24.10.2012 Views

The Alchemical Patronage of Sir William Cecil, Lord Burghley

The Alchemical Patronage of Sir William Cecil, Lord Burghley

The Alchemical Patronage of Sir William Cecil, Lord Burghley

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

support for economic projects. Describing <strong>Cecil</strong> as ―the pre-eminent patron <strong>of</strong> projects<br />

intended to improve and expand the economy <strong>of</strong> England‖, Heal and Holmes demonstrate<br />

that <strong>Cecil</strong>‘s economic policies were designed to marry older concerns for stability and the<br />

maintenance <strong>of</strong> authority with newer mercantilist reforms. 31 However, even Heal and<br />

Holmes only briefly mention <strong>Cecil</strong> being ―seduced into support <strong>of</strong> unlikely ventures, such<br />

as Cornelius de Lannoy‘s claims for the ‗new art‘, or alchemic transmutation‖. 32 <strong>The</strong>y<br />

consider such missteps essentially out <strong>of</strong> character. 33 <strong>The</strong>y relegate <strong>Cecil</strong>‘s involvement in<br />

the Society <strong>of</strong> the New Art to a footnote, in which they emphasise that ―<strong>Cecil</strong> was more<br />

cautious than his colleague in advancing cash‖ and refer the reader to Dewar‘s account. 34<br />

If Heal and Holmes had been less dismissive <strong>of</strong> alchemical patronage, they would have<br />

found that the Society <strong>of</strong> the New Art matched some <strong>of</strong> their case studies <strong>of</strong> economic<br />

patronage in both ambition and expense. If <strong>Cecil</strong> invested less in the project than the<br />

governor <strong>of</strong> the Society, <strong>Sir</strong> Thomas Smith, he was certainly the last to give up on the<br />

scheme, and would continue to patronise <strong>William</strong> Medley, the alchemist involved, for many<br />

years afterwards. 35<br />

<strong>Cecil</strong>‘s biographers‘ failure to differentiate alchemy from notions <strong>of</strong> popular magic<br />

reflects a common misunderstanding <strong>of</strong> Renaissance alchemical concepts. To a large extent<br />

this demonstrates the influence <strong>of</strong> nineteenth century occultists, such as Mary Anne<br />

Atwood, on popular conceptions <strong>of</strong> alchemy. Her influential A Suggestive Inquiry into the<br />

Hermetic Mystery (1850) interpreted alchemy as simply an allegorical expression <strong>of</strong> esoteric<br />

spiritual knowledge. 36 Alchemy has therefore become overly associated with spiritualism,<br />

witchcraft, and other forms <strong>of</strong> magical belief. This misinterpretation <strong>of</strong> alchemy, advanced<br />

31 Felicity Heal and Clive Holmes, ‗<strong>The</strong> Economic <strong>Patronage</strong> <strong>of</strong> <strong>William</strong> <strong>Cecil</strong>‘ in Pauline Cr<strong>of</strong>t, <strong>Patronage</strong>,<br />

Culture and Power: <strong>The</strong> Early <strong>Cecil</strong>s 1558 – 1612, London, 2002, p. 223.<br />

32 Ibid., p. 203.<br />

33 Ibid.<br />

34 Ibid., p. 229n.<br />

35 Edward Osborne and Wolstan Dixie to <strong>William</strong> <strong>Cecil</strong>, 12 September 1576, <strong>Cecil</strong> Papers, vol. 160, No.111.<br />

36 Mary Anne Atwood, A Suggestive Inquiry into the Hermetic Mystery, London, 1850.<br />

8

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!