Negro Digest - Freedom Archives
Negro Digest - Freedom Archives Negro Digest - Freedom Archives
1 . Walter Dyson, Howard University : The Capstone of Negro Education . Washington : Howard University Graduate School, 1942, passim . 2 . Ibid ., p . 19 . "Whittlesey Testimon," Howard Investigation (Congressional), 1870, p . 2 . See also Nathan Hare, "Behind the Black College Student Revolt," Ebony, August, 1967, pp . 58-61 . 3 . The Special Court of Inquiry upon Charges Against General Howard, May 5, 1874 . "The Profit of Godliness-a Pious Brigadier," The Capital of Washington, D . C ., June 22, 1873 . 4 . The New York Evening Post, June 18, 1875 . Ibid ., July 10, 1875 . 5 . Hare et . a l v . Howard, Civil Action no . 2037-67 . 6 . Ibid. 7 . Ibid. 8 . Attorne y Richard Millman, American Civil Liberties Union lawyer, Hare et . al . v . Howard . 9 . George Hayes, Howard Attorney, Hare et . al . v . Howard. 10 . Washingto n Free Press, May, 1967 . 1 l . Walter Dyson, op . cit., p . 90 . 12 . Hare et. al . v . Howard . Nathan Hare, author of the article, "The Decline and Impending Fall of A `Black' University," is author of the book, The Black Anglo Saxons, and a popular spokesman for the "Black Consciousness" movement. He recently received an appointment as coordinator of a projected Black Studies Program at San Francisco State College . 76 March 1968 NEGRO DIGEST
penniless writer, he travels the gamut from beans and ham hocks to plush meals in Europe . He leaves the Negro paper for a more profitable position on a "liberal" white one . His published novels become a measured success, so successful that one eventually goes into paperback . He joins the White House staff as a speech writer for a "Kennedy-type" President, and leaves unhappily because the President doesn't use any of his speeches . He emasculates his manhood through his relationships with black and white women and soon becomes a carbon-copy of that white boy . Lillian Patch, who is killed because of an abortion, was, of course, the prototype of the "Negro" professional woman, one who had acquired all the white "values" of her society and who wished to live those "values ." Lillian and Max would have gotten married had Max had a better paying job, and had he moved more swiftly into the American "mainstream ." Max made the mistake of letting Lillian wear the pants, and in effect lost himself and Lillian . After a short depression period brought on by the death of Lillian, Max is regenerated through a job with the New York Century-a liberal white paper-and the publication of his third novel . After a successful stay at the Century, Max leaves and joins Pace (a Time-style NEGRO DIGEST 'March f968 (Continued from pn e 52) magazine) and works his way up to chief of its African bureau . The scene of the novel shifts from the United States to Africa and Europe . While in Africa we learn such things as the truth about the African slave trade, that black Africans own a very small percentage of their land, that the black masses of South Africa, with its own system of apartheid, have a higher standard of living than the masses of Africans in other areas of the continent . We learn that the majority of black leaders in the "independent" nations of Africa are just as devious, selfish and pro- Western as the black middle-class in the United States . In Europe, we have glimpses of Jean-Paul Sartre, Albert Camus and the whole French-black intellectual association . As in the Europe of Hemingway, Pound, Eliot, Joyce and Fitzgerald, black writers are not wanted or needed . Finally, while we are in Europe, we come to the revolutionary discovery of the "King Alfred Contingency Plan" for the detention and systematic extermination of the Afro- American people . While attending the funeral of Harry Ames, Max is given this highly secret information by Harry's white mistress . As Max reads the letter from Harry explaining the plan, his physical pain (cancer of the rectum) leaves him and is replaced with the 77
- Page 25 and 26: ante is formidable is obvious to an
- Page 27 and 28: Social Change in the Sixties THE BL
- Page 29 and 30: trends in the black community to sh
- Page 31 and 32: ployment rate for black youth betwe
- Page 33 and 34: For Our People - Everywhere "By far
- Page 35 and 36: analogues for possible study . ) We
- Page 37 and 38: World publication of the Caribbean,
- Page 39 and 40: NEGRO DIGEST March 1968 39
- Page 41 and 42: NEGRO DIGEST March 1968 4 1
- Page 43 and 44: make Howard "sixty per cent white"
- Page 45 and 46: Simultaneously there arose a hybrid
- Page 47 and 48: NEGRO DIGEST March 1968 In the days
- Page 49 and 50: A Call To Concerned Black Educators
- Page 51 and 52: BOOK "Great Literature i.s simply l
- Page 53 and 54: the members of Miss Brooks' worksho
- Page 55 and 56: BY CHRISTINE REAMS ' . . . Ifo .sat
- Page 57 and 58: as Mike and Jim dashed down the ste
- Page 59 and 60: "Oh, my hair i~ so curly, so curly
- Page 61 and 62: one of them a good whipping, no mat
- Page 63 and 64: a while . I didn't know what she me
- Page 65 and 66: Since sufficient teachers cannot be
- Page 67 and 68: NEW PROGRAMS AND EXPERIMENTATION Th
- Page 69 and 70: TRUSTEES If I seem indifferent to t
- Page 71 and 72: years when '`Christian character an
- Page 73 and 74: leaders and professors posing as mi
- Page 75: out of "The Punch Out" and other st
- Page 79 and 80: No doubt about it, Mr . Williams ca
- Page 81 and 82: esearch crying for the kind of clar
- Page 83 and 84: lightly as Western intellectual imp
- Page 85 and 86: as a white man with a similar educa
- Page 87 and 88: lacks are better off, but we must a
- Page 89 and 90: income blacks and better for the mi
- Page 91 and 92: compared to white men had not impro
- Page 93 and 94: "iON ONYE LOCKARD is a selftaught a
- Page 95 and 96: Plea ForA Second Chance : Work-worn
- Page 97 and 98: That something is gravely wrong wit
- Page 99 and 100: THE DUKE NATURAL SET MAlR SHEEN lea
- Page 101 and 102: Edgar F . Beck Vincent Hard min E .
- Page 103 and 104: C®i'y~'>~' i'tw'~'~ Editor's Notes
- Page 105 and 106: An Open Letter to Black Students in
- Page 107 and 108: mentarily bolstered (or our minds m
- Page 109 and 110: plications of such attitudes as you
- Page 111 and 112: 7 . Have you given serious thought
- Page 113 and 114: of white institutions that there si
- Page 115 and 116: Platform and Program S HL "Today we
- Page 117 and 118: ism, and we are becoming aware that
- Page 119 and 120: New agencies for Black education (A
- Page 121 and 122: ment of a plan to hire 200 Black pr
- Page 123 and 124: people in their struggle toward a c
- Page 125 and 126: else suggests that the group is bac
penniless writer, he travels the<br />
gamut from beans and ham hocks<br />
to plush meals in Europe . He leaves<br />
the <strong>Negro</strong> paper for a more profitable<br />
position on a "liberal" white<br />
one . His published novels become<br />
a measured success, so successful<br />
that one eventually goes into paperback<br />
. He joins the White House<br />
staff as a speech writer for a "Kennedy-type"<br />
President, and leaves<br />
unhappily because the President<br />
doesn't use any of his speeches . He<br />
emasculates his manhood through<br />
his relationships with black and<br />
white women and soon becomes a<br />
carbon-copy of that white boy .<br />
Lillian Patch, who is killed because<br />
of an abortion, was, of<br />
course, the prototype of the "<strong>Negro</strong>"<br />
professional woman, one who<br />
had acquired all the white "values"<br />
of her society and who wished to<br />
live those "values ." Lillian and<br />
Max would have gotten married<br />
had Max had a better paying job,<br />
and had he moved more swiftly into<br />
the American "mainstream ." Max<br />
made the mistake of letting Lillian<br />
wear the pants, and in effect lost<br />
himself and Lillian .<br />
After a short depression period<br />
brought on by the death of Lillian,<br />
Max is regenerated through a job<br />
with the New York Century-a<br />
liberal white paper-and the publication<br />
of his third novel . After a<br />
successful stay at the Century, Max<br />
leaves and joins Pace (a Time-style<br />
NEGRO DIGEST 'March f968<br />
(Continued from pn e 52)<br />
magazine) and works his way up<br />
to chief of its African bureau .<br />
The scene of the novel shifts<br />
from the United States to Africa<br />
and Europe . While in Africa we<br />
learn such things as the truth about<br />
the African slave trade, that black<br />
Africans own a very small percentage<br />
of their land, that the black<br />
masses of South Africa, with its<br />
own system of apartheid, have a<br />
higher standard of living than the<br />
masses of Africans in other areas<br />
of the continent . We learn that the<br />
majority of black leaders in the<br />
"independent" nations of Africa<br />
are just as devious, selfish and pro-<br />
Western as the black middle-class<br />
in the United States .<br />
In Europe, we have glimpses of<br />
Jean-Paul Sartre, Albert Camus<br />
and the whole French-black intellectual<br />
association . As in the Europe<br />
of Hemingway, Pound, Eliot,<br />
Joyce and Fitzgerald, black writers<br />
are not wanted or needed . Finally,<br />
while we are in Europe, we come<br />
to the revolutionary discovery of<br />
the "King Alfred Contingency<br />
Plan" for the detention and systematic<br />
extermination of the Afro-<br />
American people . While attending<br />
the funeral of Harry Ames, Max is<br />
given this highly secret information<br />
by Harry's white mistress .<br />
As Max reads the letter from<br />
Harry explaining the plan, his physical<br />
pain (cancer of the rectum)<br />
leaves him and is replaced with the<br />
77