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BeSPOKE 07

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hotel villa KenneDy’s<br />

presidential sUite is FUll<br />

oF works oF art, CoMForts<br />

and an exCellent seleCtion<br />

oF liQUers and ChoColates.<br />

258<br />

new friends who i am struggling to find a common<br />

language with. as göethe often did, i return to my<br />

room a little too late and after a few too many beers.<br />

the following morning i wander into the banking<br />

quarter. the city has as many as 300 of which 180<br />

are foreign. i go up to the roof top of the main tower<br />

and the city’s mixture of modern and historic is clear<br />

from here, a city organism in continual evolution.<br />

i meet a national star, the weather man with his<br />

mascot Fridolin who ventures forth in all weathers<br />

to tell the germans their weather forecast directly<br />

from the clouds. Frankfurt has only relatively recently<br />

made peace with its past and this is evident in the<br />

late restoration work on its historic districts. but it has<br />

done it in style and put to rest the fears of its citizens<br />

that it would be famous for its banks alone, for its<br />

unsuccessful euro monument, as the city of money.<br />

these are fears that are as groundless as those of the<br />

father of the famous writer göethe - who was born<br />

and grew up in Frankfurt - who feared that his son<br />

was a good for nothing and would devote himself<br />

to a life of vice. the banks of the Main actually contain<br />

no fewer than 40 museums all of which have<br />

restaurants and laboratories and are open until late.<br />

the cultural range is vast. For me, the stadël, work of<br />

botticelli and bellini, was unmissable as was the Mak<br />

for contemporary art but numerous themes are<br />

covered here. it is evening again now, however, and<br />

my last date awaits me. don Carlos at the new opera<br />

house. My date in evening dress is an acquaintance<br />

that i am happy to have been able to get to know<br />

better, a city in happy harmony between the slow<br />

pace of historic contemplation and the fast pace of<br />

modern life.<br />

259

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