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Negro Digest - Freedom Archives

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lishment. Drum and Spear Press is a<br />

real alternative to the sell-out offers<br />

of the white companies . All Black<br />

people must applaud such an effort<br />

and support this, the first African<br />

publishing house in North America to<br />

be founded within this current period<br />

of political revolt . Our cultural publishing<br />

is well established (Broadside<br />

Press, Third World Press, Journal<br />

of Black Poetry Press (Atomic<br />

Books, etc .), but Drum and Spear<br />

Press is the first all-African Press to<br />

address itself to political considerations<br />

of analysis .<br />

92<br />

And this is what time it is now .<br />

We have proceeded through art to<br />

sciences, from identity to analysis .<br />

We must have a clear understanding<br />

of the historical process if we are to<br />

mount our forces to change this process<br />

from one of oppression to one of<br />

liberation, from slavery to freedom .<br />

We must become so scientific that we<br />

move from science back to art again,<br />

the artistic action of creating a new<br />

history. James said it when he wrote :<br />

"The analysis is the science and the<br />

demonstration the art which is<br />

history."<br />

-Abd-al Hakimu Ibn Alkalimat<br />

Black Arts<br />

Black Arts (Black Arts, an anthology of black creations, edited by<br />

Ahmed Alhamisi and Harun Kofi Wangara, $3 .00) is a fairly slim<br />

volume, but gives a fairly comprehensive view of the direction and<br />

contour of the black revolutionary art and literature of today . Many<br />

people are represented here who have become familiar to us largely<br />

through non-Establishment, non-commercial media (Keoraptse Kgositsile,<br />

Ed Bullins, Askia Muhammed Toure, Joe Goncalves, Don L.<br />

Lee, Sonia Sanchez, Bobb Hamilton, Marvin X, Ed Spriggs, Larry Neal,<br />

Nikka Giovanni, Carolyn Rodgers, Eldridge Knight, Ameer Baraka) .<br />

Many other less widely-known black artists and writers are represented<br />

as well . If this partial listing of names is not enough to give an idea of<br />

the tone of the book, some excerpts from Kgositsile's Introductionsuccinct,<br />

beautifully written (in a style which he might call "manifesto<br />

poetry," which he has practiced elsewhere, and which is in evidence<br />

in other writers such as Ameer Baraka, Joe Goncalves, Ed Spriggs, and<br />

seems more and more to be evolving as a typical genre in the Black<br />

Awareness school of writers)-will at once plunge you into the mood<br />

and the spirit of these artists :<br />

This anthology is one of our many attempts at self-examination<br />

(a process of building up) and self-assertion (an aspect of support)<br />

. These creations attempt to capture the mood, the spirit of<br />

a people engaged in liberatioy struggle . Some of these Brothers<br />

and Sisters can also shoot a gun or fix a righteaus cocktail . Our<br />

Time, Our Survival Reality, demands that of us and no respect for<br />

any `artist' who will not put his creative talent and ability to work<br />

in the street along with the people .<br />

These are transitional men and women moving to the `elemental<br />

rhythms of Our Time .' Transitional, because they are trying in<br />

our time, through their rhythms, to deniggerfy us, to bathe our<br />

pulse in revolutionary passions ; . .<br />

The editors-one primarily an artist and poet, the other primarily a<br />

scholar-are not outside observers of this process . Rather, both can<br />

March 1970 NEGRO DIGEST

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