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96<br />
THE COMPANy CEO,<br />
jEAn mARC jACot.<br />
A DETAIL OF THE DIAL<br />
OF THE TABLE CLOCK<br />
WITH ISLAMIC CALENDAR.<br />
THE PANTOGRAPH HANDS<br />
WHICH INSPIRED<br />
THE NEW RANGE<br />
OF OVALE WATCHES.<br />
eter of the dial. We are shown around the workshop<br />
by a very young watchmaker who has just restored<br />
two unique pieces from a Chinese collection, two<br />
priceless perfume containers complete with clock<br />
and automatic micro-scenes. In fact, high quality<br />
training is one of the firm’s creeds. There is a sector<br />
devoted to young watchmakers who start learning<br />
about this mysterious art from a very young age.<br />
‘I’m fifteen years of age and I want to become a<br />
master watchmaker’. This is the decided statement<br />
of one of these young people with his head bent<br />
over a personal project. His teacher explains to me<br />
with pride that the trainees don’t work for the company<br />
but follow their own personal projects and at<br />
the end of the training period they are encouraged<br />
to gain experience elsewhere. Just like in the best<br />
families. Between the work benches my attention is<br />
drawn to a Bugatti prototype, a tribute to a record<br />
breaking car in a record breaking watch. There are<br />
technical details on it which resemble those of a<br />
supercar. For me, this watch has something genial<br />
about it. Its interpretation of its use. It is a watch to<br />
THE UNIQUE PROFILE<br />
OF A BugAtti IN PINK GOLD.<br />
A CERTAIN FIFTEEN yEAR OLD<br />
TRAINEE.<br />
THE DIAL/DASHBOARD<br />
OF A BugAtti DRIVER<br />
PROTOTyPE ON ONE<br />
OF THOSE FASCINATING<br />
TECHNICAL DESIGNS.<br />
97