lisboa city lisboa city
lisboa city lisboa city
lisboa city lisboa city
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MAFALDA ARNAUTH<br />
THE<br />
ENCHANTMENT<br />
OF<br />
LISBOA<br />
The olive trees at the esplanade of the Belém Cultural<br />
Centre offer little shade on an afternoon in which the<br />
sun is already high in the sky and there is no breeze<br />
from the sea. An intense, yet diffuse light is reflected<br />
from the Tagus, spreading across Lisboa, the <strong>city</strong> built<br />
on steps, stage to a spectacle of a thousand colours.<br />
Mafalda Arnauth, a young fado singer whose voice and<br />
style, in just a few years, have gained a new generation<br />
of admirers of Fado, is about to release another album.<br />
She talks to MY OWN LISBOA about her plans and the<br />
relationship she has with Lisboa, “a <strong>city</strong> to fall in love<br />
with“.<br />
“This is the album of my life, in terms of histories,<br />
moments, influences”, she explains. It contains songs<br />
she has written and composed herself, as well as<br />
adaptations. It includes Milonga do Chiado (a<br />
neighbourhood of Lisboa), to which Mafalda has added<br />
the refrain – “Ah, how I understand / that I still miss you<br />
/ The cruel ashes that remember / A happy time. I was<br />
also left / without all that I wanted / Without all that I<br />
loved /And whenever I return here/ I share with you<br />
the smell of what it was to love”.<br />
Mafalda Arnauth loves Lisboa, she walks around it every<br />
day – but she does have a favourite area, Graça. One<br />
day, whilst she was showing the <strong>city</strong> to an Argentinean<br />
friend, from the top of this hill, she was inspired to write<br />
a fado: “And I run down to the river / kissing the<br />
Cathedral on the way/ I reach the Alfama in a delirium<br />
/ because my Faith is larger”.<br />
“I really miss Lisboa. When I travel, I have enormous<br />
saudades, especially because of the never ending<br />
contact we have with the river and the sea”, she says.<br />
“And then, Lisboa is this mix of so many different people.<br />
The old part, where in some quarters neighbours live<br />
so closely together almost as if it was still the Middle<br />
Ages, and the more modern areas, with their<br />
cosmopolitan rhythm, which is in complete contrast”.<br />
The ascents and descents of the trams also have their<br />
charm, but Mafalda recommends walking. From Graça,<br />
Castelo, through the Alfama, down to the river, then<br />
along the riverside to Belém. “So that a foreigner can<br />
get to know the people of Lisboa better, because there<br />
is a characteristic common to all the Portuguese – a<br />
playful cheekiness, it’s very typical, at the same time as<br />
being sweet and open. It’s something you can’t describe<br />
with words. You can only discover alfacinhas (an<br />
affectionate term for the people of Lisboa – meaning<br />
baby lettuce) by having real contact with them”.<br />
Mafalda made her debut in 1995, at the São Luís Theatre,<br />
a venue in the area of Chiado, which she describes as<br />
magical. However, her voice has taken her to other<br />
exceptionally beautiful places with a very special<br />
atmosphere, such as the Ajuda Palace.<br />
It can’t be said that the fado singer only likes the food<br />
of Lisboa – “The problem is that I like everything, that’s<br />
my weakness”, she laughs. However, she loves traditional<br />
Portuguese cooking and the advice she gives to anyone<br />
who isn’t familiar with it, is to eat fresh fish and sea<br />
food, bacalhau (codfish), naturally, and the sweets. And,<br />
if it’s during the summer they mustn’t miss sardines.<br />
“For a restaurant, try the Solar dos Presuntos, near<br />
Avenida da Liberdade (on the same road as the Coliseu<br />
dos Recreios). It’s always good, the dishes are really<br />
Portuguese, not touristy”. Or try Guincho or the left<br />
bank of the Tagus, for fish and seafood, “there are a lot<br />
of good restaurants over on the other side”.<br />
RESTAURANTS<br />
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