Negro Digest - Freedom Archives
Negro Digest - Freedom Archives Negro Digest - Freedom Archives
80 move to live with others . Spirituality is not necessarily meant in terms of biblical reference, as Norman Jordan points out in "Sinner" : I got high last night alone I had an urge to express myself So I started talking to the Bible and it kept telling me to Die Blackwriting is life, is being life ; not merely existing . Brother Lebert Bethune displays that ability to live in his "Harlem Freeze Frame" : This gleaming wrinkled blunthead old sweet-daddy smiles a grim smile as he hears a voice of Harlem scream "WE ALL SUPPOSED TO BE DEAD BUT WE AINT" And his slow strut moves him on again . Reality is personified in a poem by Stanley Crouch . Brother Crouch understands that reality is whatever is real to you ; whatever controls your pure and unpure actions . He understands where he's at and where he's going : Around then, sent east, got guns and dog tags knew no one bowed our way shot europeans who peed in Jacob's face and another menace was yellow (closer to us, but also shot at) BUT JOHN WAYNE WON THE WAR and we took our purple hearts, to the unemployment office Run on home, blackpeople . The only way to be is to be. And unlike the French-Africans, black writers are not trying to address themselves to white people . Senghor and others wrote firstly for the Frenchman, not for the African people . Black poetry/writing is written for/ to/about and around the lives/spiritactions/humanism and total existence of blackpeople . Black writing in form/sound/word%usage/intonation/rhythm/repetition/direction/definition and beauty is opposed to that which is now (and yesterday) considered writing, i.e ., white literature . Black Fire may not be read by many blackpeople in its present form (hard cover edition) because of the price . Anytime a book is more than thirty-five cents to one dollar you are in trouble. To buy a book that costs more would do harm to most black families' daily budgets . But, if possible, I suggest that you acquire a copy of Black March 1969 NEGRO DIGEST
Fire ; steal it, borrow it or wait for it to appear in paperback. Hopefully, we can, as a people, move toward a black printing company so that we will not have to continuously run to the Establishment presses to be published . Finally, this is u ; yr/momma, yr/history, yr/literature . Them is u, actually, a beautiful reflection . Understood by u alone . Others will not . Our creations are ours . No one can really take away yr/innerself, if u have one . People can napalm other people because they never felt the pain of flesh falling off one's body . George Washington is their hero because there is No-thing better. The Mod Squad and Julia are forced upon u in prime t .v . time because that is their reality, not ours . The Great White Hope is just that, the great white hope . Our heroes will be named Willie, bigger thomas, blood, pee wee and maniac and will come out of the projects and be hip to Richard Nixon and Lyndon Johnson . Because their fathers were hip to them and their fathers' fathers . Fathers and on and on . LeRoi Jones said it : NEGRO DIGEST Mareh 1969 These are the words of lovers : Of dancers, of dynamite singers These are songs if you have the music . this is u, thisis u, thisisu, thisisu, go ahead, now . -Dory L . LEE Dark Anyone who wears $25 shoes would do well to purchase a $16 pair, ride them to your nearest bookstore, and invest the difference wisely. Dark Symphony (Free Press, $8 :95), an anthology edited by James A . Emanuel and Theodore L . Gross, is a must for anyone who happens not to be an authority on black literature -and no doubt the authorities, few that they are, have already added it to their libraries . A total of 34 black authors, 14 of whom are deceased, are represented in the 604-page book of short stories, essays, poetry, and criticism. The book is divided into four sections : Early Literature ; The Negro Awakening; Major Authors ; and Contemporary Literature . Not the least of its merits are the lucid, informative introductions to three Symphony sections (There is no introduction to Major Authors) . Essay-like biographical sketches on the four selectees as Major Authors (Langston Hughes, Richard Wright, Ralph Ellison and James Baldwin) provide perceptive commentary on their many works . Shorter biographical sketches are included in the case of each of the other contributors . Clearly the editors did not, in this case, request of the authors a contribution of their own choosing . The editors did the selecting, and they were selective, and even though the reader might on occasion wish they had selected a different work by a particular writer, he must appreciate their having for the most part provided insights into the reasoning that led to their choices. Included in Early Literature are 8 1
- Page 129 and 130: A Dual Responsibility The White Uni
- Page 131 and 132: a situation in a different manner w
- Page 133 and 134: Black Perspective A cU~TU~~L, ~~~I~
- Page 135 and 136: life-style, yet they persist in the
- Page 137 and 138: plex (a viable institution in that
- Page 139 and 140: The Positiveness of Separation BL~C
- Page 141 and 142: white students are, except that wha
- Page 143 and 144: did) to thesis students who then gr
- Page 145 and 146: Roach, Harold Cruse, Rhody Mc- Coy,
- Page 147 and 148: conferees attempted to eject white
- Page 149 and 150: ~. iii1~i-i Black Life, White "Expe
- Page 151 and 152: BOOKS Black Writing : this is u, th
- Page 153 and 154: Grow old? Maan! I ain't never Gonna
- Page 155 and 156: answering ; "Monday. That is if tha
- Page 157 and 158: at a time when the ratio of Negro d
- Page 159 and 160: A Special Experience xox .a~, xi .:
- Page 161 and 162: to comment that I was a typical cre
- Page 163 and 164: students said, "Didn't Malcolm prea
- Page 165 and 166: What I did object to was the effort
- Page 167 and 168: with American education, period. Ho
- Page 169 and 170: President Emeritus, Morehouse Colle
- Page 171 and 172: them, there just aren't enough blac
- Page 173 and 174: I cannot see the sponsorship for su
- Page 175 and 176: economic changes now occurring with
- Page 177 and 178: aising a question regarding in exac
- Page 179: to say that "yet an irreverent revi
- Page 183 and 184: lures and yet, in a most interestin
- Page 185 and 186: and what is the right procedure for
- Page 187 and 188: mentioned earlier, the whole black
- Page 189 and 190: (C) Consistency of Thought and Acti
- Page 191 and 192: J. .JICLCfj ._Jd .L'~ .FU~~e ; one
- Page 193 and 194: must carry a greater sexual burden
- Page 195 and 196: C.~e~or 3 l /ot~e3-- (Continued fro
- Page 197 and 198: and that prepares them to deal effe
- Page 199 and 200: THE DUKE NATURAL S ET EASY COMB let
- Page 202 and 203: BLACK HISTORY BLACK POWER U .S .A .
- Page 204 and 205: ~re~atorc~ ~o~e~- THE BLACK UNIVERS
- Page 206 and 207: "1lTew Creation or Familiar Deatla"
- Page 208 and 209: contradictions they entail . Furthe
- Page 210 and 211: As northern universities continue t
- Page 212 and 213: Response to Vincent Harding 12 BY R
- Page 214 and 215: was then running for the state asse
- Page 216 and 217: e done without some base of support
- Page 218 and 219: amount of emphasis-both in Bro . Mo
- Page 220 and 221: m~,irofir_- ~r- ir;r_ rr_~,~r; v;~~
- Page 222 and 223: Institute of the Black World : Basi
- Page 224 and 225: In Chicago, movement toward the Bla
- Page 226 and 227: olled . At this time, over 400 stud
- Page 228 and 229: stand and serve as a bulwark, or re
Fire ; steal it, borrow it or wait for it to appear in paperback. Hopefully,<br />
we can, as a people, move toward a black printing company so<br />
that we will not have to continuously run to the Establishment presses<br />
to be published .<br />
Finally, this is u ; yr/momma, yr/history, yr/literature . Them is u,<br />
actually, a beautiful reflection . Understood by u alone . Others will<br />
not . Our creations are ours . No one can really take away yr/innerself,<br />
if u have one . People can napalm other people because they never<br />
felt the pain of flesh falling off one's body . George Washington is<br />
their hero because there is No-thing better. The Mod Squad and Julia<br />
are forced upon u in prime t .v . time because that is their reality, not<br />
ours . The Great White Hope is just that, the great white hope . Our<br />
heroes will be named Willie, bigger thomas, blood, pee wee and maniac<br />
and will come out of the projects and be hip to Richard Nixon and<br />
Lyndon Johnson . Because their fathers were hip to them and their<br />
fathers' fathers . Fathers and on and on .<br />
LeRoi Jones said it :<br />
NEGRO DIGEST Mareh 1969<br />
These are the words of lovers :<br />
Of dancers, of dynamite singers<br />
These are songs if you have<br />
the music .<br />
this is u, thisis u, thisisu, thisisu, go ahead, now .<br />
-Dory L . LEE<br />
Dark<br />
Anyone who wears $25 shoes<br />
would do well to purchase a $16<br />
pair, ride them to your nearest bookstore,<br />
and invest the difference wisely.<br />
Dark Symphony (Free Press, $8 :95),<br />
an anthology edited by James A .<br />
Emanuel and Theodore L . Gross, is<br />
a must for anyone who happens not<br />
to be an authority on black literature<br />
-and no doubt the authorities, few<br />
that they are, have already added it<br />
to their libraries . A total of 34 black<br />
authors, 14 of whom are deceased,<br />
are represented in the 604-page book<br />
of short stories, essays, poetry, and<br />
criticism. The book is divided into<br />
four sections : Early Literature ; The<br />
<strong>Negro</strong> Awakening; Major Authors ;<br />
and Contemporary Literature . Not<br />
the least of its merits are the lucid,<br />
informative introductions to three<br />
Symphony<br />
sections (There is no introduction to<br />
Major Authors) . Essay-like biographical<br />
sketches on the four selectees<br />
as Major Authors (Langston<br />
Hughes, Richard Wright, Ralph Ellison<br />
and James Baldwin) provide perceptive<br />
commentary on their many<br />
works . Shorter biographical sketches<br />
are included in the case of each of<br />
the other contributors . Clearly the<br />
editors did not, in this case, request<br />
of the authors a contribution of their<br />
own choosing . The editors did the<br />
selecting, and they were selective,<br />
and even though the reader might on<br />
occasion wish they had selected a<br />
different work by a particular writer,<br />
he must appreciate their having for<br />
the most part provided insights into<br />
the reasoning that led to their choices.<br />
Included in Early Literature are<br />
8 1