04.10.2013 Views

SPHENOPHRYNE - American Museum of Natural History

SPHENOPHRYNE - American Museum of Natural History

SPHENOPHRYNE - American Museum of Natural History

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

2000 ZWEIFEL: PARTITION OF <strong>SPHENOPHRYNE</strong><br />

5<br />

to describe as far as possible the distribution<br />

and ecology <strong>of</strong> the species.<br />

In a previous paper (Zweifel, 1985b) I reviewed<br />

the five Australian species <strong>of</strong> Sphenophryne<br />

in detail. Except for one <strong>of</strong> these<br />

that occurs also in New Guinea, they are not<br />

treated individually in this account but are<br />

considered where pertinent.<br />

ACKNOWLEDGMENTS<br />

Over the many years since initiating this<br />

project I have become increasingly in debt to<br />

many institutions and to colleagues without<br />

whose assistance I could have accomplished<br />

little. A list <strong>of</strong> institutions whose specimens<br />

I examined (or if not examined, as cited in<br />

the text) follows, with abbreviations and<br />

names <strong>of</strong> responsible parties.<br />

AMNH <strong>American</strong> <strong>Museum</strong> <strong>of</strong> <strong>Natural</strong> <strong>History</strong>,<br />

New York; C. Myers, L. Ford<br />

AMS Australian <strong>Museum</strong>, Sydney; H. Cogger,<br />

A. Greer, R. Sadlier<br />

BMNH British <strong>Museum</strong> (<strong>Natural</strong> <strong>History</strong>), London;<br />

B. Clarke<br />

BPBM Bishop <strong>Museum</strong>, Honolulu; Allen Allison,<br />

Carla Kishinami<br />

FMNH Field <strong>Museum</strong> <strong>of</strong> <strong>Natural</strong> <strong>History</strong>, Chicago;<br />

R. Inger<br />

MCZ <strong>Museum</strong> <strong>of</strong> Comparative Zoology, Harvard<br />

University, Cambridge; José Rosado,<br />

E. Williams, J. Cadle<br />

MNH National <strong>Museum</strong> <strong>of</strong> Hungary, Budapest<br />

MSNG Museo Civico di Storia <strong>Natural</strong>e di<br />

Genova, Genoa; E. Tortonese, L. Capocaccia-Orsini<br />

MTKD Staatliches <strong>Museum</strong> für Tierkunde,<br />

Dresden<br />

MZB Zoological <strong>Museum</strong>, Bogor, Indonesia;<br />

S. Somadikarta, Siti Nuramaliati Prijonok,<br />

Curator Mumpuni<br />

NMBA Basel <strong>Natural</strong> <strong>History</strong> <strong>Museum</strong>, Basel<br />

PNGM National <strong>Museum</strong> and Art Gallery, Port<br />

Moresby, Papua New Guinea; J. Menzies,<br />

I. H. Bigilale<br />

QM Queensland <strong>Museum</strong>, Brisbane, Australia<br />

RMNH Rijksmuseum van Natuurlijke Historie,<br />

Leiden; R. Hoogmoed, L. Brongersma<br />

SAMA South Australian <strong>Museum</strong>, Adelaide;<br />

Adrienne Edwards<br />

UPNG University <strong>of</strong> Papua New Guinea, Port<br />

Moresby; J. Menzies<br />

YPM Yale Peabody <strong>Museum</strong>, New Haven;<br />

Fred Sibley<br />

ZMA Zoological <strong>Museum</strong>, University <strong>of</strong> Amsterdam,<br />

Amsterdam; S. Daan<br />

ZMUC Zoological <strong>Museum</strong>, University <strong>of</strong> Copenhagen,<br />

Copenhagen; Arne Schitz<br />

ZSM Zoologisches Sammlung des Bayerischen<br />

Staates, Munich; Frank Glaw<br />

Fieldwork that permitted me to gain acquaintance<br />

with living individuals <strong>of</strong> certain<br />

species studied was supported by the <strong>American</strong><br />

<strong>Museum</strong> <strong>of</strong> <strong>Natural</strong> <strong>History</strong>, the National<br />

Geographic Society (1968), the National<br />

Science Foundation (1964 and Alpha Helix<br />

Expedition, 1969), and the Sabin Conservation<br />

Fund (1987).<br />

Individual thanks are in order to Linda<br />

Ford, for her efficient and prompt replies to<br />

my many requests for information and specimens<br />

from the AMNH; David Dickey, who<br />

produced some <strong>of</strong> the audiospectrograms;<br />

Allen Allison, James Menzies, and Stephen<br />

Richards, all <strong>of</strong> whom provided specimens,<br />

photographs, and tape recordings; Carol<br />

Townsend for the preparation <strong>of</strong> cleared and<br />

stained specimens; Joan Whelan for SEM<br />

photography; Wade Sherbrooke, Director <strong>of</strong><br />

the AMNH Southwestern Research Station,<br />

for providing laboratory space where I carried<br />

out much <strong>of</strong> my work with specimens;<br />

and the British Library <strong>of</strong> Wildlife Sounds<br />

and Ian Redmond for the loan <strong>of</strong> tape recordings.<br />

Charles Myers’ careful critique <strong>of</strong><br />

the manuscript improved it significantly in a<br />

variety <strong>of</strong> ways, as did comments from two<br />

anonymous referees.<br />

Fred Parker <strong>of</strong> Townsville, Queensland,<br />

Australia, deserves special mention. Not only<br />

did I have access to the multitudes <strong>of</strong> specimens<br />

he collected and generously deposited<br />

in several museums, but I was privileged to<br />

accompany him on patrol in the Eastern<br />

Highlands <strong>of</strong> Papua New Guinea in 1964,<br />

and again to share time in the field with him<br />

in 1968, 1969, and 1987.<br />

As always, my wife, Frances W. Zweifel,<br />

applied her artistic talents to produce many<br />

original renderings for this paper in addition

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!