SPHENOPHRYNE - American Museum of Natural History
SPHENOPHRYNE - American Museum of Natural History
SPHENOPHRYNE - American Museum of Natural History
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2000 ZWEIFEL: PARTITION OF <strong>SPHENOPHRYNE</strong><br />
5<br />
to describe as far as possible the distribution<br />
and ecology <strong>of</strong> the species.<br />
In a previous paper (Zweifel, 1985b) I reviewed<br />
the five Australian species <strong>of</strong> Sphenophryne<br />
in detail. Except for one <strong>of</strong> these<br />
that occurs also in New Guinea, they are not<br />
treated individually in this account but are<br />
considered where pertinent.<br />
ACKNOWLEDGMENTS<br />
Over the many years since initiating this<br />
project I have become increasingly in debt to<br />
many institutions and to colleagues without<br />
whose assistance I could have accomplished<br />
little. A list <strong>of</strong> institutions whose specimens<br />
I examined (or if not examined, as cited in<br />
the text) follows, with abbreviations and<br />
names <strong>of</strong> responsible parties.<br />
AMNH <strong>American</strong> <strong>Museum</strong> <strong>of</strong> <strong>Natural</strong> <strong>History</strong>,<br />
New York; C. Myers, L. Ford<br />
AMS Australian <strong>Museum</strong>, Sydney; H. Cogger,<br />
A. Greer, R. Sadlier<br />
BMNH British <strong>Museum</strong> (<strong>Natural</strong> <strong>History</strong>), London;<br />
B. Clarke<br />
BPBM Bishop <strong>Museum</strong>, Honolulu; Allen Allison,<br />
Carla Kishinami<br />
FMNH Field <strong>Museum</strong> <strong>of</strong> <strong>Natural</strong> <strong>History</strong>, Chicago;<br />
R. Inger<br />
MCZ <strong>Museum</strong> <strong>of</strong> Comparative Zoology, Harvard<br />
University, Cambridge; José Rosado,<br />
E. Williams, J. Cadle<br />
MNH National <strong>Museum</strong> <strong>of</strong> Hungary, Budapest<br />
MSNG Museo Civico di Storia <strong>Natural</strong>e di<br />
Genova, Genoa; E. Tortonese, L. Capocaccia-Orsini<br />
MTKD Staatliches <strong>Museum</strong> für Tierkunde,<br />
Dresden<br />
MZB Zoological <strong>Museum</strong>, Bogor, Indonesia;<br />
S. Somadikarta, Siti Nuramaliati Prijonok,<br />
Curator Mumpuni<br />
NMBA Basel <strong>Natural</strong> <strong>History</strong> <strong>Museum</strong>, Basel<br />
PNGM National <strong>Museum</strong> and Art Gallery, Port<br />
Moresby, Papua New Guinea; J. Menzies,<br />
I. H. Bigilale<br />
QM Queensland <strong>Museum</strong>, Brisbane, Australia<br />
RMNH Rijksmuseum van Natuurlijke Historie,<br />
Leiden; R. Hoogmoed, L. Brongersma<br />
SAMA South Australian <strong>Museum</strong>, Adelaide;<br />
Adrienne Edwards<br />
UPNG University <strong>of</strong> Papua New Guinea, Port<br />
Moresby; J. Menzies<br />
YPM Yale Peabody <strong>Museum</strong>, New Haven;<br />
Fred Sibley<br />
ZMA Zoological <strong>Museum</strong>, University <strong>of</strong> Amsterdam,<br />
Amsterdam; S. Daan<br />
ZMUC Zoological <strong>Museum</strong>, University <strong>of</strong> Copenhagen,<br />
Copenhagen; Arne Schitz<br />
ZSM Zoologisches Sammlung des Bayerischen<br />
Staates, Munich; Frank Glaw<br />
Fieldwork that permitted me to gain acquaintance<br />
with living individuals <strong>of</strong> certain<br />
species studied was supported by the <strong>American</strong><br />
<strong>Museum</strong> <strong>of</strong> <strong>Natural</strong> <strong>History</strong>, the National<br />
Geographic Society (1968), the National<br />
Science Foundation (1964 and Alpha Helix<br />
Expedition, 1969), and the Sabin Conservation<br />
Fund (1987).<br />
Individual thanks are in order to Linda<br />
Ford, for her efficient and prompt replies to<br />
my many requests for information and specimens<br />
from the AMNH; David Dickey, who<br />
produced some <strong>of</strong> the audiospectrograms;<br />
Allen Allison, James Menzies, and Stephen<br />
Richards, all <strong>of</strong> whom provided specimens,<br />
photographs, and tape recordings; Carol<br />
Townsend for the preparation <strong>of</strong> cleared and<br />
stained specimens; Joan Whelan for SEM<br />
photography; Wade Sherbrooke, Director <strong>of</strong><br />
the AMNH Southwestern Research Station,<br />
for providing laboratory space where I carried<br />
out much <strong>of</strong> my work with specimens;<br />
and the British Library <strong>of</strong> Wildlife Sounds<br />
and Ian Redmond for the loan <strong>of</strong> tape recordings.<br />
Charles Myers’ careful critique <strong>of</strong><br />
the manuscript improved it significantly in a<br />
variety <strong>of</strong> ways, as did comments from two<br />
anonymous referees.<br />
Fred Parker <strong>of</strong> Townsville, Queensland,<br />
Australia, deserves special mention. Not only<br />
did I have access to the multitudes <strong>of</strong> specimens<br />
he collected and generously deposited<br />
in several museums, but I was privileged to<br />
accompany him on patrol in the Eastern<br />
Highlands <strong>of</strong> Papua New Guinea in 1964,<br />
and again to share time in the field with him<br />
in 1968, 1969, and 1987.<br />
As always, my wife, Frances W. Zweifel,<br />
applied her artistic talents to produce many<br />
original renderings for this paper in addition