Black Panther Party of Northern California - Freedom Archives

Black Panther Party of Northern California - Freedom Archives Black Panther Party of Northern California - Freedom Archives

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PAGE 10 Theme can .be , no'victor :y'=in Nigeria's"civil 'war' . Spokesinen far both` tYie ~edera.l govexnmerit and the seceding Big° af~an state asist that if they ~da not win, Nigeria : will be reduced to total chaos breeding` nothing but tr-iba.7.-~ hatred, guerrillas warfare a"n,d._ :.:bet-ty :-~di:at~a~tvrs2ri~s . Tn an e~ffa-rt ~to : avert ~ this trag c'`demolition of Africa's . ''once "model deinocra:cy,'! Wole Soyinka, Nigeria's fore-. moist poet and ~phay~ri+~ht~ (with tivo ~fffBraadwag plays . . . . , 'chi's season), 'published a statement . 'n ; the fail Sketch' - ,: ` Ibadan ; ~call3ng for a cease fire:: : -Ten : ; days later he was -"det`a ned,!~ two ~montYis cater the .: gow!ernment claimef 5oy~ inky had confessed 'to . : conspiring ui~ th th'e rebels ; .he denied the charges' . . and. ~ .s still -in 'jail awaa .ting trial . Whatever ahe. fC'tual .~fa -ct's may be, Sayinka a:s . . ..a painfully accurate exarxple of the dilemma of the AfricaW writer w'ho ~ is marad;T~r unable' : .' o isolate hiriself from hia society, ..yep. ; , canr~at find a .'safe vantage point from which to comment .on :the scene around him';'" Befare his arrest . Soyinka; wrote . an article : ; for the d atinguished Uganda magmine, Transition ,, . in ,which he tx :ies to define the wxit-- . . . .. . . eY's true-re§ponsibiTit~ in the "mtwement toward chaos n.madern : :Africa-." : ltity concern n :: this :~.rt c~e : i .,s primarily with the . non-South A.fr.: - can writer. . . and w.hy, . . b.e.a~Qx.e . ..very long, he- - may begin -;to envy the South African the bleak immensity of : ha s.vprabl ems : Fr~r : the > South. Af= rican has still the right to hope, and this pxospect of a future as yet uncompromised by failure on his own part, in his own right : is samet;":~.ng ~ whic'.~. ' has latr~ly `ceased . . to exist for writers of other ~A~fr~i,- . o~n :~tarese -. Wliia-2 r. 'he may debate what eonst~:- ; totes a~rIIlack writer and what does- r..aty . . .. ctne ` br.ee.d, ~. of ' humanity t^r2i- ch "gee cannot ~con~fox.'tabYy .tier~y ~.~,. t2i'at- of . the wr 'ter . > ; . In -new socie- . ties , ., .Which began: ,the deductive : ex pe~riment in : authox-iaariani~m;, . ., ~ .it:

DRUM - Contint.ed BLACK POW~t : .~ PAGE 11 has become a ~-amil ar'experience to . to shrink f~`om the bewil.caei.'pd watch society crush the writer un- ,tare of the South African, knowing der . a load o~ guilt for his darixlg that he, the supposed2y .free mind outlook " apax~.~: ~ .' ."rom and' independent who .once symba''l zed a lgophole for rf the .mass ~c:_rc~ction . 'TYie~'~evolu- tf~e ,dead end of the South . African tionary mood in society is a, par- d~,lemma, has himself become the Licularly potE~n~t tyrant in this re- Creature of despair . The change in ::pect and s~.nce the writer is, at circumstances is quite direct . The '': :ze . very lea~t, sensitive to mood, background begins at the united op-- ', e respects ~oho demand of the mo- posit on . of the colonized to the :~1ent and effects his definition as external tyrant . Victory, of,sorts ., a writer by an act of choice .t And ,,came and the writer submitted hi. :-~ Ln the mode :.n African state espe- i.ntegrity to the monolithic stxecs~- :~ially, the position of the writer ?gas been such that he is in fact "~:hnn very Pro~~ of state machiner~r . ".°dependence in every instance had : .Lent an emergency pooling of every :~.ental resource . This writer must, :or the mom ant at least (he per- :~uades himself), postpone that ua~ique reflection on experience and "events which is wha~ : makes a writer -and constitute himself into a 7aart of the machine ,~y that will ac- ~~ually shape events . Let this im- ??ulse be clearly undexstood and valued for itself ; the Black ~~riter found that he could not deny "ais society ; he could however, tem- ;;~oraLily at least, deny himself . .-~o therefore too, his place in the l~ew state -as a privileged person, personallq placed above the effects cf the ,narrow~~wis}on which usually accompanies the 5:~patience of new rations . He, the special eye and r?ar, the special knowledge and re- ~pdnse, lost eve's his recreative consciousness, wk~ieh, from time to time, left active and alert in his creative'"work, mig :Zt have demanded a reexamination o .f his own position . If he has not al :~:eady arxived at - .his discovery, the writer from ~;ast or freest A:~rican states is coming closer to the terrible understanding that it is not his South ~~frican comrade who is the creature of compassion . Already he has begun ' . ,,es of the time . For this any man- ~ifesto deemed valid, any ,-ism cou_~~;i ~be embraced with a clean cor_sc~eet ;cc> .- .With few execptions the writer di- ." rected his energies to enshr n :an -. victory, to reaffirming his ident~.ficatian with the aspixations ,~` nationalism and the stabili~ats.o~ of .society . ; The third stage, the st:~ge at ,which we find ourselves .naw, is the stage of disillusionment, and it is this which . prompts an honest exam .motion . of what has been the fail,ure of the African writer, as a writex . , And this is note o say that if the Black writer` ~hac~ tru ly responded to the political mw , ; agx~ssive national consciousnes> . Reality, the . ever-present fe;rtiie

DRUM - Contint.ed BLACK POW~t : .~ PAGE 11<br />

has become a ~-amil ar'experience to . to shrink f~`om the bewil.caei.'pd<br />

watch society crush the writer un- ,tare <strong>of</strong> the South African, knowing<br />

der . a load o~ guilt for his darixlg that he, the supposed2y .free mind<br />

outlook " apax~.~: ~ .' ."rom and' independent who .once symba''l zed a lgophole for<br />

rf the .mass ~c:_rc~ction . 'TYie~'~evolu- tf~e ,dead end <strong>of</strong> the South . African<br />

tionary mood in society is a, par- d~,lemma, has himself become the<br />

Licularly potE~n~t tyrant in this re- Creature <strong>of</strong> despair . The change in<br />

::pect and s~.nce the writer is, at circumstances is quite direct . The<br />

'': :ze . very lea~t, sensitive to mood, background begins at the united op--<br />

', e respects ~oho demand <strong>of</strong> the mo- posit on . <strong>of</strong> the colonized to the<br />

:~1ent and effects his definition as external tyrant . Victory, <strong>of</strong>,sorts .,<br />

a writer by an act <strong>of</strong> choice .t And ,,came and the writer submitted hi. :-~<br />

Ln the mode :.n African state espe- i.ntegrity to the monolithic stxecs~-<br />

:~ially, the position <strong>of</strong> the writer<br />

?gas been such that he is in fact<br />

"~:hnn very Pro~~ <strong>of</strong> state machiner~r .<br />

".°dependence in every instance had<br />

: .Lent an emergency pooling <strong>of</strong> every<br />

:~.ental resource . This writer must,<br />

:or the mom ant at least (he per-<br />

:~uades himself), postpone that ua~ique<br />

reflection on experience and<br />

"events which is wha~ : makes a writer<br />

-and constitute himself into a<br />

7aart <strong>of</strong> the machine ,~y that will ac-<br />

~~ually shape events . Let this im-<br />

??ulse be clearly undexstood and<br />

valued for itself ; the <strong>Black</strong><br />

~~riter found that he could not deny<br />

"ais society ; he could however, tem-<br />

;;~oraLily at least, deny himself .<br />

.-~o therefore too, his place in the<br />

l~ew state -as a privileged person,<br />

personallq placed above the effects<br />

cf the ,narrow~~wis}on which usually<br />

accompanies the 5:~patience <strong>of</strong> new<br />

rations . He, the special eye and<br />

r?ar, the special knowledge and re-<br />

~pdnse, lost eve's his recreative<br />

consciousness, wk~ieh, from time to<br />

time, left active and alert in his<br />

creative'"work, mig :Zt have demanded<br />

a reexamination o .f his own position<br />

.<br />

If he has not al :~:eady arxived at<br />

- .his discovery, the writer from<br />

~;ast or freest A:~rican states is coming<br />

closer to the terrible understanding<br />

that it is not his South<br />

~~frican comrade who is the creature<br />

<strong>of</strong> compassion . Already he has begun<br />

' .<br />

,,es <strong>of</strong> the time . For this any man-<br />

~ifesto deemed valid, any ,-ism cou_~~;i<br />

~be embraced with a clean cor_sc~eet ;cc> .-<br />

.With few execptions the writer di-<br />

." rected his energies to enshr n :an -.<br />

victory, to reaffirming his ident~.ficatian<br />

with the aspixations ,~`<br />

nationalism and the stabili~ats.o~<br />

<strong>of</strong> .society . ;<br />

The third stage, the st:~ge at<br />

,which we find ourselves .naw, is the<br />

stage <strong>of</strong> disillusionment, and it is<br />

this which . prompts an honest exam .motion<br />

. <strong>of</strong> what has been the fail,ure<br />

<strong>of</strong> the African writer, as a<br />

writex . , And this is note o say<br />

that if the <strong>Black</strong> writer` ~hac~ tru<br />

ly responded to the political mw<br />

, ; agx~ssive national consciousnes> .<br />

Reality, the . ever-present fe;rtiie

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