music theatre in flanders - Muziekcentrum Vlaanderen

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music theatre PersPecTIves on THe landscaPe in flanders Flanders Music Centre The shortest way to music from Flanders VTi (Vlaams Theater Instituut) Supporting the performing arts 2009
Table of contents Introduction 5 Stef Coninx and Ann Olaerts PersPecTIves 8 Music theatre’s blurring boundaries 11 Trends in music theatre production in Flanders (1993-2005) Joris Janssens claiming music for the theatre 41 about definitions between cultural policy and artistic forms Pieter Verstraete IssUes 54 The international ambitions of music theatre 57 Guy Coolen opera is dead. long live the opera! 63 about music theatre and its audience Ute Haferburg Music as fellow driving force 69 Two conditions for music theatre composition Petra Vermote The supposed gap 75 Martin Valcke
Page 1: This booklet presents the key playe
Page 5 and 6: iosis music theatre calls for be de
Page 7 and 8: table of contents Music theatre’s
Page 9 and 10: probably merely the result of the f
Page 11 and 12: • More on stage live music? A thi
Page 13 and 14: Diagram 3: Number of producers per
Page 15 and 16: also includes organizations that re
Page 17 and 18: ‘music theatre’. After all, the
Page 19 and 20: Diagram 9. Origin European producti
Page 21 and 22: a growth process. In the beginning,
Page 23 and 24: hISTOrICAl perSpeCTIVe In addition
Page 25 and 26: new relation or constellation. The
Page 27 and 28: prOduCTIVe AMbIGuITy All things con
Page 29 and 30: le grand MacaBre, de MUnT/la MonnaI
Page 31 and 32: international. It is much more esse
Page 33 and 34: Guy Coolen has been artistic and ge
Page 35 and 36: houses’ often inflexible trade un
Page 37 and 38: tre and theatre music, or is that m
Page 39 and 40: music theatre seriously has to take
Page 41 and 42: drAMA And wOrd In MuSIC TrAInInG Dr
Page 43 and 44: profiles of Flemish music theatre c
Page 45 and 46: Els Theunis. The artistic team incl
Page 47 and 48: Founded by theatre maker Ward Bal a
Page 49 and 50: tle children, younger than three. D
Page 51 and 52: who directed a musical version of h
Page 53 and 54:
dertone and particular visual appea
Page 55 and 56:
13 (‘Track 13’) was actually es
Page 57 and 58:
are used to fabricate new instrumen
Page 59 and 60:
Wayn Traub www.wayntraub.net Wayn T
Page 61 and 62:
Sectorial think-tank in a diverse a
Page 63:
122 COnTACT Flanders Music Centre S
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