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The Role of Male Sexual Arousal in Rape: Six Models

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abhored her assault, and the other group listened to a portrayal<br />

<strong>in</strong> which the victim became sexually aroused. Men presented<br />

with a sexually aroused victim became more aroused to the<br />

rape stimulus.<br />

Sundberg, Barbaree, and Marshall (<strong>in</strong> press) exam<strong>in</strong>ed the<br />

role <strong>of</strong> victim blame <strong>in</strong> dis<strong>in</strong>hibit<strong>in</strong>g arousal to rape cues <strong>in</strong><br />

three separate studies. In a pilot study, rape vignettes were rated<br />

by 384 university undergraduates, both male and female, on the<br />

extent to which the victim was responsible or blameworthy <strong>in</strong><br />

the assault. <strong>The</strong> vignettes varied <strong>in</strong> the cloth<strong>in</strong>g worn by the<br />

victim and her location when first observed by the rapist. Vic-<br />

tims wore either reveal<strong>in</strong>g or conservative dress and were lo-<br />

cated either <strong>in</strong> a deserted park or <strong>in</strong> a library <strong>The</strong>se variables<br />

were comb<strong>in</strong>ed factorially to construct four separate vignettes.<br />

When the victim wore reveal<strong>in</strong>g dress while walk<strong>in</strong>g <strong>in</strong> a de-<br />

serted park, both male and female raters judged her to be signif-<br />

icantly more blameworthy than when the victim wore conserva-<br />

tive dress or wore a reveal<strong>in</strong>g dress <strong>in</strong> a library<br />

In a subsequent laboratory experiment, erectile responses<br />

were monitored <strong>in</strong> response to rape vignettes <strong>in</strong> which victim<br />

blame was manipulated by vary<strong>in</strong>g the victim's dress and loca-<br />

tion. For those subjects who listened to the rape <strong>of</strong> the victim<br />

judged earlier to be more blameworthy, the discrim<strong>in</strong>ation be-<br />

tween rape and consent<strong>in</strong>g cues was markedly reduced, <strong>in</strong>di-<br />

cat<strong>in</strong>g a reduced strength <strong>of</strong> stimulus <strong>in</strong>hibition.<br />

Excusability <strong>of</strong> the rapist's behavior. Barbaree and Seto<br />

(1991) presented depictions <strong>of</strong> mutually consent<strong>in</strong>g sex and<br />

date rape to male university undergraduates. <strong>The</strong>se <strong>in</strong>vestiga-<br />

tors varied the <strong>in</strong>formation <strong>in</strong> the taped descriptions <strong>in</strong> the<br />

preamble to the actual sexual assault with the <strong>in</strong>tention <strong>of</strong> ma-<br />

nipulat<strong>in</strong>g the subject's perception <strong>of</strong> the perpetrator's responsi-<br />

bility for the assault. In one set <strong>of</strong> descriptions, the rapist was<br />

described either as hav<strong>in</strong>g one or two dr<strong>in</strong>ks or as be<strong>in</strong>g <strong>in</strong>toxi-<br />

cated after heavy dr<strong>in</strong>k<strong>in</strong>g. In another set <strong>of</strong> descriptions, the<br />

rapist and the victim were described either as be<strong>in</strong>g on a first<br />

date or as hav<strong>in</strong>g a long-stand<strong>in</strong>g sexual relationship. In a pilot<br />

study, the rapists who were described as <strong>in</strong>toxicated and who<br />

were said to have had a long-term sexual relationship with the<br />

victim were rated as be<strong>in</strong>g less to blame for committ<strong>in</strong>g a sexual<br />

assault. In a subsequent laboratory test, when the rape cues<br />

were preceded by <strong>in</strong>formation that excused the rapist by virtue<br />

<strong>of</strong> <strong>in</strong>toxication or his sexual relationship with the victim, sexual<br />

arousal was dis<strong>in</strong>hibited.<br />

Exposure to pornography. It is commonly argued that when<br />

men are exposed to pornography, their risk <strong>of</strong> committ<strong>in</strong>g sex-<br />

ual <strong>of</strong>fenses may <strong>in</strong>crease. For example, Malamuth and Check<br />

(1981) exposed a group <strong>of</strong> undergraduate students to a violent,<br />

sexually explicit movie and a second group to a control, feature-<br />

length film. Results <strong>in</strong>dicate that exposure to the sexually vio-<br />

lent film <strong>in</strong>creased male student's acceptance <strong>of</strong> <strong>in</strong>terpersonal<br />

violence. Similarly, Malamuth and Check (1985) exposed under-<br />

graduates to a verbal description <strong>of</strong> an aggressive sexual <strong>in</strong>ter-<br />

action <strong>in</strong> which the female victim was described as becom<strong>in</strong>g<br />

sexually aroused. In subsequent measures <strong>of</strong> attitudes toward<br />

rape, these male students were more likely to endorse the rape<br />

myth that views women as enjoy<strong>in</strong>g rape encounters. Further-<br />

more, Malamuth (1981a) has shown that men who have been<br />

exposed to a rape version <strong>of</strong> a slide-audio show generate more<br />

violent sexual fantasies than do men exposed to a mutually<br />

SPECIAL SECTION: MALE SEXUAL AROUSAL IN RAPE 627<br />

consent<strong>in</strong>g slide-audio show. F<strong>in</strong>ally, Sommers and Check<br />

(1987) have found that sexually aggressive partners <strong>of</strong> battered<br />

women were more likely to be consumers <strong>of</strong> pornography than<br />

was a matched comparison group.<br />

Marshall, Seidman, and Barbaree (1991) presented male uni-<br />

versity students with short videotaped sequences depict<strong>in</strong>g ei-<br />

ther explicit or nonexplicit mutually consent<strong>in</strong>g sex, explicit or<br />

nonexplicit rape, or a nonsexual scene. Explicit scenes depicted<br />

actors with full frontal nudity and a focus on the genitals dur<strong>in</strong>g<br />

<strong>in</strong>tercourse, and the presentation was <strong>in</strong> color with an audible<br />

sound track. Nonexplicit scenes did not depict nudity, nor any<br />

display <strong>of</strong> genitalia, and the presentations were <strong>in</strong> black and<br />

white with no audible sound track. <strong>The</strong> nonsexual scene <strong>in</strong>-<br />

volved an aviation theme. <strong>The</strong>n, subjects were presented with<br />

audiotaped vignettes <strong>of</strong> mutually consent<strong>in</strong>g sex and rape,<br />

while erectile responses were monitored. Subjects who had<br />

been preexposed to rape scenes showed reduced discrim<strong>in</strong>ation<br />

between rape and mutually consent<strong>in</strong>g stimuli, compared with<br />

subjects who had been preexposed to consent<strong>in</strong>g or neutral<br />

stimuli. <strong>The</strong>refore, this study provides empirical evidence that<br />

previous exposure to rape themes dis<strong>in</strong>hibits men's arousal to<br />

rape cues.<br />

<strong>The</strong> dis<strong>in</strong>hibition model may be most applicable to acqua<strong>in</strong>-<br />

tance or date rapes, which are perpetrated by men who may not<br />

have other psychological characteristics <strong>of</strong> rapists, but who fail<br />

to respond appropriately to <strong>in</strong>dications <strong>of</strong> nonconsent by their<br />

partner. Because the date rape may be the most numerous <strong>of</strong> all<br />

rapes (Koss & D<strong>in</strong>ero, 1988), the dis<strong>in</strong>hibition model may ap-<br />

ply to the greatest number <strong>of</strong> rapes.<br />

Emotional State Augmentation<br />

Accord<strong>in</strong>g to this model, nonsexual emotional states modu-<br />

late the strength <strong>of</strong> a sexual response. For example, when a man<br />

has strong positive feel<strong>in</strong>gs <strong>of</strong> love or affection for a woman, his<br />

emotional state may serve to <strong>in</strong>crease the strength <strong>of</strong> sexual<br />

arousal he experiences <strong>in</strong> response to sexual <strong>in</strong>teractions with<br />

her. Similarly, when a man has strong negative feel<strong>in</strong>gs <strong>of</strong> hate or<br />

hostility toward a woman, or women <strong>in</strong> general, his emotional<br />

state may serve to <strong>in</strong>crease the strength <strong>of</strong> sexual arousal he<br />

achieves dur<strong>in</strong>g a rape or sexually assaultive behavior. Figure 4<br />

presents this model <strong>in</strong> pictorial form.<br />

Barbaree (1990) describes an experiment conducted on an<br />

<strong>in</strong>dividual case that illustrates the model. <strong>The</strong> experiment stud-<br />

ied a rapist who, on earlier plethysmographic assessment, was<br />

found to have strong arousal to descriptions <strong>of</strong> rape and weak<br />

arousal to consent<strong>in</strong>g cues. In the experiment, the rapist was<br />

monitored for erectile responses, and he was presented with<br />

numerous trials <strong>in</strong> which he was presented with descriptions <strong>of</strong><br />

rape. In each trial, he was asked to imag<strong>in</strong>e that the woman <strong>in</strong><br />

the rape descriptions was a woman he had known previously<br />

Three women from his past were chosen for these imag<strong>in</strong>ed<br />

rapes, one for whom he held a strong affection, one for whom he<br />

held a long-stand<strong>in</strong>g animosity, and one for whom his feel<strong>in</strong>gs<br />

were ambivalent. His pattern <strong>of</strong> response to the imag<strong>in</strong>ed rapes<br />

<strong>in</strong>dicated that when he imag<strong>in</strong>ed rap<strong>in</strong>g a woman toward<br />

whom he was hostile, his arousal to the rape cues was the stron-<br />

gest. When he imag<strong>in</strong>ed rap<strong>in</strong>g the woman for whom he held<br />

affection, his rape arousal was attenuated. <strong>The</strong>refore, there is a

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