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“A GENTLEMAN’S WARDROBE<br />

MUST BE FULL OF SHIRTS.<br />

THESE ARE THE TRIUMPH<br />

OF MODERN LIFE.<br />

I HAVE SO MANy THAT I’VE<br />

LOST COUNT OF THE NUMBER.<br />

yOU MUST HAVE SO MANy<br />

THAT yOUR OWN GOOD TASTE<br />

SURPRISES yOU EVERy TIME<br />

AND yOU ARE AMAzED EVERy<br />

TIME yOU GET THEM OUT<br />

OF yOUR WARDROBE”.<br />

112<br />

again and take back the world of elegance. We have<br />

the history, tradition, style, intuition and beauty. Let’s<br />

learn how to sell it on every continent. But quality<br />

must be supreme. We’ve made Biella a centre for<br />

research into textiles and the relationship between<br />

textiles and health, denouncing the criminal use of<br />

azo dyes which cause skin tumours in consumers.<br />

Ours is a philosophy of timeless, guaranteed excellence.<br />

We can teach it to the world. It is the only way<br />

open to us. Save traditions so that they can be new<br />

markets for sophistication and definite values”. Between<br />

1990 and 2000 Barbera was universally recognised<br />

as a style guru and, to all intents and<br />

purposes, the most elegant man of those years. One<br />

day, John John, Kennedy’s favourite, called him to<br />

tell him that he had been for a visit to the White<br />

House and that never had such an elegant American<br />

entered the Oval Office. He was wearing clothes<br />

with Barbera’s brand name. “I understand that the<br />

clothing caste wants bulk sales. But this is how history<br />

is destroyed and, that way, we lose our sense of<br />

who we are. My teachers were my father for fabrics,<br />

Mario Pozzi, Consilvio’s son in law and Mario Caraceni<br />

for clothes, shirtmaker Vittorio Siniscalchi and<br />

for shoes Antonio Bentivegna, great names in Milanese<br />

and international tailoring. Today I mainly wear<br />

clothes that I’ve designed myself. When I was eighteen<br />

my father sent me to England to gain experi-<br />

ence in weaving and spinning. In Biella I studied<br />

combing and dyeing. Then I found out about the<br />

great transformations in fabric in Milan where they<br />

looked into your soul and sewed your true identity<br />

onto you. They knew how to look into your mind.<br />

That was how I understood that true elegance is not<br />

appearance but your true essence. One day, at the<br />

end of a visit to our company, an Australian wool<br />

maker said to me, amazed: “But we sold you virgin<br />

wool and not cashmere. What miracles have you<br />

performed?” This is what I mean by substance and<br />

the unique, exceptional Italian way. In defence of<br />

our product, however, we must learn from the<br />

Americans who write everything clearly on their la-<br />

bels. An unruly market is to nobody’s advantage. In<br />

1960, after seeing a photo of me dressed in Mulas in<br />

a Saxony over-checked three-piece suit in dual<br />

panel brown, Murray Pearlstein asked me to create<br />

a clothing range for him. I’d learnt something at the<br />

Milanese tailors. Today we’ve even got vintage fabrics.<br />

We conserve our wools like champagne in our<br />

Pianezze cellars keeping them there eight months<br />

in constant humidity because it has to regenerate<br />

there before it is woven. The 1911 reserve is dedicated<br />

to my father Carlo, honorary member of the<br />

Superfine Wool Producers, the most exclusive wool<br />

making club in the world. We don’t forget history”.<br />

www.lucianobarbera.com<br />

THE GREAT TRADITION<br />

CONTINUES: ABOVE luCiAno<br />

BARBERA’S GRANDSON.<br />

113

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