Negro Digest - Freedom Archives

Negro Digest - Freedom Archives Negro Digest - Freedom Archives

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NELLIE BONNER (Continued on page 86) LE " 01 70" ES . . . .EYE " YTUI" 0'S COOL " T " 0 00 CAUSE T"E ELECT " 0 " IC " 160E" YEETf THE "OLO OUST T"I" f haste of meeting deadlines for the November 1968 and February 1969 issues . The most serious error was made in the November 1968 issue when the name of the author of a "Focus" profile, Mrs . Clyde (Nellie) Bonner of San Francisco, was not published along with her article . The article, "She Lit A Candle," described the career of a prominent educator, Miss Ida L . Jackson, now retired and living in California . As a result of the omission of Mrs . Bonner's by-line, her article also was not mentioned in the Table of Contents for the November 1968 issue of the magazine nor in the annual Index which also appeared in that issue . The less serious error was similar in nature . The name of Dudley Randall, well-known poet and publisher (Broadside Press), was not listed at the end of his review of the book, The Algiers Motel Incident, as is customary . We term this error "less serious" not because it was less careless on our part but because, as a regular contributor to NEGRO DIGEST, Mr. Randall's by-line is more familiar to NEGRO DIGEST readers . We regret both errors.-TxE EDITORS Publications The African Scholar is the name of a new quarterly journal "of the African Academy of Political and Social Sciences" published out of Washington, D . C . The first issue of the journal focused on Biafra, with articles by President Felix Houphouet-Boigny of the Ivory Coast; C . Y . Ngonja, Tanzania's Minister of State for Foreign Affairs ; and J. B . C . Ugokwe, editor of the journal . An unusual but fascinating 50 March 1969 NEGRO DIGEST

BOOKS Black Writing : this is u, thisisu NOTED "Now if a man's mind is impartial in receiving tradition he examines it with all due care so that he can distinguish between the true and the false; but if he i.s pervaded by attachment to any particular opinion or sect he immediately accepts any tradition which supports it; and this tendency and attachment cloud his judgement so that he is unable to criticize and scrutinize what he hears, and straightway accepts what is false and hands it on to others . . . . -Ibn Khaldun The term Negritude, created by the brilliant West Indian poet Aime Cesaire, and nurtured to maturity by Leopold Sedar Senghor (the poet/ politician of Senegal), can help us understand where the black writer is in this country today . Negritude, in essence (as I understand it) denotes that particular quality, those certain nuances which are universal to the thought, action, and behavior of black Africans . The concept of Negritude has been, and to some extent still is, of fundamental importance in the writings (literature) of black Africans trained in the French-speaking areas, i .e ., by those writers who have, willingly or unwillingly (whatever the case may be), adopted French cultural habits as part of their life-style . Negritude came into existence not purely as the result of French culture but as a needed reaction to French classical education . Suddenly, black Africans, stranded together (in time of crisis the weak and strong seek out their own) in some French bar "intellectualizing" and "rationalizing" their existence, became keenly aware of the fact that they were blackmen, but (most important) they finally realized this in the most profound terms that were non-white, too . Negritude, in its final analysis, can be considered the anti-thesis of everything French, i.e ., everything anti-black, everything white . The French-African finally realized that he was accepted by the dominant white French society only because he was willing to subordinate his blackness and become as French as possible . This meant, among other things, that the African had to adopt the dress, mannerism, culture and religion of Western civilization . Thus, the policy of assimilation was used to systematically destroy the mind and total identity of black Africans ; stripping him completely of his African-ness, his blackness, leaving him more French than African . That's the context in which Negritude grew ; it became that rebellious force used by the French-Africans to try and recapture their past, their culture, their religion, themselves and most of all their future . With Negritude the African writer did an about-face and decided to exalt, seek, recreate and contain his African-ness, rather than contiming to run away from it or to cover it with the appropriate French substitutes. This new literary movement to which Cesaire helped give NEGRO DIGEST March 1969 5 1

BOOKS<br />

Black Writing : this is u, thisisu<br />

NOTED<br />

"Now if a man's mind is impartial in receiving tradition he examines<br />

it with all due care so that he can distinguish between the true and the<br />

false; but if he i.s pervaded by attachment to any particular opinion or<br />

sect he immediately accepts any tradition which supports it; and this<br />

tendency and attachment cloud his judgement so that he is unable to<br />

criticize and scrutinize what he hears, and straightway accepts what is<br />

false and hands it on to others . . . .<br />

-Ibn Khaldun<br />

The term Negritude, created by the brilliant West Indian poet Aime<br />

Cesaire, and nurtured to maturity by Leopold Sedar Senghor (the poet/<br />

politician of Senegal), can help us understand where the black writer<br />

is in this country today . Negritude, in essence (as I understand it)<br />

denotes that particular quality, those certain nuances which are universal<br />

to the thought, action, and behavior of black Africans .<br />

The concept of Negritude has been, and to some extent still is, of<br />

fundamental importance in the writings (literature) of black Africans<br />

trained in the French-speaking areas, i .e ., by those writers who have,<br />

willingly or unwillingly (whatever the case may be), adopted French<br />

cultural habits as part of their life-style . Negritude came into existence<br />

not purely as the result of French culture but as a needed reaction to<br />

French classical education . Suddenly, black Africans, stranded together<br />

(in time of crisis the weak and strong seek out their own) in some<br />

French bar "intellectualizing" and "rationalizing" their existence, became<br />

keenly aware of the fact that they were blackmen, but (most important)<br />

they finally realized this in the most profound terms that were<br />

non-white, too . Negritude, in its final analysis, can be considered the<br />

anti-thesis of everything French, i.e ., everything anti-black, everything<br />

white . The French-African finally realized that he was accepted by the<br />

dominant white French society only because he was willing to subordinate<br />

his blackness and become as French as possible . This meant,<br />

among other things, that the African had to adopt the dress, mannerism,<br />

culture and religion of Western civilization . Thus, the policy of<br />

assimilation was used to systematically destroy the mind and total identity<br />

of black Africans ; stripping him completely of his African-ness, his<br />

blackness, leaving him more French than African . That's the context<br />

in which Negritude grew ; it became that rebellious force used by the<br />

French-Africans to try and recapture their past, their culture, their religion,<br />

themselves and most of all their future .<br />

With Negritude the African writer did an about-face and decided<br />

to exalt, seek, recreate and contain his African-ness, rather than contiming<br />

to run away from it or to cover it with the appropriate French<br />

substitutes. This new literary movement to which Cesaire helped give<br />

NEGRO DIGEST March 1969 5 1

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