatives since moving to <strong>Sheffield</strong> in 1993 including<br />
serving from 2000 to 2004 on the management committee of South Yorkshire Open<br />
Forum, the voluntary and community sector umbrella body for South Yorkshire.<br />
Programme Coordinator (vacant)<br />
Currently vacant pending new appointment. Responsible for managing volunteer<br />
enquiries and databases, volunteer coordination, programme coordination and<br />
scheduling, monitoring of programme output, administrative support to the Manager.<br />
Kirsty Vietch-Sorsby (Training Officer)<br />
Kirsty has had extensive involvement in Restricted Service Licence radio prior to<br />
joining Commedia <strong>Sheffield</strong> in 2001 including Red Road Radio, Sure FM and Forge<br />
FM. She is an experienced radio trainer accredited to the Open College Network and<br />
she has been responsible for managing our successful media training programme<br />
and for tailoring courses to the needs of our target communities<br />
Neils Puttemans (Technical Operations Officer)<br />
After completing an MA in Music Technology at the University of Leuven (Belgium),<br />
Niels moved to <strong>Sheffield</strong> to commence a music technology research programme at<br />
<strong>Sheffield</strong> University. Prior to joining <strong>Sheffield</strong> <strong>Live</strong>! he also worked as Technical / IT<br />
worker at AMP (a community arts and media project). Niels has been with <strong>Sheffield</strong><br />
<strong>Live</strong>! since July 2002. During this time he has been the Technical Manager. He also<br />
assists with technical training and is internal moderator for the Open College Network.<br />
Graham Hutton (Finance Manager, part-time)<br />
Graham is a retired qualified accountant who has previously worked in the public and<br />
voluntary sector. He is responsible for maintaining all of our financial books and<br />
accounts, including grant accounting and processing sales and purchase invoices.<br />
Angelina Contreras-Quirke (Administrative Assistant, part-time)<br />
Angelina started with <strong>Sheffield</strong> <strong>Live</strong>! as a volunteer receptionist and programme<br />
producer. She now takes responsibility for reception, enquiries and duty rotas.<br />
In addition to the full-time paid staff, Commedia <strong>Sheffield</strong> employs freelance trainers<br />
to deliver its programme of training in media and ICT skills for unemployed people.<br />
As a result of new funding commitments and in moving towards a full-time community<br />
radio service, Commedia <strong>Sheffield</strong> will take on the following additional employees:<br />
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Development and Outreach Officer – responsible for a programme of outreach work<br />
to disadvantaged communities in <strong>Sheffield</strong> and South Yorkshire, including <strong>Sheffield</strong><br />
<strong>Live</strong>! support for community festivals and neighbourhood community media projects.<br />
Communications and Marketing Officer – responsible for marketing and promotion of<br />
the project including all publicity material and supervision of the website, managing<br />
sales and client liaison for on-air advertising and programme sponsorship.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will be supported by the staff team at Commedia <strong>Sheffield</strong> but will be<br />
run by volunteer producers and presenters. We have built up a strong and diverse<br />
volunteer base. There are currently 1021 registered centre users. In the last RSL<br />
broadcast (July 2004), over 400 volunteers were involved in programme making.<br />
Volunteer producers and presenters already sustain four days per week (72 hours) of<br />
Internet broadcasting which continues when <strong>Sheffield</strong> <strong>Live</strong>! is not running an RSL.<br />
Training<br />
Officer<br />
Tutors<br />
Organisational diagram<br />
Board of<br />
Directors<br />
Manager<br />
Technical<br />
Operations Officer<br />
Volunteers<br />
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Finance<br />
Manager<br />
Programme<br />
Coordinator<br />
Administrative<br />
Assistant
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SECTION FIVE – Community to be served<br />
The Community Radio Order 2004 defines a ‘community’ as<br />
(a) the persons who live or work or undergo education or training in a particular<br />
area or locality, or,<br />
(b) persons who (whether or not they fall within paragraph (a)) have one or more<br />
interests or characteristics in common.<br />
(For more information about the individual questions below, please refer to<br />
sections 5.1 to 5.3 of the accompanying notes).<br />
5.1 Description of the Target Community (or Target Communities).<br />
The primary coverage area of <strong>Sheffield</strong> <strong>Live</strong>! will be the urban inner city wards in a<br />
roughly 5km radius from the city centre studio location. The coverage area should<br />
reach ten of the most deprived inner city wards – Central, Nether Edge, Broomhill,<br />
Crookes, Walkley, Burngreave, Manor, Arbourthorne, Gleadless and Darnall.<br />
The population within the coverage area is culturally very diverse with significant<br />
Caribbean, Somali, Yemeni, African, Chinese, Indian, Pakistani, Bangladeshi and<br />
Irish communities. Within its coverage area <strong>Sheffield</strong> <strong>Live</strong>! will target and seek to<br />
involve people facing disadvantage and social exclusion, black and ethnic minority<br />
communities, and other groups that are under-represented in mainstream media.<br />
5.2 Community Demographics.<br />
The <strong>Sheffield</strong> metropolitan area has a total population of 513,000 making it the fourth<br />
largest city in England. It has a geographical coverage of more than 500 square<br />
kilometres consisting of the inner city heartlands, outlying sub-urban and semi-rural<br />
neighbourhoods and large areas of rural moorland and forestry.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will focus on the urban inner city core of the <strong>Sheffield</strong> metropolitan<br />
area which is a relatively compact and distinct zone, just over 5km radius and having<br />
some of the highest levels of urban deprivation in the UK. This area is roughly<br />
defined by the ten inner city wards of Central, Nether Edge, Broomhill, Crookes,<br />
Walkley, Burngreave, Manor, Arbourthorne, Gleadless and Darnall, with a total<br />
population of 190,000 people. It is notable for its cultural diversity, its relatively young<br />
population and its relatively high levels of unemployment and economic inactivity.<br />
Black and ethnic minorities make up an average of 21 per cent of the population<br />
across the proposed coverage area (40,000) the largest single group being Pakistani<br />
(7.2 per cent) and others including Caribbean, Somali, Yemeni, Indian, Bangladeshi,<br />
Chinese, Irish and Eastern European. There is also a large student population with<br />
two major universities and including significant numbers of international students.<br />
Young people aged 16 to 35 make up 36 per cent of the population compared to 28<br />
per cent for <strong>Sheffield</strong> as a whole. Of the economically active population 9.2 per cent<br />
(7,500 people) are unemployed, compared to 6.6 per cent for <strong>Sheffield</strong> as a whole.<br />
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5.3 Evidence of Local Demand and Support:<br />
<strong>Sheffield</strong> <strong>Live</strong>! has broadcast an annual summer RSL since July 2000 and since July<br />
2002 we have also broadcast four days per week on the Internet. We have assessed<br />
local demand and support on the basis of response to the short term broadcasts and<br />
to the Internet service, a quantitative survey of people who support <strong>Sheffield</strong> <strong>Live</strong>!<br />
and extensive consultation with community groups and other local organisations.<br />
The summer RSL broadcasts have generated thousands of telephone calls, text<br />
messages, emails and website hits. This has provided us with anecdotal evidence of<br />
the popularity of <strong>Sheffield</strong> <strong>Live</strong>! and it has also enabled us to build up a large base of<br />
users and supporters. In January 2004 we invited centre users and supporters to<br />
become members of <strong>Sheffield</strong> <strong>Live</strong>! and to complete a short questionnaire in order to<br />
enable us to build a demographic profile of our community base. Between January<br />
and October 2004 we gathered a survey sample of 1021 people from which we have<br />
a clear profile of our current community base compared to the population.<br />
The objective of <strong>Sheffield</strong> <strong>Live</strong>! has been to reach out to and involve groups facing<br />
disadvantage and exclusion especially black and ethnic minorities. The quantitative<br />
research we have undertaken shows considerable success in this objective. The<br />
main conclusions from our quantitative research has been the following:<br />
A majority of the <strong>Sheffield</strong> <strong>Live</strong>! community are from black and ethnic minorities. Of<br />
those who stated their ethnicity 54 per cent were from black and ethnic minorities.<br />
The results show a particular high percentage of people from African communities.<br />
This reflects the active involvement in and use of <strong>Sheffield</strong> <strong>Live</strong>! by African refugee<br />
communities including from Somalia, Congo and Sierra Leone. The following table<br />
shows results (%) in comparison to the population in our target coverage area.<br />
Census 2001 <strong>Sheffield</strong> <strong>Live</strong>!<br />
White British 79.1 46.1<br />
White Other 3.1 8.3<br />
Pakistani 7.2 3.3<br />
Indian 1.0 1.2<br />
Bangladeshi 0.9 0.4<br />
Chinese 0.8 1.0<br />
Asian Other 1.0 2.4<br />
Caribbean 1.9 2.1<br />
African 1.5 16.9<br />
Black Other 0.2 5.7<br />
Mixed 2.4 8.8<br />
Other 0.8 3.6<br />
A majority of the <strong>Sheffield</strong> <strong>Live</strong>! community are young men under 35. Of the sample<br />
surveyed 22 per cent were 16 or under, 49 per cent were in the range 17 to 25, 18<br />
per cent were in the range 26 to 35, and 11 per cent were 36 or older. Men<br />
disproportionately outnumbered women at <strong>Sheffield</strong> <strong>Live</strong>! by a ratio of 3 to 1.<br />
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Our survey results and other quantitative evidence that we have gathered shows the<br />
demand and support for <strong>Sheffield</strong> <strong>Live</strong>! to be predominantly from young people,<br />
especially men, who are unemployed or on low income and have few educational<br />
qualifications, with a majority being from black and ethnic minorities. This profile is<br />
consistent with <strong>Sheffield</strong> <strong>Live</strong>! objective to combat disadvantage and exclusion. It will<br />
also inform our future outreach programme which will include particular initiatives to<br />
involve more women and to increase participation from the Pakistani community.<br />
Since our first broadcast in July 2000 we have gathered considerable qualitative<br />
evidence of demand and support from listeners and participants, in response to the<br />
broadcasts and through outreach to and consultation with target communities. Of<br />
particular note is the extent to which <strong>Sheffield</strong> <strong>Live</strong>! has been invited to provide<br />
support for the development of several other local community media initiatives.<br />
Our first RSL broadcast (Sharrow <strong>Live</strong>!) was for Sharrow Festival in 2000, a multicultural<br />
neighbourhood festival in a predominantly Asian community. We have<br />
continued a high profile annual presence at the Sharrow Festival as a result of which<br />
we are frequently approached to assist with other festival radio broadcasts. These<br />
include Modal FM (Modal International Music Festival in 2002 and 2003), bRadio<br />
(bTV Digital Arts Festival), Quarter Past FM (Cultural Industries Quarter Festival).<br />
We have also provided training, advice, support and equipment for other local<br />
community broadcast initiatives including the Somali Youth Centre (Somali youth<br />
RSL broadcast 2002), Northern Media School (NMS <strong>Live</strong>! RSL training broadcast<br />
2003), Burngreave Community Radio ( neighbourhood-based RSL in Burngreave<br />
2004) and Unity FM (an Asian RSL broadcast during Ramadan 2004). <strong>Sheffield</strong> <strong>Live</strong>!<br />
will continue to support these and other local community broadcasting initiatives by<br />
providing them with air-time on the <strong>Sheffield</strong> <strong>Live</strong>! FM community radio service and<br />
by assisting with RSLs and access to other media platforms including the Internet.<br />
Public consultation<br />
<strong>Sheffield</strong> <strong>Live</strong>! has organized a public meeting to present its licence application<br />
proposals to volunteers, listeners and key stakeholders. The meeting held on 10<br />
November 2004 was publicised in the local <strong>Sheffield</strong> Star newspaper and was<br />
attended by around 100 people of whom 90 per cent had listened to or taken part<br />
previously in <strong>Sheffield</strong> <strong>Live</strong>! broadcasts. Participants provided feedback on our<br />
outline plan for <strong>Sheffield</strong> <strong>Live</strong>! as a full-time community radio service. Several<br />
participants gave testimonies of positive experience with <strong>Sheffield</strong> <strong>Live</strong>! Others<br />
offered suggestions as to how our service can continue to improve and develop.<br />
In addition to the public meeting we have consulted on our proposals with key local<br />
stakeholders including <strong>Sheffield</strong> City Council, <strong>Sheffield</strong> Cultural Industries Quarter<br />
Agency, local MPs, Yorkshire Forward and <strong>Sheffield</strong> First for Learning.<br />
Letters of support<br />
<strong>Sheffield</strong> <strong>Live</strong>! has a considerable body of letters of support and other testimonies<br />
that back-up our proposals for a full time community radio licence. We have<br />
appended a list of letters of support and copies of letters of support from key local<br />
stakeholders including MPs, councillors, <strong>Sheffield</strong> City Council and <strong>Sheffield</strong> First,<br />
together with sample testimonies from community organizations and individuals.<br />
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SECTION SIX – Social Gain, Accountability and Access to Station.<br />
Every applicant for a community radio service must demonstrate that the proposed<br />
service would be provided primarily for the good of members of the public, or of the<br />
target community, and in order to deliver social gain. Applicants must provide<br />
evidence that their proposed service would result in the delivery of significant social<br />
gain to the public, or the target community. In addition, when deciding whether or to<br />
whom to award a community radio licence, one of the criteria to which <strong>Ofcom</strong> must<br />
have regard is the extent to which the proposed service would result in the delivery of<br />
social gain to the target community. The Community Radio Order lists four<br />
mandatory social gain objectives and a further (non-exhaustive) list of seven other<br />
social gain objectives that may be applicable.<br />
Please use the first three questions in this section (boxes 6.1 to 6.3) to answer<br />
general questions about how the applicant proposes to serve its target community.<br />
Explain (in boxes 6.4 to 6.7 below) how you propose to meet the four mandatory<br />
social gain objectives and explain (in box 6.8 below) what additional social gain<br />
objectives (if any) you intend to include as social gain objectives for your proposed<br />
service. For each of the objectives, please specify the nature of the targets involved<br />
and outline how you expect these to be achieved.<br />
In addition to social gain objectives, when considering applications, <strong>Ofcom</strong> is<br />
required to have regard to various underlying characteristics which define community<br />
radio services, some of which are relevant to this section of the application form,<br />
(boxes 6.9 and 6.10 below).<br />
In addition to the social gain objective concerning training for members of the target<br />
community or the wider public (box 6.6), the Community Radio order 2004 contains a<br />
further, slightly different, reference to training as a selection criterion. <strong>Ofcom</strong> is<br />
required to have regard to provision of training in the use of station facilities by<br />
members of the target community.<br />
Finally, this section of the application form also gives applicants the opportunity to<br />
detail other forms of community involvement (boxes 6.12 to 6.14).<br />
(For more information about the individual questions below, please refer to<br />
sections 6.1 to 6.14 of the accompanying notes).<br />
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6.1 Addressing Community Needs. Please give a general overview of how you<br />
propose to ensure that your service will address community needs. In<br />
particular, the extent to which the service would cater for the tastes and<br />
interests of the target community, and broaden the range of programmes<br />
available by way of local services in the area to the target community.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will carry many different voices, accents, stories, musics and<br />
languages. We will give air space to local musicians, bands, DJ’s, composers and<br />
writers. We will carry local news, information and community advice with a focus on<br />
<strong>Sheffield</strong> and particularly the central inner city neighbourhoods. Our programming will<br />
celebrate the sounds of a lively and diverse city and work to break down stereotypes<br />
and barriers to community dialogue. <strong>Sheffield</strong> <strong>Live</strong>! will carry programmes<br />
showcasing particular cultural and other interests but our approach will be eclectic<br />
and will encourage our audience to take interest in other cultures. In the last year<br />
alone we have broadcast in 26 different languages and have carried voices, sounds<br />
and music from all continents of the world. Non-english language output that has<br />
featured regularly includes Urdu, Somali, Yemeni, African-French, Cantonese,<br />
Latino-Spanish and Portuguese. We will continue to ensure that <strong>Sheffield</strong> <strong>Live</strong>! caters<br />
for minority communities that are not otherwise heard while ensuring a mix of<br />
community oriented programming that offers something for all. We will feature<br />
neighbourhood festivals and events and will encourage and provide airtime for other<br />
community media projects to support the growth of community media in the city.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will have a core commitment to community participation and will run<br />
regular taster courses, induction events and training sessions in radio production,<br />
interview techniques, how to use the studio, make your own website, sound editing,<br />
DJing, presentation skills and duty management. Our regular courses run over ten<br />
days and are accredited with the Open College Network. Training will be open to<br />
everyone but we particularly support involvement of unemployed people and we will<br />
take positive action to involve women and people from under-represented groups.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will sound distinctly different from other local services in the area and<br />
has already demonstrably built it own niche and community profile. There is no local<br />
commercial radio service dedicated to <strong>Sheffield</strong>. Hallam FM and Magic AM are both<br />
South Yorkshire wide services catering also for Barnsley, Doncaster and Rotherham<br />
and both have a mainstream popular music format with Hallam FM playing mainly<br />
chart music and Magic AM carrying easy listening. Galaxy FM (dance/RnB) and Real<br />
Radio (music and talk) are regional services not based in South Yorkshire. BBC<br />
Radio <strong>Sheffield</strong> has a higher speech content but caters for an older audience.<br />
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6.2 Targets and Milestones<br />
<strong>Sheffield</strong> <strong>Live</strong>! has the following objectives, targets and milestones for the first year:<br />
1. To provide programming to meet the needs of the target communities<br />
• provide a minimum of 18 hours programming daily by end of year one<br />
• broadcast a 75:25 ratio of music to speech<br />
• provide extensive coverage of local community organisations<br />
• provide extensive coverage of local musicians and artists<br />
• broadcast regularly in English, Hindi/Urdu, French, Spanish and Portuguese<br />
• carry some programming in at least 12 other languages<br />
• broadcast content to mark community and neighbourhood festivals and events<br />
• carry local news, information and community announcements<br />
• provide information on local services and local government<br />
2. To provide training and encourage participation<br />
• deliver a rolling programme of training courses and train for at least 200 people<br />
• provide drop-in sessions and media and ICT awareness for a further 800 people<br />
• enable 100 young unemployed people to achieve accredited training units<br />
• to support the regular participation of at least 400 volunteers<br />
• to provide 10 work experience placements for students and young people<br />
3. To engage in outreach to the target communities<br />
• organise a programme of outreach to the target communities<br />
• maintain links with cultural organisations and neighbourhood groups<br />
• maintain links with schools, youth workers and other public service providers<br />
• support and assist 20 other community media groups in South Yorkshire<br />
4. To ensure effective monitoring, oversight and review<br />
• hold monthly meetings for producers, presenters and duty managers<br />
• ensure quarterly monitoring of targets and oversight by the Board of Directors<br />
• hold twice yearly open meetings for members and listeners<br />
• produce an annual report on achievements and community benefit<br />
• hold an annual general meeting open to members and the public<br />
6.3 Numbers Involved<br />
From our previous RSL and experience in providing training and access to facilities<br />
over the last five years we anticipate the following numbers accessing the service:<br />
Yr 1 Yr 2 Yr 3 Yr 4 Yr 5<br />
Listener calls, texts and requests 20,000 25,000 25,000 25,000 25,000<br />
Drop-in users of the centre 800 900 1,000 1,000 1,000<br />
Guests and interviewees 800 900 1,000 1,000 1,000<br />
Volunteers 400 400 400 400 400<br />
Trainees 200 200 250 250 250<br />
Work placements 10 10 10 10 10<br />
Paid staff 8 8 8 8 8<br />
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6.4 (Mandatory social gain objective) Explain how you have identified your<br />
target audience(s) (defined in Section 4) as including individuals "who are otherwise<br />
underserved" and explain what appropriate radio programming you intend to provide.<br />
The need for a community radio service catering for black and ethnic minorities and<br />
disadvantaged groups in central <strong>Sheffield</strong> has been identified through a series of trial<br />
broadcasts since 2000, through a quantitative survey of the substantial membership<br />
base of <strong>Sheffield</strong> <strong>Live</strong>!, through assessment of existing local radio services and<br />
through analysis of the demographics of the inner city wards in the proposed<br />
coverage area. Local regeneration planning such as the South Yorkshire Objective 1<br />
Single Programming Document has also highlighted the needs of these communities<br />
which face multiple disadvantage and social exclusion and have been hard to reach<br />
for mainstream service and support agencies. The target communities are not well<br />
catered for by existing local radio services, which are essentially music services, and<br />
not oriented strongly to the particular geographical area or to the target demographic<br />
groups. Two of these services (Hallam FM and Magic AM) are mainstream popular<br />
music stations serving a much wider sub-region of <strong>Sheffield</strong>, Barnsley, Rotherham<br />
and Doncaster. The other services include a dance/RnB genre music service<br />
(Galaxy) which has a regional footprint and very little <strong>Sheffield</strong> content, and a music<br />
and talk service (Real Radio) which does not target disadvantaged groups.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will be distinctively different with a participatory programme format<br />
featuring the voices and languages of the target communities and carrying diverse<br />
music from outside the mainstream but oriented to the particular tastes and interests<br />
of the target audience. Support and interest from the community is reflected in the<br />
fact that we have been able to sustain four days a week of Internet broadcasting<br />
between Restricted Service Licences, in a substantial and growing membership base<br />
and in the letters of support we have received from key stakeholders. <strong>Sheffield</strong> <strong>Live</strong>!<br />
will carry around 25 per cent speech programming with a focus on the interests and<br />
concerns of the target communities including informational and participatory<br />
community affairs programmes, programming in languages other than English,<br />
programmes that promote and encourage creativity and the arts, and programmes<br />
that address social issues such as health, disability and the environment. Music<br />
programming will be very diverse but will include reggae, ragga, jungle, asian pop,<br />
asian traditional, latin, African, dance, RnB, indy pop and chart. Not more than 10 per<br />
cent of music programming will be drawn from current top 40 chart music.<br />
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6.5 (Mandatory social gain objective) Explain how your proposed service will<br />
"facilitate discussion and the expression of opinion".<br />
<strong>Sheffield</strong> <strong>Live</strong>! will carry a daily flagship community affairs programme, “Communities<br />
<strong>Live</strong>!” which will encourage studio discussion, interviews and listener phone-ins on<br />
issue of local topical concern. Communities <strong>Live</strong>! will develop and maintain close<br />
links with the local community and voluntary sector, the local authority and other<br />
public agencies and local experts. It will encourage listeners to write, email, text or<br />
phone-in with their comments, questions and opinions and it will facilitate live<br />
interactive discussion. There will be several other speech based and magazine<br />
format programmes that facilitate discussion and the expression of opinion including<br />
programmes focussing on particular neighbourhoods, on particular communities,<br />
including programming in languages other than English, and on particular issues<br />
such as disability, health and environment. We currently have, for example, a music<br />
and discussion programme produced by refugees from central Africa, an advice line<br />
programme produced by and for people with disability and we are committed to<br />
continuing to support neighbourhood initiatives such as Burngreave Community<br />
Radio which will be offered its own regular programme slot on a full time service.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will encourage and develop multiple spaces for interaction such as our<br />
live web-based chat space where listeners can interact with presenters and guests<br />
and an on-line text message board as well as live on-air phone-ins. We will also<br />
ensure that volunteer producers and presenters are trained in skills and techniques<br />
of interactive programming such as live interviews, use of the on-air phone line, use<br />
of web-based tools such as the chat space and text message board.<br />
Discussion and expression of opinion will also be encouraged through non-broadcast<br />
activities. We have monthly meetings for <strong>Sheffield</strong> <strong>Live</strong>! volunteers and twice yearly<br />
open meetings for members and the general public. We encourage interaction<br />
between different production teams to break down barriers and promote mutual<br />
respect and we will engage in a programme of community outreach to encourage<br />
and facilitate involvement in <strong>Sheffield</strong> <strong>Live</strong>! and to support community initiatives.<br />
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6.6 (Mandatory social gain objective) Explain how you propose to provide<br />
education and / or training to individuals not employed by your organisation.<br />
The provision of training in media and ICT skills will be a core component of <strong>Sheffield</strong><br />
<strong>Live</strong>! operations supported by experienced media trainers and including training<br />
delivery in community languages. The <strong>Sheffield</strong> <strong>Live</strong>! training programme has been<br />
developed over the last six years with courses accredited by Open College Network<br />
as well as taster sessions. Training at <strong>Sheffield</strong> <strong>Live</strong>! will not only provide a gateway<br />
for new volunteers on the full-time service but will also focus on development of wider<br />
media and ICT skills for employment. In addition to training at The Drum community<br />
media center, <strong>Sheffield</strong> <strong>Live</strong>! will have a mobile studio facility that can be taken out<br />
into the community for community-based training and outside broadcasts and which<br />
will assist to continue to deliver and to develop training for schools, for community<br />
and voluntary organisations and for the statutory sector in the region. Over the last<br />
four years we have provided training and technical support for 10 Restricted Service<br />
Licence broadcasts in <strong>Sheffield</strong> run by local community groups and festivals.<br />
Our training programme is well established. Our first training courses commenced in<br />
1998 with the support of the Learning and Skills Council, European Social Fund and<br />
Single Regeneration Budget. In the last four years we have trained over 700 young<br />
unemployed people and we have built up strong relationships with local schools and<br />
with referral agencies such as Connexions and the Probation Service. We have a<br />
training philosophy which is focussed on creative goal oriented work in radio<br />
production and use of the Internet while introducing skills for life including numeracy<br />
and literacy, basic ICT skills, communication, time-keeping and team-working. We<br />
have found that our approach to training has introduced people to computers who<br />
would otherwise be put off by standard office administration ICT courses and we<br />
have found that the context of work in radio accelerates acquisition of basic literacy<br />
and numeracy, as well as language skills. Through our training programme we have<br />
helped young people excluded from school back to learning, we have had long term<br />
unemployed people go on to full time employment and we have introduced women<br />
returners and older people to new skills for employment. Several of our presenters<br />
have gone on to work in other media including the BBC. Recently, for example, one<br />
of our presenters won a BBC Talent award to get his own programme on 1 Xtra.<br />
Our training programme is accredited through the Open College Network which<br />
provides recognised certification for our trainees and a quality assurance system.<br />
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6.7 (Mandatory social gain objective) How do you propose to build a better<br />
understanding of your target community and strengthen links within it?<br />
<strong>Sheffield</strong> <strong>Live</strong>! will recruit and train its volunteer producers and presenters from within<br />
the target communities. This will ensure strong local links and understanding of the<br />
needs and interests of our audience. We will take positive action to involve and<br />
support groups and individuals who are under-represented in mainstream services<br />
and who face disadvantage and exclusion including those for whom English is not<br />
their first language. In order to ensure we are effective at involving and<br />
communicating with the different groups in our target community we are supporting<br />
the training of trainers from within our volunteer base including people who are now<br />
able to provide bilingual training and understand the different cultures. We have<br />
found this to be an essential component in effectively involving groups who are<br />
frequently excluded from other service provision and from the mainstream media.<br />
Alongside our training activities we will continue to develop an outreach programme<br />
to people and communities at neighbourhood level including taster sessions and<br />
placing of trainers within local community organisations. In addition we are committed<br />
to regular consultation with our constituency and encouragement of feedback through<br />
participatory broadcast programming and through offer air activities including regular<br />
meetings for volunteers and twice yearly open meetings for members and the public.<br />
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6.8 (Additional social gain objectives) Please include here details of any other<br />
ways in which your station intends to deliver social gain.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will provide information about local services and amenities, including<br />
local authority services, and will facilitate access by the target communities. This will<br />
include providing information in community languages and providing opportunities for<br />
listeners to interact with representatives of local service providers.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will contribute to local development by giving people a voice, by<br />
facilitating local consultation and by carrying information and advice on community<br />
development and social enterprise. We will encourage people to take an interest in<br />
local affairs, local democracy and local decision making and to hold local decision<br />
makers to account including through live interactive programming with studio guests.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will promote training, work experience and employment not only<br />
through its own training activities and work placement schemes but by carrying<br />
information on jobs and careers and by promoting training and work experience<br />
opportunities with other agencies. Through our own training programme we have<br />
excellent connections with local employment advisors, referral agencies, schools and<br />
colleges and local employers and we will build on these partnership to encourage<br />
their involvement in programmes on issues concerning training and employment.<br />
<strong>Sheffield</strong> <strong>Live</strong>! has a core commitment to social inclusion and particularly the support<br />
of disadvantaged groups including black and ethnic minorities. This is reflected in our<br />
programming, our approach to training and to community outreach, our membership<br />
recruitment and membership base and the skills and experience of our staff.<br />
<strong>Sheffield</strong> <strong>Live</strong>! has a strong commitment to cultural diversity throughout its activities,<br />
on-air and off-air, and actively promotes the inclusion of black and ethnic minorities.<br />
Our philosophy and approach is, through community broadcasting, to promote the<br />
respect for different cultures, to challenge discrimination and stereotypes, to promote<br />
equality of opportunity and to remove barriers of communication and understanding.<br />
We have a diverse target community and this is reflected in the programme<br />
schedule, the music policy of the service and the inclusion of community languages.<br />
<strong>Sheffield</strong> <strong>Live</strong>! has a demonstrably successful approach to promoting volunteering in<br />
its own activities with a membership base now of over 1000 people and around 400<br />
volunteers actively involved in our RSL broadcasts. Alongside our direct support for<br />
volunteering on <strong>Sheffield</strong> <strong>Live</strong>! we aim to promote volunteering generally by providing<br />
a platform for local community and voluntary organisations to talk about their work<br />
and to promote their own volunteering needs and opportunities.<br />
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6.9 (Community Radio characteristic) How do you propose to provide<br />
members of your community with "opportunities to participate in the operation and<br />
management of the service"?<br />
<strong>Sheffield</strong> <strong>Live</strong>! is developing formal and informal measures to enable and support<br />
participation of the community in the operation and management of the service.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will be programmed by producers and presenters and we encourage<br />
members of the community to participate as production volunteers. On the last RSL<br />
broadcast in July 2004 we had 400 volunteers involved in programme making.<br />
In January 2004 we opened a membership scheme for <strong>Sheffield</strong> <strong>Live</strong>! which has so<br />
far recruited 1021 members and continues to grow. We plan to organise twice yearly<br />
open meetings for members and the general public to “have a say” on the<br />
development of <strong>Sheffield</strong> <strong>Live</strong>! and to provide feedback on the service.<br />
At the Annual General Meeting of the not-for-profit company, Commedia <strong>Sheffield</strong>,<br />
that operates <strong>Sheffield</strong> <strong>Live</strong>! members will be able to stand for election to the Board<br />
of Directors and to vote for their preferred candidates. The Board of Directors, which<br />
currently consists of the founding members and co-optees, will stand down and may<br />
stand for re-election. The Board is responsible for overall management of Commedia<br />
<strong>Sheffield</strong> including <strong>Sheffield</strong> <strong>Live</strong>! and The Drum community media centre and meets<br />
on a quarterly basis or more frequently as necessary. Operational management of<br />
Commedia <strong>Sheffield</strong> is delegated to the Manager and her staff team.<br />
On a day to day basis several of the regular production volunteers also hold<br />
management responsibilities, for example, we supervise the centre and broadcast<br />
output through a system of volunteer Duty Managers, and each programme has a<br />
designated volunteer Producer who is editorially responsible for their scheduled<br />
output within the general guidelines of <strong>Sheffield</strong> <strong>Live</strong>! Additional training is provided<br />
for Duty Managers and Producers to ensure understanding of their responsibilities.<br />
In addition we plan to organise regular (monthly) meetings of volunteer producers<br />
and presenters to discuss programme scheduling and related matters. These<br />
meetings will provide an advisory mechanism to support the management of the<br />
service and to encourage feedback and participation of the volunteers. We will also<br />
encourage the formation of sub-groups to develop particular areas of programme<br />
output such as music and spoken word and off-air activites such as the website.<br />
As part of our preparation for this licence application we have convened a public<br />
meeting, publicised in the local newspaper, <strong>Sheffield</strong> Star and attended by around<br />
100 people, 90 per cent of whom had listened to or been involved in <strong>Sheffield</strong> <strong>Live</strong>!<br />
We have also undertaken consultation with key local stakeholders such as the city<br />
council, community and voluntary organisations and other agencies.<br />
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6.10 (Community Radio characteristic) How do you propose to ensure that the<br />
intended community radio service "is accountable to the community it is intended to<br />
serve"?<br />
<strong>Sheffield</strong> <strong>Live</strong>! will have the following mechanisms for local accountability:<br />
• A membership scheme open to anyone who lives or works in <strong>Sheffield</strong><br />
• Monthly meetings of volunteer presenters, producers and duty managers<br />
• Twice yearly open meetings for members and the general public<br />
• An Annual General Meeting to elect the Board of Directors<br />
• Publication of an Annual Report of activities and community benefit<br />
• Open days when members of the public are invited to drop in<br />
• Outreach presentations and taster sessions for community organisations<br />
• A presence at community festivals and other public events<br />
• Encouragement of on-air feedback and listener participation<br />
• Encouragement of feedback through letters, emails and the website<br />
6.11 (Statutory selection criterion) What provision do you intend to make to<br />
allow for access by members of the target community to the facilities to be used for<br />
the provision of the service, and for their training in the use of such facilities?<br />
<strong>Sheffield</strong> <strong>Live</strong>! operates an open membership scheme. All members, of which there<br />
are now 1021, have access to our facilities including an Internet access space. Due<br />
to demand we are obliged to operate a booking system and to limit the time per<br />
individual. We encourage members to become involved as a programme volunteers<br />
through a simple programme proposal form and access to production facilities to<br />
produce a demonstration tape. Programme proposals are assessed on merit and on<br />
the basis of our programming objectives to serve the target communities. Programme<br />
proposals which are accepted are then supported to develop the idea for broadcast.<br />
We provide a comprehensive training programme from taster and induction sessions<br />
through to accredited training in radio production including studio operations,<br />
interviewing, editing, presenting, programme production and duty management. In<br />
addition to offering training at our main centre we have a mobile facility which<br />
enables us to undertake outreach to the community and to run training courses in<br />
other community venues. We provide support, including travel, subsistence and<br />
childcare for unemployed trainees. We work to remove any barriers to access to<br />
training including access to a crèche where childcare is needed and support for<br />
training in community languages. Our training environment is extensively adapted to<br />
enable access for people with disabilities including specialist software applications,<br />
Braille signage and printing, and adjustable workstations. We run training courses at<br />
different times of day including evenings and weekends to suit different needs.<br />
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6.12 Other (Broadcast) Community Radio Objectives<br />
<strong>Sheffield</strong> <strong>Live</strong>! will support other community radio initiatives in <strong>Sheffield</strong> and South<br />
Yorkshire by providing training and technical assistance for RSL broadcasts and by<br />
providing regular programme slots to showcase particular neighbourhoods and<br />
communities. Groups that we anticipate continuing to support include Burngreave<br />
Community Radio, Parson’s Cross Community Radio and Red Road Radio.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will be outward looking and will promote international exchanges and<br />
links up with community radio stations in other parts of the world. For example, our<br />
Spanish and Portuguese programmes have made live link-ups with counterparts in<br />
Spain and Brazil. We have carried a live link to a new radio initiative in Baghdad<br />
<strong>Sheffield</strong> <strong>Live</strong>! will carry special days of social action broadcasting, for example we<br />
are currently planning Internet broadcasts for A World Without Violence Against<br />
Women Day (25 November) and World AIDS Day (1 December) and we expect to<br />
mark events such as International Women’s Day (8 March) and International Day<br />
Against Racism (21 March) and International Refugee Day (16 June).<br />
<strong>Sheffield</strong> <strong>Live</strong>! will support the active involvement of people with disabilities. We<br />
currently have four programmes presented by people with disabilities.<br />
<strong>Sheffield</strong> <strong>Live</strong>! is committed to showcasing local talent at all levels and will support<br />
and encourage live performance on air by musicians, writers and actors.<br />
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6.13 Other (Non-Broadcast) Community Activities<br />
<strong>Sheffield</strong> <strong>Live</strong>! will organise local events to showcase our DJs, writers and musicians<br />
and has done so successfully in the past. We will aim to have at least <strong>Sheffield</strong> <strong>Live</strong>!<br />
showcase every two months. In addition we will continue to work closely with major<br />
locally organised festivals such as the International Off The Shelf Festival of Writing<br />
to promote local talent and to give a showcase for writers from <strong>Sheffield</strong> <strong>Live</strong>!<br />
<strong>Sheffield</strong> <strong>Live</strong>! will hold open days every two months. Trainees from The Drum along<br />
side local celebrities showcase their work and are available to meet with others. The<br />
Open Days are a great opportunity to showcase already successful talent alongside<br />
up and coming ones to a live audience and over the airwaves. Open Days are an<br />
opportunity for local people to come along and have a look around, take part in some<br />
taster sessions, met some local celebrates and also see up and coming local talent.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will continue to support the Write Directions Group, a local writers<br />
group who formed through their involvement in <strong>Sheffield</strong> <strong>Live</strong>! and are now writing<br />
and producing work for <strong>Sheffield</strong> <strong>Live</strong>! Some of the writers have published while<br />
others are beginners. The groups has developed radio plays, poems, short stories<br />
and monologues which are produced and performed on <strong>Sheffield</strong> <strong>Live</strong>! We will offer a<br />
monthly “open studio” where any writer can come and have their work recorded.<br />
<strong>Sheffield</strong> <strong>Live</strong>! is similarly supporting the Radio Actors Group, a group of amateur<br />
and professional actors who have performed plays on <strong>Sheffield</strong> <strong>Live</strong>! and are<br />
developing new creative programme material including comedy and improvisation.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will further develop its web presence as a community web site and a<br />
platform for showcasing the best of <strong>Sheffield</strong> <strong>Live</strong>! as well as providing an outlet for<br />
programming which we are unable to include in the full-time community radio service.<br />
The <strong>Sheffield</strong> <strong>Live</strong>! website will encourage feedback and interactivity including a live<br />
chat space and it will also continue to provide a live feed from our broadcasts.<br />
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6.14 Other Information<br />
<strong>Sheffield</strong> <strong>Live</strong>! is more than ready to be among the first of the new community radio<br />
services. With five years RSL and Internet broadcasting experience, extensive studio<br />
and production facilities in place, a large volunteer team and experienced staff we<br />
are ready to take to the air within three months of being awarded a licence.<br />
For <strong>Sheffield</strong> <strong>Live</strong>! the acquisition of a community radio licence is now our principal<br />
objective in order that we can continue to develop our current services, to further<br />
enhance the community benefit and to effectively reach our target communities.<br />
<strong>Sheffield</strong> <strong>Live</strong>! is <strong>Sheffield</strong>’s leading community media project but we are committed<br />
to supporting other community media development in the region and we will assist<br />
other groups who are not yet in the same state of readiness to develop their ideas<br />
and to gain practical experience through involvement with <strong>Sheffield</strong> <strong>Live</strong>!<br />
In particular we consider that the terrain and population size of <strong>Sheffield</strong> is such that<br />
it should be able to support a number of community broadcasting services.<br />
<strong>Sheffield</strong> <strong>Live</strong>! is already operating four days per week on the Internet however we<br />
consider that a full-time FM licence will still require a step change in our operations.<br />
If awarded a community radio licence we will engage in detailed programme review<br />
and additional training to ensure the best possible service for our target audience and<br />
to ensure the sustainable extension of our programme hours to a full-time service.<br />
Please continue to Section Seven on next page.<br />
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SECTION SEVEN – Programming.<br />
(For more information about the individual questions below, please refer to<br />
sections 7.1 to 7.10 of the accompanying notes).<br />
7.1 Programme Service<br />
<strong>Sheffield</strong> <strong>Live</strong>! programming will reflect the interests and tastes of the many people of<br />
inner city <strong>Sheffield</strong> who are not currently well catered for by other media, particularly<br />
black and ethnic minorities and disadvantaged communities. It will do so through<br />
community information and participatory programming covering local issues and<br />
concerns, coverage of local arts and culture including new writing, poetry and drama,<br />
local bands and musicians and an eclectic music mix. The music will cater for the<br />
diversity of tastes and interests that reflects the make-up of the <strong>Sheffield</strong> <strong>Live</strong>!<br />
community. On <strong>Sheffield</strong> <strong>Live</strong>! you may hear rock n roll, but you will also hear reggae<br />
and roots, bhangra and bollywood, juju and highlife, salsa and meringue, and<br />
sometimes all of these and others besides. The sound of <strong>Sheffield</strong> <strong>Live</strong>! will be<br />
distinctly outside the mainstream but it will also aim to bring “the outside” in.<br />
<strong>Sheffield</strong> has a long history of providing a welcome for people and communities who<br />
have relocated to the city for work, for study or for refuge and most “incomers” have<br />
settled in the inner city neighbourhoods. The older immigrant communities – Irish,<br />
Caribbean, Pakistani, Indian, Chinese – have been joined by more recent arrivals<br />
from Eastern Europe, Africa and the Middle East. <strong>Sheffield</strong> <strong>Live</strong>! will broadcast<br />
programmes in community languages providing access to community information<br />
and news from different regions of the world, but it will also aim to bring people<br />
together, to challenge stereotypes and to encourage integration and engagement.<br />
The spoken word will be a key part of <strong>Sheffield</strong> <strong>Live</strong>! output. We already carry<br />
programme slots on social issues such as disability rights and health. We involve<br />
<strong>Sheffield</strong> <strong>Live</strong>! volunteers in social action broadcast campaigns such as those we are<br />
currently preparing for A World Without Violence Against Women (25 November) and<br />
International AIDS Day (1 December) and we encourage the involvement of creative<br />
writers and actors through fostering production groups such as “Write Directions”.<br />
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7.2 How will your proposed community radio service be different and distinct from<br />
existing (non-BBC) local radio services in the area concerned, and how will it<br />
broaden the range of programming offered in the locality? In addition, please explain<br />
how your proposed service will be of a nature or have a content distinct from that of<br />
any other local service with which it overlaps by fifty per cent or more in terms of<br />
population.<br />
There is no similar service to <strong>Sheffield</strong> <strong>Live</strong>! in the coverage area. We aim to be the<br />
first community radio station for the city of <strong>Sheffield</strong> but we also wish to encourage<br />
other community radio projects to get underway. In comparison with existing (non-<br />
BBC) services <strong>Sheffield</strong> <strong>Live</strong>! will be the only service carrying a diversity of nonenglish<br />
languages. It will be the only station with a substantial commitment to local<br />
community news, information and participation. It will be the only station in which<br />
people can bring their own creative programme ideas, be it speech or music, and<br />
expect to develop them for production and broadcast. It will be the only station with<br />
substantial coverage of locally produced music, local writing and local festivals.<br />
The existing services are all regional (Yorkshire) or sub-regional (South Yorkshire)<br />
The regional services offer very little local content whilst the South Yorkshire services<br />
balance their output between <strong>Sheffield</strong>, Barnsley, Rotherham and Doncaster. The<br />
two South Yorkshire services, Hallam FM and Magic AM are predominantly pop<br />
music based, Hallam FM having a high proportion of chart music, while Magic AM is<br />
more oriented towards easy listening. The regional services consist of a music<br />
service (Galaxy FM) which is predominantly dance/RnB and a music and talk service<br />
(Real Radio) which has little appeal to our target audiences in inner city <strong>Sheffield</strong>.<br />
7.3 Music and Speech Output<br />
The music:speech radio on <strong>Sheffield</strong> <strong>Live</strong>! will be approximately 75:25.<br />
Music will be diverse but distinctly outside the mainstream. There will be very little<br />
music played from the popular music charts. At peak listening times we will carry a<br />
mixture of good music from different genres and cultures whilst at other times we will<br />
provide specialist music programming for a wide variety of tastes with an emphasis<br />
on music that reflects the particular tastes and interests of our communities.<br />
Speech programming will include a daily community magazine programme with<br />
news, information, interviews and discussion about community issues and affairs. We<br />
will carry magazine format programmes in community languages addressing local<br />
community issues and news from other parts of the world. We will carry a range of<br />
arts programmes with speech content including new writing, poetry and drama and<br />
we will carry programmes addressing social issues such as disability and health.<br />
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7.4 Type(s) of music output included<br />
The balance of music on <strong>Sheffield</strong> <strong>Live</strong>! will vary from time to time as new<br />
programme ideas start and others take a break but 70 per cent will be music outside<br />
the mainstream and less than 10 per cent will be currently in the top forty charts.<br />
<strong>Sheffield</strong> <strong>Live</strong>! will encourage and promote local musicians, DJs, singers, songwriters<br />
and composers and music programming will include interviews with musicians and<br />
others from the local music scene as well as live studio performances.<br />
<strong>Sheffield</strong> <strong>Live</strong> DJs include people with excellent music knowledge but who are new to<br />
radio and DJing and others who are established local club DJs with regular nights.<br />
Most of our DJs play music that is not usually heard on the radio either because it is<br />
from a genre that is not played in mainstream radio or because it is from a more<br />
familiar genre (eg RnB, dance) but has not yet broken out of the club scene.<br />
We will carry many genres, the following list is approximate and not exclusive:<br />
Club and dance, RnB 20%<br />
Reggae, ragga, jungle 15%<br />
Hip-hop, rap 5%<br />
Asian pop (bollywood, bhangra, indi pop) 10%<br />
Asian traditional (ghazals, geets, sufi) 5%<br />
Latin (salsa, meringue, rumba, chachacha etc) 5%<br />
African (afrobeat, juju, highlife etc etc) 5%<br />
Chart and Indie 15%<br />
Other (various)<br />
20%<br />
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7.5 Type(s) of speech output included<br />
<strong>Sheffield</strong> <strong>Live</strong>! will carry community news, information, advice and discussion at peak<br />
listening hours (breakfast and late afternoon) with programming in a magazine format<br />
of music and speech including live interviews and studio guests.<br />
Our flagship community affairs programme “Communities <strong>Live</strong>!” will be carried daily<br />
at midday and will be mainly speech based including topical community issues,<br />
studio guests, features, round table discussions and listener participation.<br />
We will carry magazine format programmes in several community languages<br />
addressing local community issues and news from other parts of the world.<br />
We will carry a range of arts programmes with substantial speech content including<br />
new writing, poetry and drama produced by the Write Directions Group.<br />
We will carry a range of specialist programmes addressing social issues such as<br />
disability, health and the environment in a participatory magazine based format.<br />
We will encourage music-based programmes to include relevant speech content<br />
such as interview with musicians and people from the local music industry.<br />
We will aim to develop a local news service in partnership with a local university<br />
journalism department based on a tested model from a previous RSL.<br />
The following list is an approximate breakdown of programming types:<br />
Communities <strong>Live</strong>! speech programme 10%<br />
General music/speech magazine programming 20%<br />
Magazine programmes in community languages 10%<br />
Music programming with speech content 20%<br />
New writing and other creative speech 5%<br />
News broadcasts 5%<br />
Music only with presenter links 30%<br />
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7.6 Details of Third party Programming Sources<br />
We have no plans for a sustaining service or other third party programming<br />
7.7 Broadcast Hours<br />
We currently broadcast on the Internet four days per week, Friday to Monday, a total<br />
of 72 hours. In time for the launch of the community radio service we will review the<br />
programming and increase the hours to a minimum of 17 hours per day and more at<br />
weekends. The normal broadcast hours for live programming will be as follows:<br />
Monday – Thursday 7.00am to midnight<br />
Friday – Sunday 7.00 am to 2.00am<br />
7.8 Automated Output<br />
Initially we anticipate automated output during the following hours:<br />
Monday-Friday – midnight to 7.00 am<br />
Saturday-Sunday – 2.00 am – 7.00 am<br />
We expect reduction on these times as we build up additional night-time volunteer<br />
production teams and we expect also to replace some of the automated<br />
programming with live programming during festivals and other events.<br />
Automated output will have a music mix that reflects the diversity of <strong>Sheffield</strong> <strong>Live</strong>!<br />
7.9 Broadcast Languages(s)<br />
A majority of our programming would be in English but we will aim to carry regular<br />
programming in Hindi/Urdu, Punjabi, Somali, Yemini, Spanish, French, Portuguese<br />
and Cantonese. We also expect to have some programming in Kurdish, Hungarian,<br />
Persian, Russian, German, Japanese, Ethiopian, Thai, Italian, Polish and others.<br />
Some of our programming uses a mixture of languages, for example there is<br />
Congolese programme produced mainly in French with some local Congolese<br />
languages also being spoken along with English. We encourage this multi lingual<br />
approach to increase cross-cultural understanding of people’s history and culture.<br />
7.10 Commencement Date<br />
Our proposed commencement date is 1 July 2005 to coincide with the time of year<br />
when we would normally run an RSL. Upon award of a licence we would be ready to<br />
begin the community radio service within three months or earlier.<br />
We are currently broadcasting four days per week on the Internet. On confirmation of<br />
the licence we would commence a one month review of the existing schedule and<br />
programming followed by preparation, induction and training for the full-time service.<br />
Our technical facilities and volunteer base are already in place.<br />
Please continue to Section Eight on next page.<br />
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SECTION EIGHT - Finance<br />
(For more information about the individual questions below, please refer to sections 8.1 to 8.5 of the accompanying notes).<br />
8.1 Capital, Set-Up Funding and Financial Support:<br />
Provider of funds<br />
(name and address, status<br />
of provider e.g. charitable<br />
foundation, company etc.)<br />
Home Office<br />
50 Queen Anne’s Gate<br />
London SW1H 9AT<br />
Arts Council<br />
21 Bond Street, Dewsbury<br />
Yorkshire WF13 1AX<br />
The Big Lottery<br />
1 Plough Place<br />
London EC4A 1DE<br />
Yorkshire Forward<br />
Victoria House<br />
Leeds LS11 5AE<br />
South Yorkshire Objective 1<br />
Government Office<br />
Silkstone House<br />
Rotherham S63 7JZ<br />
Commedia <strong>Sheffield</strong> Ltd<br />
6 Paternoster Row<br />
<strong>Sheffield</strong> S1 2QQ<br />
Is funding<br />
in cash or<br />
in kind?<br />
Section continues on next page…<br />
Is this funding secured? Impact if<br />
funding is not secured /<br />
contingency arrangements.<br />
Cash Secured, part of 48,000 grant over<br />
12 months<br />
Cash Secured, part of 60,000 grant over<br />
two years<br />
Cash Secured, part of 180,000 grant for<br />
the period 2002 – 2005.<br />
Cash Applied for awaiting final approval.<br />
If not secured project will proceed<br />
at lower level of funding<br />
Cash Applied for awaiting final approval.<br />
If not secured project will proceed<br />
at lower level of funding<br />
In kind Secure, existing building and<br />
equipment assets of the project<br />
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Terms and conditions placed on<br />
funding (if any).<br />
Standard grant terms<br />
Standard grant terms<br />
Standard grant terms<br />
Standard grant terms<br />
Standard grant terms<br />
None, own resources<br />
Total Capital, Set-Up Funding and<br />
Financial Support:<br />
% of<br />
Funding<br />
Amount of<br />
Funding (£s).<br />
24,000<br />
15,000<br />
10,000<br />
30,000<br />
65,000<br />
600,000<br />
100% 744,000
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SECTION EIGHT – FINANCE (continued)<br />
8.2 Capital and Set-Up Expenditure:<br />
Item Details £s<br />
Premises (including Building works for studios, production area, training rooms and offices<br />
refurbishment and fitting out<br />
costs).<br />
295,000<br />
Transmission Equipment:<br />
Studio Equipment:<br />
Pre-Launch Publicity and<br />
Marketing (if any):<br />
Other one off costs (please<br />
specify)<br />
Capital equipment already<br />
owned by group (at current<br />
replacement value)<br />
Working Capital<br />
(Contingency Reserves)<br />
Pre-launch operating costs as per section 8.3<br />
(Please continue on an additional sheet if necessary).<br />
Section continues on next page…<br />
2 x broadcast studios, 1 x training/production studio, 12 x production workstations, 1 x OB<br />
vehicle, 1 x mobile studio, 12 x training room PCs, 20 x reporter kits, 6 x portable PCs, 2 x FM<br />
transmitters, central technical area, leased line installation, software and ancilliaries<br />
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136,247<br />
305,000<br />
7,753<br />
Total set up costs 744,000
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SECTION EIGHT – FINANCE (continued)<br />
8.3 Operating Costs<br />
OUTGOINGS Pre Launch Budget Year 1 Budget<br />
Items:<br />
Pre-launch<br />
6 to 3<br />
months (£s)<br />
Pre-launch<br />
Quarter (£s)<br />
On-Air<br />
Quarter 1<br />
(£s)<br />
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On-Air<br />
Quarter 2<br />
(£s)<br />
On Air<br />
Quarter 3<br />
(£s)<br />
On-Air<br />
Quarter 4<br />
(£s)<br />
Year 1<br />
Totals (£s)<br />
Hp/Leasing<br />
General and Administration<br />
- Staff 33,312 39,835 50,623 50,623 50,623 50,623 202,492<br />
- Premises 7,500 7,500 7,500 7,500 7,500 7,500 30,000<br />
- Legal and Professional 1,500 1,500 1,500 1,500 1,500 1,500 6,000<br />
- Establishment/overheads 7,750 7,750 10,250 10,250 10,250 10,250 41,000<br />
Engineering<br />
- Transmitter site rental 2,500 2,500 2,500 2,500 10,000<br />
- Transmitter maintenance 250 250 250 250 1,000<br />
- Small items of equipment 2,500 2,500 1,000 1,000 1,000 1,000 4,000<br />
Programming<br />
- Copyright fees 788 788 788 788 3,152<br />
- Music library 2,500 2,500<br />
- Acquired programming<br />
- News service<br />
- Consumables 500 500 1,000 1,000 1,000 1,000 4,000<br />
Sales cost/commissions (where<br />
appropriate)<br />
Marketing and promotion<br />
(where appropriate)<br />
2,000 3,000 2,500 2,500 2,500 2,500 10,000<br />
Audience research (where<br />
appropriate)<br />
5,000 5,000<br />
Broadcast Act and WTA fees 600 277 277 277 278 1,109<br />
Trainee expenses and materials 6,500 6,500 6,500 6,500 6,500 6,500 26,000<br />
Total Outgoings 64,662 71,585 84,688 84,688 84,688 84,689 338,753<br />
Section continues on next page…
Public Version 1.0 30th July 2004.<br />
SECTION EIGHT – FINANCE (continued)<br />
8.4 Annual Income and Revenue Funding (Year 1)<br />
Provider of funds<br />
(name and address,<br />
status of provider e.g.<br />
charitable foundation)<br />
Home Office<br />
50 Queen Anne’s<br />
Gate<br />
London SW1H 9AT<br />
Arts Council<br />
21 Bond Street,<br />
Dewsbury<br />
Yorkshire WF13 1AX<br />
Yorkshire Forward<br />
Victoria House<br />
Leeds LS11 5AE<br />
South Yorkshire<br />
Objective 1<br />
Government Office<br />
Silkstone House<br />
Rotherham S63 7JZ<br />
Is this<br />
funding in<br />
cash or in<br />
kind?<br />
Is this funding secured,<br />
impact if funding is not<br />
secured / contingency<br />
arrangements?<br />
Cash Secured, part of 48,000<br />
grant over 12 months<br />
Cash Secured, part of 60,000<br />
grant over two years<br />
Cash Applied for, awaiting final<br />
approval. If not secured<br />
project will proceed at<br />
lower level of funding<br />
Cash Applied for, awaiting final<br />
approval. If not secured<br />
project will proceed at<br />
lower level of funding<br />
Terms and conditions<br />
placed on funding (if<br />
any):<br />
- 45 -<br />
Anticipated % of<br />
Funding<br />
Amount of<br />
Funding (£s)<br />
(Year 1).<br />
Standard grant terms 7% 24,000<br />
Standard grant terms 9% 30,000<br />
Standard grant terms 18% 60,000<br />
Standard grant terms 38% 130,000<br />
Total Grant Income: 72% 244,000<br />
Section continues on next page…
Public Version 1.0 30th July 2004.<br />
Commercial and other sources.<br />
Type of Income and Revenue Funding.<br />
On-air spot advertising<br />
Programme sponsorship<br />
Other commercial revenues (off-air sponsorship, merchandising etc.). Please specify.<br />
Other non-commercial revenues (fund-raising, subscriptions, donations etc.). Please<br />
specify.<br />
Total Income and Revenue Funding:<br />
Section continues on next page…<br />
- 46 -<br />
Anticipated % of<br />
Funding<br />
Amount of<br />
Funding £s.<br />
14 48,000<br />
5 15,000<br />
4 12,000<br />
5 20,000<br />
100%<br />
339,000
Public Version 1.0 30th July 2004.<br />
SECTION EIGHT – FINANCE (continued)<br />
8.5 On-Air Commercial Activities<br />
Do you intend to seek commercial revenues?<br />
Will your proposed station carry on-air spot<br />
advertising?<br />
Will your proposed station carry on-air<br />
programme sponsorship?<br />
- 47 -<br />
Yes: (tick)<br />
<br />
Yes: (tick)<br />
<br />
Yes: (tick)<br />
<br />
OR No: (tick)<br />
?<br />
OR No: (tick)<br />
?<br />
OR No: (tick)<br />
?<br />
What contingencies are in place in case commercial revenues for the proposed<br />
service do not achieve the anticipated levels?<br />
During the first three years of the licence we do not expect the service to be primarily<br />
dependent on commercial revenues and if these revenues are short of projected<br />
targets we will reduce costs accordingly. Our objective is to build up a diversity of<br />
commercial revenue from different sources and for different types of activity in order<br />
to assure the long term sustainability of <strong>Sheffield</strong> <strong>Live</strong>!<br />
In the short term the company is largely underpinned by grant funding and this<br />
assures our ability to adjust to fluctuations in commercial revenue.<br />
Please continue to Section Nine on next page.
Public Version 1.0 30th July 2004.<br />
SECTION NINE - Engineering<br />
(For more information about the individual questions below, please refer to<br />
sections 9.1 to 9.12 of the accompanying notes).<br />
9.1 Please provide a description of your proposed transmission site<br />
The proposed transmission site is a Crown Castle Communications site currently<br />
used by BBC Radio <strong>Sheffield</strong> and which has also been used for Restricted Service<br />
Licences in the past. We have submitted a site-sharing request and are currently<br />
negotiating terms of access. We anticipate this site will give best coverage of central<br />
<strong>Sheffield</strong> but are aware that due to the local topography no single site will give full<br />
coverage of our target communities. We are also examining alternative locations<br />
including a city centre site at SK 349872 (40m agl) and SK 365875 (40m agl).<br />
9.2 Please provide a National Grid Reference for your proposed transmitter site:<br />
National Grid Reference: SK 325870<br />
9.3 Please tick this box to confirm you have included a map showing your<br />
proposed transmitter site location and the expected transmission coverage from it:<br />
Map supplied: (tick) <br />
9.4 Please tick this box to confirm you have included a photograph of your<br />
proposed transmitter site<br />
Photograph supplied: (tick) <br />
9.5 Site Availability. Please tick those boxes below which best describe your<br />
group's situation regarding your proposed transmitter site(s).<br />
Site Identified <br />
Agreement in Place: ?<br />
Under Negotiation <br />
Group Owns Site ?<br />
Site not yet identified ?<br />
Section continues on next page…<br />
- 48 -
Public Version 1.0 30th July 2004.<br />
9.6 Antenna Details<br />
(a) FM – Height of Antenna above Ground Level.<br />
30 metres Metres.<br />
(b) AM – Height of Transmitting Antenna.<br />
(c) AM & FM – Assumed height of local ground above sea level.<br />
9.7 Radiated Power. Please complete the appropriate sections below.<br />
(a) If you are proposing to operate on AM, please give the Effective Monopole<br />
Radiated Power (EMRP) level you expect to need in order to cover your proposed<br />
service area.<br />
- 49 -<br />
Metres.<br />
Metres.<br />
Watts.<br />
(b) If you are proposing to operate on FM, please give the Effective Radiated<br />
Power (ERP) level you expect to need in order to cover your proposed service area.<br />
(Vertical Polarisation).<br />
50W Watts.<br />
(c) If you are proposing to operate on FM, please give the Effective Radiated<br />
Power (ERP) level you expect to need in order to cover your proposed service area.<br />
(Horizontal Polarisation) (if used).<br />
Section continues on next page…<br />
Watts.
Public Version 1.0 30th July 2004.<br />
(d) Radiation (polar) Pattern. Please tick the appropriate box. If you tick the<br />
'Directional' box, please enclose horizontal radiation diagram(s), for the vertically<br />
polarised signal component, and for the horizontally polarised signal component (if<br />
used).<br />
Omni – Directional Directional ? .<br />
Diagram of Vertically<br />
Polarised signal component<br />
included<br />
?<br />
- 50 -<br />
Diagram of Horizontally<br />
Polarised signal component<br />
included<br />
9.8 Engineering Compliance.<br />
Transmission installation and testing for compliance with <strong>Ofcom</strong>’s engineering code<br />
will be contracted to Veronica, a radio engineering company based in the region.<br />
9.9 Principal Transmission Equipment.<br />
(a) Transmitter (Manufacturer) (model)<br />
SBS FM50 exciter/transmitter<br />
(b) Antenna (Manufacturer) (model)<br />
Jaybeam<br />
Folded dipole<br />
(c) Limiter / Processing (manufacturer) (model)<br />
SBS Maxim<br />
(d) Please provide a description of how these items of equipment will be<br />
configured, including details of any additional filtering you consider may be required.<br />
The SBS exciter contains the deviation peak limiter. At the power level proposed we<br />
do not anticipate additional filtering will be required.<br />
Section continues on next page…<br />
?
Public Version 1.0 30th July 2004.<br />
(e) Please provide details of the gain calculations used to arrive at the estimated<br />
ERP / EMRP figure required to cover the proposed service area of your station.<br />
The aerial will provide unity gain. We estimate 3dB losses from cable and connectors<br />
assuming 40 metres RG213 cable, attenuation 7dB/100 metres at 100 MHz.<br />
9.10 Radio Data System (RDS). If you are proposing to operate an FM service<br />
and want to transmit RDS data, please tick the box marked 'Yes', otherwise, tick<br />
'No'.<br />
Yes: (tick) <br />
No: (tick) ?<br />
9.11 Transmitter Maintenance and Repair.<br />
Transmitter maintenance and repair will be contracted to Veronica, a company based<br />
in the region. The company has extensive experience with small scale radio stations<br />
and has provided transmission services for several of the access radio pilots.<br />
9.12 Studio Location<br />
Address: 6 Paternoster Row, <strong>Sheffield</strong> S1 2QQ<br />
National grid reference: SK 357867<br />
Please continue to Section Ten on next page.<br />
- 51 -
Public Version 1.0 30th July 2004.<br />
SECTION TEN - Concluding Declaration.<br />
Do you confirm that, to the best of your knowledge and belief that:<br />
(1) The applicant is not a disqualified person in relation to the licence by<br />
virtue of the provisions of section 143 (5) of the Broadcasting Act 1996<br />
(relating to political objects);<br />
(2) No director, member or other person involved directly or indirectly in<br />
the management of the applicant group is the subject of a<br />
disqualification order as defined by section 145 (1) of the Broadcasting<br />
Act 1996;<br />
(3) No person involved in the application has been convicted within the<br />
past five years of an unauthorised broadcasting offence and that the<br />
applicant will do all it can to ensure that no person so convicted will be<br />
concerned in the provision of the service, the making of programmes<br />
included in it, or the operation of the radio station if the applicant is<br />
granted a licence; and<br />
(4) Any matters which might influence <strong>Ofcom</strong>'s judgement as to whether<br />
the directors or members of the applicant group are fit and proper<br />
persons to participate in a radio licence have been made to <strong>Ofcom</strong>.<br />
Applicants should note that <strong>Ofcom</strong> reserves the right to revoke a licence if at<br />
any time any material statement made is found to be false and to have been<br />
made by the applicant or any member or officer thereof knowing it to be false,<br />
and that in the circumstances of section 144 of the Broadcasting Act 1996, the<br />
provision of false information or the withholding of relevant information with<br />
the intention of misleading <strong>Ofcom</strong> could incur a criminal conviction and a<br />
disqualification from the holding of a licence.<br />
I agree that the applicant conforms with the above <br />
The ticked boxes below indicate which additional documentation is included as<br />
part of this application:<br />
Memorandum & Articles of Association <br />
Certificate of Incorporation <br />
Map of proposed transmitter site <br />
Photograph of proposed transmitter site <br />
Antenna pattern information ?<br />
Declaration continues on next page…<br />
- 52 -
Public Version 1.0 30th July 2004.<br />
Others Documents (please provide details in box below) <br />
Membership list (not for public distribution)<br />
Letters of support<br />
Confirmations of grant funding<br />
Application Payment (UK £ 600.00) non-returnable <br />
I hereby apply to <strong>Ofcom</strong> for the grant of a licence for the Community Radio<br />
Licence described above and declare that the information given in this<br />
application and any additional documentation is, to the best of my knowledge<br />
and belief, correct.<br />
Name: Sangita Basudev<br />
Position: Manager<br />
Date: 19 November 2004<br />
Please tick this box to confirm that you have kept a copy of this<br />
completed application form for your records.<br />
Please tick this box to confirm that you have completed this form<br />
as completely as possible and that you have attached / sent any<br />
required additional documentation, together with the nonreturnable<br />
application fee of £600.00<br />
Please return this form and any additional electronic information by e-mail to:<br />
If there is any paper-based material associated with this application, please send it<br />
to:<br />
Community Radio <strong>Licensing</strong><br />
Radio Planning & <strong>Licensing</strong> Team 3rd Floor<br />
<strong>Ofcom</strong><br />
Riverside House<br />
2A Southwark Bridge Road<br />
London<br />
SE1 9HA<br />
Please make sure you keep a copy of this form for your records.<br />
- 53 -
Tx site: Tapton Hill Road<br />
SK 325870 30m agl<br />
<strong>Sheffield</strong> <strong>Live</strong>! - Location Map<br />
- 54 -<br />
Studio: 6 Paternoster Row<br />
SK 357867
Proposed Transmission Site<br />
Crown Castle Communications<br />
Tapton Hill Road<br />
- 55 -
Memo commedia 1
COMPANY LIMITED BY GUARANTEE AND NOT HAVING A SHARE CAPITAL<br />
THE COMPANIES ACTS 1985 AND 1989<br />
MEMORANDUM OF ASSOCIATION of COMMEDIA SHEFFIELD<br />
1. The name of the Association (hereinafter called 'The Company') is Commedia<br />
<strong>Sheffield</strong>.<br />
2. The registered office of the Company will be situated in England.<br />
3. The Company is established to advance the education of the public and in particular,<br />
but not exclusively, people facing disadvantage and social exclusion by the provision<br />
of learning opportunities training courses in media literacy and communication skills.<br />
4. In furtherance of the said objects, but not further or otherwise, the Company shall have<br />
power:<br />
(a) to write, print, broadcast or otherwise reproduce by any means of recorded audio and/or<br />
visual information whether now or hereafter invented and circulate, gratuitously or<br />
otherwise, sound and video recordings, periodicals, magazines, books, leaflets or other<br />
documents;<br />
(b) to provide training, mentoring, advice and support to individuals and/or organisations;<br />
(c) to provide access to facilities for media production and distribution;<br />
(d) to hold exhibitions, meetings, lectures, classes, seminars, workshops, courses or other<br />
events either alone or with others;<br />
(e) to promote research, experimental work, scientific investigation and development into<br />
any aspect of the objects of the Company and its work and to disseminate the useful<br />
results of any such research for the public benefit;<br />
(f) to co-operate and enter into arrangements with any authorities, national, local or<br />
otherwise;<br />
Memo commedia 2
(g) to accept subscriptions, gifts, donations, devises and bequests of any real or personal<br />
property maintain and alter any of the same as are necessary for any of the objects of<br />
the Company and (subject to such consents as may be required by law) sell, lease,<br />
mortgage or otherwise dispose of any such property;<br />
(h) to issue appeals, hold public meetings and take such other steps as may be required for<br />
the purpose of procuring contributions to the funds of the Company in the shape of<br />
donations, subscriptions or otherwise;<br />
(i) to issue cheques and other financial instruments, and to operate bank and other accounts<br />
in the name of the Company;<br />
(j) subject to such consents as may be required by law, to borrow and raise money for the<br />
objects of the Company on such terms and conditions and on such security as may be<br />
thought fit;<br />
(k) to construct, maintain and alter buildings or erections;<br />
(l) to carry on trade in so far as either the trade is exercised in the course of the actual<br />
carrying out of a primary object of the company or such trade is temporary and ancillary<br />
to the carrying out of the said objects;<br />
(m) to take and accept any gift of money, property or other assets, whether subject to any<br />
special trust or not, for any one or more of the objects of the Company;<br />
(n) to subscribe for either absolutely or conditionally or otherwise acquire and hold shares,<br />
stocks, debentures, debenture stock or other securities or obligations of any other<br />
company;<br />
(o) to invest the monies of the Company not immediately required for its objects in or upon<br />
such investments, securities or property as may be thought fit;<br />
(p) to make any charitable donation either in cash or assets for the furtherance of the<br />
objects of the Company;<br />
(q) to establish or support any charitable institution and to subscribe or guarantee money<br />
for charitable purposes calculated to further the objects of the Company;<br />
(r) to lend money and give credit to, take security for such loans or credit from and to<br />
guarantee and become or give security for the performance of contracts or obligations<br />
Memo commedia 3
y any person or company as may be necessary or expedient for the work of the<br />
Company;<br />
(s) to purchase indemnity insurance to cover the liability of the Committee which by virtue<br />
of any rule of law would attach to them in respect of any negligence, default, breach of<br />
duty or breach of trust of which they may be guilty in relation to the Company provided<br />
that any such insurance shall not extend to any claim arising from any act or omission<br />
which the Committee knew to be a breach of trust or breach of duty or which was<br />
committed by the Committee in reckless disregard of whether it was a breach of duty or<br />
not and provided also that any such insurance shall not extend to the costs of an<br />
unsuccessful defence to a criminal prosecution brought against the Committee in their<br />
capacity as Directors of the Company;<br />
(t) to employ and pay such staff (who shall not be members of the Committee ) to<br />
supervise, organise, carry on the work of and advise the Company;<br />
(u) to purchase insurance to cover the officers, staff, voluntary workers and those of its<br />
members from and against all such risks incurred in the course of the performance of<br />
their duties, as may be thought fit;<br />
(v) to pay reasonable annual sums or premiums for or towards the provision of pensions for<br />
staff for the time being of the Company and their dependants;<br />
(w) to purchase insurance to cover any buildings or other property to their full value;<br />
(x) to amalgamate with any companies, institutions, societies or associations which are<br />
charitable at law and have objects altogether or mainly similar to those of the Company<br />
and which prohibit the payment of any dividend or profit to and the distribution of any<br />
of their assets amongst their members at least to the same extent as such payments or<br />
distributions are prohibited in the case of members of the Company by this<br />
Memorandum of Association;<br />
(y) to pay out of the funds of the Company the costs, charges and expenses of and<br />
incidental to the formation and registration of the Company;<br />
(z) to establish where necessary local branches (whether autonomous or not);<br />
(aa) to do all such other lawful things as shall further the above objects or any of them.<br />
Memo commedia 4
5. The income and property of the Company shall be applied solely towards the<br />
promotion of its objects as set forth in this Memorandum of Association and no<br />
portion thereof shall be paid or transferred, directly or indirectly, by way of dividend,<br />
bonus or otherwise howsoever by way of profit, to members of the Company and no<br />
member of its Committee shall be appointed to any office of the Company paid by<br />
salary or fees or receive any remuneration or other benefit in money or money's worth<br />
from the Company provided that nothing herein shall prevent any payment in good<br />
faith by the Company:<br />
(a) of reasonable and proper remuneration to any member, officer, employee or consultant<br />
of the Company not being a member of its Committee for any services rendered to the<br />
Company;<br />
(b) of a reasonable rate of interest on money lent by any member of the Company or of its<br />
Committee<br />
(c) of reasonable and proper rent for premises demised or let by any member of the<br />
Company or of its Committee;<br />
(d) of fees, remuneration or other benefit in money or money's worth to a company of<br />
which a member of the Committee may also be a member holding not more than<br />
1/100th part of the capital of that company;<br />
(e) of out-of-pocket expenses to any member of its Committee; and<br />
(f) of any premium paid for insurance to cover the liability of the Committee as provided<br />
for in Clause 4(s) of this Memorandum.<br />
6. The liability of the members is limited.<br />
7. Every member of the Company undertakes to contribute to the assets of the Company,<br />
in the event of the same being wound up whilst being a member, or within one year<br />
after ceasing to be a member, for payment of the debts and liabilities of the Company<br />
contracted before ceasing to be a member, and of the costs, charges and expenses of<br />
winding up, and for the adjustment of the rights of the contributories among<br />
themselves, such amount as may be required not exceeding one pound.<br />
Memo commedia 5
8. If upon the winding-up or dissolution of the Company there remains, after the<br />
satisfaction of all its debts and liabilities, any property whatsoever, the same shall not<br />
be paid to or distributed among the members of the Company, but shall be given or<br />
transferred to some other charitable institution or institutions having objects similar to<br />
the objects of the Company, and which prohibit the distribution of its or their income<br />
and property to an extent at least as great as is imposed on the Company under or by<br />
virtue of Clause 5 hereof, such institution or institutions to be determined by the<br />
members of the Company at or before the time of dissolution, and in so far as effect<br />
cannot be given to such provision, then to some other charitable object.<br />
Memo commedia 6
THE COMPANIES ACTS 1985 AND 1989<br />
COMPANY LIMITED BY GUARANTEE AND NOT HAVING A SHARE CAPITAL<br />
ARTICLES OF ASSOCIATION OF COMMEDIA SHEFFIELD<br />
INTERPRETATION<br />
1. In these Articles:<br />
'the Act' means the Companies Act 1985 as amended by the Companies Act 1989 or any reenactment<br />
or statutory modification of those Acts.<br />
'clear days' in relation to the period of a notice means the period excluding the day when the<br />
notice is given or deemed to be given, and the day for which it is given or on which it is to take<br />
effect.<br />
'the Committee' means the Management Committee of the Company who shall also be the<br />
directors of the Company.<br />
'the Company' means the above named Company.<br />
'the Office' means the registered office o f the Company.<br />
'the seal' means the common seal of the Company.<br />
'secretary' means any person appointed to perform the duties of the secretary of the Company.<br />
'the United Kingdom' means Great Britain and Northern Ireland.<br />
Expressions referring to writing shall, unless the contrary intention appears, be construed as<br />
including references to printing, lithography, photography, and other modes of representing or<br />
reproducing words in a visible form.<br />
Unless the context otherwise requires, words or expressions contained in these Articles shall<br />
bear the same meaning as in the Act or any statutory modification thereof in force at the date at<br />
which these Articles become binding on the Company.<br />
Words importing persons shall include corporations and natural persons.<br />
OBJECTS
2. The Company is established for the objects expressed in the Memorandum of<br />
Association.<br />
MEMBERS<br />
3. The subscribers to the Memorandum of Association and such other persons as the<br />
Committee shall admit to membership shall be members of the Company.<br />
4. Every person admitted to membership of the Company shall either sign a written<br />
consent to become a member or sign the register of members.<br />
5. An application for membership may be approved or rejected by the Committee. The<br />
Committee shall have the right for good and sufficient reason to terminate the membership of<br />
any member provided that the member concerned shall have a right to be heard before a final<br />
decision is made.<br />
6. Unless the members of the Committee or the Company in General Meeting shall make<br />
other provision pursuant to the powers contained in Article 62 the Committee members may in<br />
their absolute discretion permit any member of the company to retire provided that after such<br />
retirement the number of members is not less than three. Membership shall not be transferable.<br />
GENERAL MEETINGS<br />
7. The Company shall each year hold a General Meeting as its Annual General Meeting in<br />
addition to any other meetings in that year, and shall specify the meeting as such in the notices<br />
calling it; and not more than fifteen months shall elapse between the date of one Annual<br />
General Meeting of the Company and that of the next. Provided that so long as the Company<br />
holds its first Annual General Meeting within eighteen months of its incorporation, it need not<br />
hold it in the year of its incorporation or in the following year. The Annual General Meeting<br />
shall be held at such time and place as the Committee shall appoint. All General Meetings other<br />
than Annual General Meetings shall be called Extraordinary General Meetings.<br />
8. The Committee may whenever they think fit convene an Extraordinary General<br />
Meeting, and Extraordinary General Meetings shall also be convened on such requisition, or, in<br />
default, may be convened by such requisitionists, as provided by the Act.<br />
NOTICE OF GENERAL MEETINGS<br />
9. An Annual General Meeting and a meeting called for the passing of a special resolution<br />
shall be called by at least twenty-one clear days' notice in writing. Other meetings shall be<br />
called by at least fourteen clear days' notice in writing. The notice shall specify the place, the<br />
day and the hour of meeting and, in case of special business, the general nature of that business,<br />
and shall be given, in manner hereinafter mentioned or in such other manner, if any, as may be<br />
prescribed by the Company in General Meeting, to such persons as are, under the Articles of the<br />
Company, entitled to receive such notices from the Company: provided that a meeting of the
Company shall, notwithstanding that it is called by shorter notice than specified in this Article,<br />
be deemed to have been duly called if it is so agreed:<br />
(a) in the case of the Annual General Meeting, by all the members entitled to attend<br />
and vote at it; and<br />
(b) in the case of any other meeting, by a majority of the me mbers having a right to<br />
attend and vote at the meeting, being a majority together representing not less<br />
than ninety-five per cent of the total voting rights at that meeting of all the<br />
members.<br />
10. The accidental omission to give notice of a meeting to, or the non-receipt of notice of a<br />
meeting by, any person entitled to receive notice shall not invalidate the proceedings of that<br />
meeting.<br />
PROCEEDINGS AT GENERAL MEETINGS<br />
11. The business to be transacted at an Annual General Meeting shall include the<br />
consideration of the accounts, balance sheets, and the reports of the Committee and auditors, the<br />
election of members of the Committee in the place of those retiring and the appointment of, and<br />
the fixing of the remuneration of, the auditors.<br />
12. No business shall be transacted at any General Meeting unless a quorum of members is<br />
present at the time when the meeting proceeds to business; three voting members present in<br />
person shall be a quorum. If within half an hour from the time appointed for the meeting a<br />
quorum is not present the meeting shall be adjourned to such other day and at such other time<br />
and place as the Committee may determine. If at the adjourned meeting a quorum is not present<br />
within half an hour after the appointed starting time, the members present will be a quorum.<br />
13. The Chair, if any, of the Committee shall chair every General Meeting of the Company,<br />
or if there is no such Chair, or if he shall not be present within fifteen minutes after the time<br />
appointed for the holding of the meeting or is unwilling to act, the members of the Committee<br />
present shall elect one of their number to chair the meeting.<br />
14. If at any meeting no Committee member is willing to act as Chair or if no Committee<br />
member is present within fifteen minutes after the time appointed for holding the meeting, the<br />
voting members present shall choose one of their number to chair the meeting.<br />
15. A Committee member shall, notwithstanding that he or she is not a member of the<br />
Company, be entitled to attend and speak at any General Meeting.<br />
16. The Chair may, with the consent of any meeting at which a quorum is present (and shall<br />
if so directed by the meeting), adjourn the meeting from time to time and from place to place,<br />
but no other business shall be transacted at any adjourned meeting other than the business left
unfinished at the meeting from which the adjournment took place. When a meeting is adjourned<br />
for fourteen days or more, notice of the adjourned meeting shall be given as in the case of an<br />
original meeting. Otherwise it shall not be necessary to give any notice of an adjournment or of<br />
the business to be transacted at an adjourned meeting.<br />
17. At any General Meeting a resolution put to the vote of the meeting shall be decided on a<br />
show of hands unless, before or on the declaration of the result of the show of hands, a poll is<br />
demanded:<br />
(a) by the Chair; or<br />
(b) by at least two members present and having the right to vote at the meeting.<br />
Unless a poll is so demanded, a declaration by the Chair that a resolution has on a show of<br />
hands been carried or carried unanimously, or by a particular majority, or lost and an entry to<br />
that effect in the minutes of proceedings of the Company shall be conclusive evidence of the<br />
fact without proof of the number or proportion of the votes recorded in favour of or against such<br />
resolution.<br />
The demand for a poll may be withdrawn before the poll is taken, but only with the consent of<br />
the Chair. The withdrawal of the demand for a poll shall not invalidate the result of a show of<br />
hands declared before the demand for the poll was made.<br />
18. In the case of an equality of votes, whether on a show of hands or on a poll, the Chair of<br />
the meeting shall be entitled to a second or casting vote in addition to any other vote he may<br />
have.<br />
19. A poll demanded on the election of a Chair, or on a question of adjournment, shall be<br />
taken immediately. A poll demanded on any other question shall be taken at such time and in<br />
such manner as the Chair of the meeting directs, not being more than thirty days after the poll is<br />
demanded, and any business other than that upon which a poll has been demanded may proceed<br />
pending the taking of the poll. The result of the poll shall be deemed to be the resolution of the<br />
meeting at which the poll was demanded.<br />
20. Subject to the provisions of the Act, a resolution in writing signed by all the members<br />
entitled to receive notice of and to attend and vote at General Meetings (or organisations by<br />
their duly authorised representatives) shall be as valid and effective as if it had been passed at a<br />
general meeting of the Company duly convened and held. Any such resolution in writing may<br />
consist of two or more documents in like form each signed by one or more members.<br />
21. No notice need be given of a poll not taken immediately if the time and the place at<br />
which it is to be taken are announced at the meeting at which it is demanded. In other cases at<br />
least seven clear days' notice shall be given specifying the time and place at which the poll is to<br />
be taken.<br />
VOTES OF MEMBERS
22. Subject to Article 18, every member shall have one vote. No proxy votes are allowed.<br />
The Committee may make arrangements for postal voting on such terms and conditions as it<br />
thinks fit.<br />
23. No member shall be entitled to vote at any General Meeting unless all monies presently<br />
payable by him or her to the Company have been paid.<br />
24. No objection shall be raised to the qualification of any voter except at the meeting or<br />
adjourned meeting at which the vote objected to is tendered, and every vote not disallowed at<br />
the meeting shall be valid. Any objection made in due time shall be referred to the Chair whose<br />
decision shall be final and conclusive.<br />
25. A vote given or poll demanded by the duly authorised representative of a member<br />
organisation shall be valid notwithstanding the previous determination of the authority of the<br />
person voting or demanding a poll unless notice of the determination was received by the<br />
Company at the registered office before the commencement of the meeting or adjourned<br />
meeting at which the vote is given or the poll demanded or (in the case of a poll taken otherwise<br />
than on the same day as the meeting or adjourned meeting) the time appointed for taking the<br />
poll.<br />
ORGANISATIONS ACTING BY REPRESENTATIVES AT MEETINGS<br />
26. Any organisation which is a member of the Company may by resolution of its<br />
Committee or other governing body authorise such person as it thinks fit to act as its<br />
representative at any meeting of the Company, and the person so authorised shall be entitled to<br />
exercise the same powers on behalf of the organisation which he represents as that organisation<br />
could exercise if it were an individual member of the Company.<br />
COMMITTEE OF MANAGEMENT<br />
27. The maximum number of Committee members shall be determined by the Company in<br />
General Meeting, but unless and until so fixed there shall be no maximum number. The<br />
minimum number of Committee Members shall be three.<br />
28. The first Committee members shall be those persons named in the statement delivered<br />
pursuant to Section 10(2) of the Act, who shall be deemed to have been appointed under these<br />
Articles. Future Committee members shall be appointed as provided subsequently in these<br />
Articles.<br />
29. The Committee members may be paid all reasonable out of pocket, hotel and other<br />
expenses properly incurred by them in attending and returning from Committee meetings or<br />
General Meetings of the Company or in connection with the business of the Company.<br />
BORROWING POWERS
30. The Committee may exercise all the powers of the Company to borrow money, and to<br />
mortgage or charge its undertaking and property, or any part thereof, and to issue debentures,<br />
debenture stock and other securities, whether outright or as security for any debt, liability or<br />
obligation of the Company or of any charitable body where such action will directly further the<br />
objects of the Company.<br />
POWERS AND DUTIES OF THE COMMITTEE<br />
31. The business of the Company shall be managed by the Committee who may pay all<br />
expenses incurred in the formation of the Company, and may exercise all such powers of the<br />
Company as are not required to be exercised by the Company in General Meeting. Any such<br />
requirement may be imposed either by the Act or by these Articles or by any regulation made<br />
by the Company in General Meeting; but no such regulation shall invalidate any prior act of the<br />
Committee which would have been valid if that regulation had not been made.<br />
32. All cheques and other negotiable instruments, and all receipts for moneys paid to the<br />
Company, shall be signed or otherwise executed, as the case may be, in such manner as the<br />
Committee shall from time to time determine provided that all cheques shall be signed by not<br />
less than two authorised signatories.<br />
33. The Committee shall arrange for minutes to be made:<br />
(a) of all appointments of officers made by the Committee;<br />
(b)of the names of the Committee members present at each Committee meeting; and<br />
(c) of all resolutions and proceedings at all meetings of the Company, and of the<br />
Committee.<br />
34. A Committee member shall not vote in respect of any contract in which he or she is<br />
interested or any matter arising therefrom, and if he does so vote his vote shall not be counted.<br />
35. Subject to Article 27 the Company may from time to time by ordinary resolution<br />
increase or reduce the number of Committee members.<br />
36. The Committee shall have power at any time to appoint any person to be a Committee<br />
member, either to fill a casual vacancy or as an addition to the existing members but so that the<br />
total number of Committee members shall not at any time exceed any maximum number fixed<br />
in accordance with these Articles. Any Committee member so appointed shall hold office only<br />
until the next following Annual General Meeting, and shall then be eligible for re-election.<br />
37. No person may be appointed as a Committee member:<br />
(a) unless he or she has attained the age of 18 years;
(b)in circumstances that, had he already been a Committee member, he or she would<br />
have been disqualified from acting under the provisions of Article 42.<br />
ELECTION AND RETIREMENT OF COMMITTEE MEMBERS<br />
38. At the first and every subsequent Annual General Meeting of the Company all the<br />
Committee members shall retire from office.<br />
39. A retiring Committee member shall be eligible for re-election.<br />
40. The Company at the meeting at which a Committee member retires in manner aforesaid<br />
may fill the vacated office by electing a person thereto, and in default the retiring Committee<br />
member shall, if offering himself or herself for re-election, be deemed to have been re-elected,<br />
unless at such meeting it is expressly resolved not to fill such vacated office or unless a<br />
resolution for the re-election of such member shall have been put to the meeting and lost.<br />
41. No person other than a Committee member retiring at the meeting shall unless<br />
recommended by the Committee be eligible for election to the Committee at any General<br />
Meeting unless, not less than three nor more than twenty-one days before the date set for the<br />
meeting, there shall have been left at the registered office of the Company notice in writing<br />
signed by a member qualified to attend and vote at the meeting for which such notice is given,<br />
of his intention to propose such person for election, and also notice in writing signed by that<br />
person of his or her willingness to be elected. The notice shall give the particulars of that person<br />
which would, if he were so appointed, be required to be included in the register of committee<br />
members.<br />
DISQUALIFICATION AND REMOVAL OF COMMITTEE MEMBERS<br />
42. A Committee member shall cease to hold office if the member:<br />
(a) ceases to be a Committee member by virtue of any provision in the Act or<br />
is disqualified from acting as a Committee member by virtue of Section 72 of the Charities Act<br />
1993 (or any statutory re-enactment or modification of that provision);<br />
(b) becomes incapable by reason of mental disorder, illness or injury of<br />
managing and administering his or her own property and affairs;<br />
(c) subject to Article 6 resigns his or her office by written notice to the Company;<br />
(d) ceases to be a member of the Company;
(e) is absent without the agreement of the Committee members from all their<br />
meetings held within a period of six months and the Committee members resolve that his or her<br />
office be vacated;<br />
(f) is removed from office by a three-quarters majority vote of the rest of the<br />
members of the Committee at a special meeting called for that purpose, when in the opinion of<br />
the Committee, it appears that the member in question is acting in a manner detrimental or<br />
prejudicial to the well being of the Company<br />
PROCEEDINGS OF THE COMMITTEE<br />
43. The Committee may meet together for the despatch of business, adjourn, and otherwise<br />
regulate their meetings, as they think fit. Questions arising at any meeting shall be decided by a<br />
majority of votes. In the case of an equality of votes the Chair shall have a second or casting<br />
vote. Any two Committee members may, and the secretary shall, on the request of any two<br />
Committee members summon a Committee meeting at any time.<br />
44. The quorum necessary for the transaction of the business of the Committee may be fixed<br />
by the Committee and unless so fixed shall be one-third of the membership of the Committee,<br />
subject to a minimum of two.<br />
45. The Committee may act notwithstanding any vacancy in their body, but, if and as long<br />
as their number is reduced below the number fixed by or pursuant to the Articles of the<br />
Company as the necessary quorum of members, the Committee may act for the purpose of<br />
increasing the number of members to that number, or of summoning a General Meeting of the<br />
Company, but for no other purpose.<br />
46. The Committee may elect a Chair of their meetings and determine the period for which<br />
he or she is to hold office; but, if no such Chair is elected, or if at any meeting the Chair is not<br />
present within fifteen minutes after the time appointed for holding the same, the Committee<br />
members present may choose one of their number to chair the meeting.<br />
47. The Committee may delegate any of their powers to sub-committees consisting of such<br />
Committee members as they think fit; any sub-committee so formed shall conform to any<br />
regulations that may be imposed on it by the Committee and shall report all acts and<br />
proceedings to the Committee fully and promptly.<br />
48. A sub-committee may elect a Chair of its meetings; if no such Chair is elected, or if at<br />
any meeting the Chair is not present within five minutes after the time appointed for holding the<br />
same, the members present may choose one of their number to chair the meeting.
49. A sub-committee may meet and adjourn as it thinks proper. Questions arising at any<br />
meeting shall be determined by a majority of votes of the members present, and in the case of<br />
an equality of votes the Chair shall have a second or casting vote.<br />
50. All acts done by any meeting of the Committee or of a sub-committee, or by any person<br />
acting as a Committee member, shall, notwithstanding that it be afterwards discovered that<br />
there was some defect in the appointment of any such member or person acting as aforesaid, or<br />
that they or any of them were disqualified, be as valid as if every such person had been duly<br />
appointed and was qualified to be a Committee member.<br />
51. A resolution in writing, signed by all the Committee members entitled to receive notice<br />
of a Committee meeting, shall be as valid and effectual as if it had been passed at a Committee<br />
meeting duly convened and held, and may consist of several documents in like form each<br />
signed by one Committee member or more.<br />
SECRETARY<br />
52. The Committee shall appoint (and may remove) any person to act as Company Secretary<br />
in accordance with the Act provided that if a Committee member is appointed he or she shall<br />
not be paid.<br />
THE SEAL<br />
53. The Committee shall provide for the safe custody of a seal, if any, which shall only be<br />
used by the authority of the Committee and every instrument to which the seal shall be affixed<br />
shall be signed by a Committee member and shall be countersigned by the secretary or by a<br />
second Committee member or by some other person appointed by the Committee for the<br />
purpose.<br />
ACCOUNTS<br />
54. Accounts shall be prepared in accordance with the provisions of Part VII of the Act.<br />
ANNUAL REPORT AND ANNUAL RETURN<br />
55. The Committee members shall comply with their obligations under the Charities Act<br />
1993 (or any statutory re-enactment or modification of that Act) with regard to the preparation<br />
of an annual report and/or an annual return and its transmission to the Commissioners.<br />
NOTICES<br />
56. Any notice to be given to or by any person pursuant to the Articles shall be in writing<br />
except that a notice calling a meeting of the Committee need not be in writing.<br />
57. The Company may give any notice to a member either personally or by sending it by<br />
post to him or to his registered address or by leaving it at that address. A member whose
egistered address is not within the United Kingdom and who gives the Company an address<br />
within the United Kingdom at which notices may be given to him shall be entitled to have<br />
notices given to him at that address, but otherwise no such member shall be entitled to receive<br />
any notice from the Company.<br />
58. Notice of every general meeting shall be given in any manner hereinbefore authorised<br />
to:<br />
(a) every member except those members who (having no registered address within<br />
the United Kingdom) have not supplied to the Company an address within the<br />
United Kingdom for giving of notices to them;<br />
(b) the auditor for the time being of the Company; and<br />
(c) each Committee member.<br />
No other person shall be entitled to receive notices of General Meetings.<br />
59. A member present in person at any meeting of the Company shall be deemed to have<br />
received notice of the meeting and, where necessary, of the purposes for which it was called.<br />
INDEMNITY<br />
60. Subject to the provisions of the Act every Committee member or other officer or auditor<br />
of the Company shall be indemnified out of the assets of the Company against any liability<br />
incurred by him in that capacity in defending any proceedings, whether civil or criminal, in<br />
which judgement is given in his favour or in which he is acquitted or in connection with any<br />
application in which relief is granted to him by the court from liability for negligence, default,<br />
breach of duty or breach of trust in relation to the affairs of the Company.<br />
DISSOLUTION<br />
61. Clause 8 of the Memorandum of Associatio n relating to the winding up and dissolution<br />
of the Company shall have effect as if the provisions thereof were repeated in these Articles.<br />
RULES OR BYE LAWS<br />
62. The Committee may from time to time make such Rules or Bye Laws as it may deem<br />
necessary or convenient for the proper conduct and management of the Company provided that<br />
no Rule or Bye Law shall be inconsistent with, or shall affect or repeal anything contained in,<br />
the Memorandum or Articles of Association of the Company.