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G R A D U A T E D E G R E E P R O G R A M M E : E N G L I S H S T U D I E S<br />

Course contents<br />

Recommended<br />

reading<br />

Supplemetary<br />

reading<br />

Literature. The prerequisites are defined by the Faculty Statute.<br />

The course explores the main features of Joyce’s poetics by studying his<br />

major works. Grounded on the belief that Joyce’s entire oeuvre can be<br />

perceived as ‘work in progress’, the first part of the course focuses on<br />

Dubliners by looking at different aspects of the book’s central theme of<br />

‘paralysis’, as well as by examining Joyce’s fictional methods in this early<br />

work, the most important of them being an alternation of naturalistic and<br />

symbolic elements in the text.<br />

The analysis then moves on to A Portrait of the Artist as a Young Man by<br />

emphasizing its importance within the traditions of the Bildungsroman and<br />

Künstelerroman. In this sense, the development of the artistic consciousness<br />

of Joyce’s Stephen Dedalus is seen as his attempt to move away from Plato<br />

to Aristotle, from his initial idealistic vision of the world to his final<br />

materialistic perception of it. This study also emphasizes the importance of<br />

Stephen’s aesthetic theory at the end of the novel, as well as the narrative<br />

innovativeness of A Portrait in relation to Stephen Hero, the text which<br />

preceded it.<br />

Ulysses is read primarily in view of its stylistic and linguistic complexity<br />

both in relation to Dubliners and A Portrait, and in the context of Modernist<br />

literature in general.<br />

Primary literature:<br />

Joyce, James, Dubliners<br />

Stephen Hero<br />

A Portrait of the Artist as a Young Man<br />

Ulysses<br />

Secondary literature:<br />

Bloom, H. (ed.) (1987). James Joyce's Ulysses. New York, New Haven and<br />

Philadelphia: Chelsea House Publishers.<br />

Killeen, T. (2004). Ulysses Unbound: A Reader's Companion to James<br />

Joyce's Ulysses. Wicklow: Wordwell.<br />

Power, M. and Schneider, U. (1997). New Perspectives on Dubliners.<br />

Amsterdam and Atlanta: Rodopi.<br />

Schutte, W. M (ed.) (1968). Twentieth Century Interpretations of A<br />

Portrait of The Artist as A Young Man: A Collection of Critical Essays<br />

New Jersey: Prentice-Hall; Englewood Cliffs.<br />

Blades, J. (1991). James Joyce: A Portrait of the Artist as a Young Man<br />

London: Penguin.<br />

Ellmann, R. (1982). James Joyce: New and Revised Edition. New York:<br />

Oxford University Press.<br />

Norris, M. (1998). A Companion to James Joyce's Ulysses: Biographical<br />

and Historical contexts, Critical History, and Essays from Five<br />

Contemporary Critical Perspectives. Boston; New York: Bedford/St.<br />

Martin’s.<br />

Senn, F. (1995). Inductive Scrutinies: Focus on Joyce. Baltimore: Johns<br />

47

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