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ORIGIN OF THE ALEXANDER STORY. XIII<br />

water and straightway brought up the young man.'<br />

When the king had made some remark, Aba-aner<br />

picked up the crocodile, which at once turned into<br />

the small waxen crocodile which it was originally,<br />

and again when he ordered it to devour the<br />

young man, it once more became a living reptile,<br />

and, seizing the young man, made its way to the<br />

water, and disappeared with him. The faithless<br />

wife was burnt. The principal actors in this story<br />

are said to have flourished during the rule of the<br />

Ilird dynasty of Egypt, nearly four thousand years<br />

before Christ, and it is a noteworthy fact that<br />

the narrative mentions the ebony and metal<br />

box and the making of a waxen crocodile in a<br />

way which seems to shew that their owner was<br />

in the habit of usinsf the box and the wax<br />

frequently.<br />

The custom of trying to do harm to people by waxen n-<br />

means of waxen images is proved to have existed in MWdyEm-<br />

later days by a papyrus, first described by Chabas," p"'^'<br />

which records that a man was prosecuted in an<br />

Egyptian court of law for having made figures of<br />

men and women in wax, by which he caused<br />

sundry and divers pains and sicknesses to the<br />

living beings whom they represented.<br />

An example of the use of waxen figures for<br />

causing^ dreams is griven in Pseudo-Callisthenes<br />

o o<br />

' Here we are forcibly reminded of Jonah's miraculous<br />

escape from the whale.<br />

^ He Papyrus Magique Harris, p. 170.

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