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Preliminary pages FINAL.pdf - eCommons@Cornell - Cornell ...

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TABLE OF CONTENTS<br />

Biographical sketch iii<br />

Dedication iv<br />

Acknowledgements v<br />

Table of contents viii<br />

List of Figures xi<br />

List of Tables xiv<br />

List of Recorded Examples xv<br />

Preface xxii<br />

CHAPTER 1: METHODOLOGIES: SOURCES, SINGING AND STYLE 1<br />

CHAPTER 2: THE SOURCES OF STYLE 19<br />

Registers 21<br />

Registration 27<br />

Registration recorded 30<br />

Registration and breath 101: messa di voce 35<br />

Registration and articulation 38<br />

Registration and breath 102: portamento di voce 42<br />

Interpretative divide 44<br />

“More than singing” 46<br />

The Bachner pupils 54<br />

Two aesthetics of expressivity recorded 58<br />

Consequences of vocalism: “passing portamento” and “gestural singing” 65<br />

Portamento as choice 72<br />

viii

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