music theatre in flanders - Muziekcentrum Vlaanderen
music theatre in flanders - Muziekcentrum Vlaanderen
music theatre in flanders - Muziekcentrum Vlaanderen
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Wayn Traub<br />
www.wayntraub.net<br />
Wayn Traub’s first stage appearances, among which the Miseen-Traubs<br />
series he made for Victoria (now CAMPO), were highly<br />
physical performances. After that, the maker went <strong>in</strong> search of a<br />
contemporary form of ritual <strong>theatre</strong>, that is: <strong>theatre</strong> of <strong>in</strong>st<strong>in</strong>ct,<br />
animalism and eroticism. In his Manifest van het Dierlijk Theater<br />
(Animal Theatre Manifesto), written dur<strong>in</strong>g the 1990s, he described<br />
how he <strong>in</strong>tended to accomplish this.<br />
With Maria-Magdalena (2009), Traub concluded his Wayn Wash<br />
Trilogy – the other parts be<strong>in</strong>g Maria-Dolores (2003), and Jean-<br />
Baptiste (2004). For two seasons, Traub experimented with new<br />
contents and form <strong>in</strong> performances such as Arkiologi (2007) and<br />
N.Q.Z.C. (2007). In 2009, all this came together <strong>in</strong> the trilogy’s<br />
third part. Traub prefers to call this peculiar and most personal<br />
comb<strong>in</strong>ation of <strong>theatre</strong>, video and <strong>music</strong> ‘c<strong>in</strong>ema-opera’.<br />
Now that the Wayn Wash Trilogy is completed, Traub will leave<br />
Toneelhuis Antwerp to establish his own <strong>music</strong> <strong>theatre</strong> company:<br />
Service to others, that will allow him to f<strong>in</strong>ally realize the ritual<br />
<strong>theatre</strong> that has been on his m<strong>in</strong>d all these years.<br />
alden Biesen summer opera<br />
www.zomeropera.be<br />
S<strong>in</strong>ce 1997, the npo Alden Biesen Summer Opera has annually<br />
organized a barrier break<strong>in</strong>g opera festival on the premises of the<br />
Alden Biesen castle <strong>in</strong> Limburg, an event that also celebrates the<br />
cultural heritage of the famous ‘Land Commandery’. Apart from<br />
the ma<strong>in</strong> opera performance, the festival also produces <strong>music</strong><br />
<strong>theatre</strong> performances for children and youngsters, offer<strong>in</strong>g a<br />
platform to talented young opera s<strong>in</strong>gers to make their first<br />
appearance on stage.<br />
The management of Alden Biesen Summer Opera is headed by<br />
artistic director Piet Vansichen and bus<strong>in</strong>ess manager Mart<strong>in</strong>e<br />
Cuyvers. The programme is tailored to the historic environment<br />
of the Land Commandery, accessibility of the <strong>music</strong> for general<br />
audiences and some additional artistic concerns. Every five<br />
years, a ‘light’ opera, or operetta, is staged. S<strong>in</strong>ce 2006, the festival<br />
has been produc<strong>in</strong>g a Pucc<strong>in</strong>i cycle. In 2009, the company<br />
presents Mozart’s Die Entführung aus dem Serail, directed by<br />
Frank Van Laecke.<br />
The children’s opera alternately addresses children from six to n<strong>in</strong>e<br />
and ten to twelve years of age. The organization adapts an exist<strong>in</strong>g<br />
opera for a one hour Dutch version. For this programme section,<br />
Summer Opera deliberately works with young <strong>music</strong> <strong>theatre</strong><br />
artists. For the 2009 edition, Bruno Van Heystraeten is currently<br />
prepar<strong>in</strong>g an adaptation for children of Die Entführung aus dem<br />
Serail, the performance of which will be under his direction.<br />
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