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a film by Catherine BREILLAT - Cannes International Film Festival

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Director of photography Yorgos Arvanitis<br />

Editor Pascale Chavance<br />

1st assistant director Michaël Weill<br />

Sound Yves Osmu<br />

Yves Levéque<br />

Sylvain Lasseur<br />

Roland Duboué<br />

Emmanuel Croset<br />

Production designer François-Renaud Labarthe<br />

Costumer Anaïs Romand<br />

Production Manager Eddy Jabes<br />

MUSIC<br />

Yes Sir<br />

Ralph Benatzky<br />

© Ufaton Musikverlag c/o BMG Music Publishing France<br />

Courtesy of BMG Music Vision<br />

Version for piano Ezequiel Spucches<br />

“Yes Sir” sung <strong>by</strong> Lio<br />

Guillaume Tell: overture<br />

(Orchestra) (1995 Digital Remaster)<br />

1973 Emi Records Ltd. Digital<br />

Remastering 1995 <strong>by</strong> Emi Records Ltd<br />

Guillaume Tell: On entend des montagnes<br />

(1995 Digital Remaster)<br />

1973 Emi Records Ltd. Digital<br />

Remastering 1995 <strong>by</strong> Emi Records Ltd<br />

John Playford<br />

Faronell’s Division<br />

Extract from La Follia (Alia Vox)<br />

Hesperio XXI<br />

Direction Jordi Savall<br />

Sanctus sanctus, 4 sanctus<br />

Dona Nobis Pacem, 5 Agnus Dei<br />

Extracts from MISSA SOLEMNIS, ré M, op 123 (Beethoven)<br />

By Julia Varady, Vinson Cole, Iris Vermillion, Rene Pape, Kolja Blacher, the Berlin Philharmonic Orchestra, and Radio Berlin Choir<br />

Conducted <strong>by</strong> Georg Solti (Orchestra) and Robin Gritton (Choir)<br />

1995 DECCA RECORDS COMPANY Ltd<br />

Courtesy of Universal Music Special Projects<br />

Henry Purcell, The plaint<br />

Alfred Deller, counter tenor, Wieland Kuijken, bass viol<br />

William Christie, harpsichord<br />

Roderick Skeaping, baroque violon<br />

© harmonia mundi s.a., 2006

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