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The Alchemical Patronage of Sir William Cecil, Lord Burghley

The Alchemical Patronage of Sir William Cecil, Lord Burghley

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was a key investor, attempted to utilise alchemical techniques. 201 In the years prior to the<br />

Company‘s incorporation, the supervisor <strong>of</strong> the project, Thomas Thurland, corresponded<br />

frequently with Richard Eden regarding his alchemical experiments and the arrangement <strong>of</strong><br />

the Company‘s royal patent. 202 It is clear that Thurland considered Eden‘s alchemical<br />

knowledge practically useful. Likewise, in 1583 John Dee and the alchemist Adrian Gilbert<br />

leased from the Company the right to search for gold, silver, copper, and quicksilver in the<br />

Devonshire mines for fifteen years. 203 Whilst the project never went ahead due to Dee‘s<br />

travels in Europe, <strong>Cecil</strong> certainly saw Dee and Gilbert‘s largely theoretical alchemical<br />

knowledge as applicable to practical endeavours.<br />

<strong>Cecil</strong>, through his patronage <strong>of</strong> industrial alchemical projects, attempted to aid the<br />

English economy by implementing alchemical concepts on a practical level. Ignored by<br />

Heal and Holmes, the projects examined in this chapter reveal that <strong>Cecil</strong>‘s attitude towards<br />

alchemy mirrored that <strong>of</strong> the German princes examined by Nummedal. 204 Both the assays<br />

<strong>of</strong> the Frobisher ore and the Society <strong>of</strong> the New Art relied on supposedly alchemical<br />

knowledge and techniques. Given <strong>Cecil</strong>‘s understanding <strong>of</strong> the manner in which metals<br />

generated, utilising alchemical techniques to extract gold from the Frobisher ore would<br />

have seemed imminently sensible, and certainly did not dissuade <strong>Cecil</strong> from taking a leading<br />

role in the project. Likewise, <strong>Cecil</strong> invested a significant amount <strong>of</strong> his own money in the<br />

Society <strong>of</strong> the New Art, based entirely on the understanding that <strong>William</strong> Medley was<br />

performing alchemy. <strong>The</strong> role <strong>of</strong> alchemical experts in both <strong>of</strong> these industrial projects<br />

supports Nummedal‘s contention that sixteenth century patrons saw alchemical expertise<br />

as particularly relevant to practical ventures. 205 Moreover, it demonstrates the fallacy <strong>of</strong> the<br />

historical distinction between alchemy and utilitarian patronage.<br />

201 Ash, Power, Knowledge and Expertise, pp. 19-23<br />

202 Ibid; Eden to <strong>Cecil</strong>, Lansdowne, Vol 101, No. 5.<br />

203 Parry, <strong>The</strong> Arch-Conjuror, chapter 43.<br />

204 Nummedal, Alchemy and Authority.<br />

205 Tara Nummedal, ‗Practical Alchemy and Commercial Exchange‘, p. 210.<br />

153

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