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MAFALDA ARNAUTH<br />

THE<br />

ENCHANTMENT<br />

OF<br />

LISBOA<br />

The olive trees at the esplanade of the Belém Cultural<br />

Centre offer little shade on an afternoon in which the<br />

sun is already high in the sky and there is no breeze<br />

from the sea. An intense, yet diffuse light is reflected<br />

from the Tagus, spreading across Lisboa, the <strong>city</strong> built<br />

on steps, stage to a spectacle of a thousand colours.<br />

Mafalda Arnauth, a young fado singer whose voice and<br />

style, in just a few years, have gained a new generation<br />

of admirers of Fado, is about to release another album.<br />

She talks to MY OWN LISBOA about her plans and the<br />

relationship she has with Lisboa, “a <strong>city</strong> to fall in love<br />

with“.<br />

“This is the album of my life, in terms of histories,<br />

moments, influences”, she explains. It contains songs<br />

she has written and composed herself, as well as<br />

adaptations. It includes Milonga do Chiado (a<br />

neighbourhood of Lisboa), to which Mafalda has added<br />

the refrain – “Ah, how I understand / that I still miss you<br />

/ The cruel ashes that remember / A happy time. I was<br />

also left / without all that I wanted / Without all that I<br />

loved /And whenever I return here/ I share with you<br />

the smell of what it was to love”.<br />

Mafalda Arnauth loves Lisboa, she walks around it every<br />

day – but she does have a favourite area, Graça. One<br />

day, whilst she was showing the <strong>city</strong> to an Argentinean<br />

friend, from the top of this hill, she was inspired to write<br />

a fado: “And I run down to the river / kissing the<br />

Cathedral on the way/ I reach the Alfama in a delirium<br />

/ because my Faith is larger”.<br />

“I really miss Lisboa. When I travel, I have enormous<br />

saudades, especially because of the never ending<br />

contact we have with the river and the sea”, she says.<br />

“And then, Lisboa is this mix of so many different people.<br />

The old part, where in some quarters neighbours live<br />

so closely together almost as if it was still the Middle<br />

Ages, and the more modern areas, with their<br />

cosmopolitan rhythm, which is in complete contrast”.<br />

The ascents and descents of the trams also have their<br />

charm, but Mafalda recommends walking. From Graça,<br />

Castelo, through the Alfama, down to the river, then<br />

along the riverside to Belém. “So that a foreigner can<br />

get to know the people of Lisboa better, because there<br />

is a characteristic common to all the Portuguese – a<br />

playful cheekiness, it’s very typical, at the same time as<br />

being sweet and open. It’s something you can’t describe<br />

with words. You can only discover alfacinhas (an<br />

affectionate term for the people of Lisboa – meaning<br />

baby lettuce) by having real contact with them”.<br />

Mafalda made her debut in 1995, at the São Luís Theatre,<br />

a venue in the area of Chiado, which she describes as<br />

magical. However, her voice has taken her to other<br />

exceptionally beautiful places with a very special<br />

atmosphere, such as the Ajuda Palace.<br />

It can’t be said that the fado singer only likes the food<br />

of Lisboa – “The problem is that I like everything, that’s<br />

my weakness”, she laughs. However, she loves traditional<br />

Portuguese cooking and the advice she gives to anyone<br />

who isn’t familiar with it, is to eat fresh fish and sea<br />

food, bacalhau (codfish), naturally, and the sweets. And,<br />

if it’s during the summer they mustn’t miss sardines.<br />

“For a restaurant, try the Solar dos Presuntos, near<br />

Avenida da Liberdade (on the same road as the Coliseu<br />

dos Recreios). It’s always good, the dishes are really<br />

Portuguese, not touristy”. Or try Guincho or the left<br />

bank of the Tagus, for fish and seafood, “there are a lot<br />

of good restaurants over on the other side”.<br />

RESTAURANTS<br />

42 _<br />

43

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