Creating Circles and Ceremonies: Rituals for All ... - reading...
Creating Circles and Ceremonies: Rituals for All ... - reading...
Creating Circles and Ceremonies: Rituals for All ... - reading...
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Book I: T he Magick Circle 45<br />
your memories more conscious <strong>and</strong> available <strong>for</strong> use in both magick <strong>and</strong> ritual. Over time,<br />
you can consciously develop an Elemental inventory – sort of a “sensory reference library”<br />
of personal experiences with each of the Elements. This inventory will help you access your<br />
authentic connections to these diverse <strong>for</strong>ces, <strong>and</strong> can be brought <strong>for</strong>ward in the present <strong>and</strong><br />
used in invocation. It will give you the knowledge you need to embody <strong>and</strong> invoke a very<br />
specific quality of Elemental power from each direction in order to empower your ritual or<br />
magickal working.<br />
Prior to speaking your invocation prepare yourself energetically, <strong>and</strong> trust that the poetry<br />
of the season is alive inside you. Embody the frequency, the resonance, the vibration of the<br />
Elemental power you are inviting. Let your words emerge from your center. As each Element is<br />
invoked, allow the tone of your voice change in range, pitch, quality of sound, <strong>and</strong> meter of<br />
delivery. Like tuning into the b<strong>and</strong> wave frequency on a radio, dial up each directional “station”<br />
to hear the Elemental music clearly. Make an authentic connection to the quality of Elemental<br />
energy you seek. For example, Air sounds in the environment tend to be very soft, breathy, <strong>and</strong><br />
relatively high pitched. Air words are clear, thought provoking, clever, <strong>and</strong> should give the<br />
feeling of expansive open spaces or soaring in their delivery. Fire sounds in the environment are<br />
those that are relatively high-pitched, clear, bright, shrill, carry well over distance, <strong>and</strong> seem to<br />
cut through other sounds. Fire sounds grab our attention by irritating our nerves. Fire words are<br />
simple but passionate, higher pitched, with a faster-paced delivery; they rise, outburst, or simmer<br />
(as seasonally appropriate), with sibilance accentuated. In contrast, Water sounds in the environment<br />
are soft but definite, midrange in pitch, <strong>and</strong> give us the feeling of caressing or stroking.<br />
These are sounds that cause us our muscles to relax. Water words flow in a stream of consciousness.<br />
They are dreamy <strong>and</strong> poetic, with connective phrasing <strong>and</strong> rhythmic undulation in their<br />
delivery. Finally, Earth sounds in the environment are definite or heavy, low-pitched, <strong>and</strong> often<br />
“sub-sonic.” These are sounds that seem to rattle our bones. Earth words are solid like large<br />
stones, simple but carrying much weight. Delivery of an Earth invocation would be slower<br />
paced, <strong>and</strong> with a deeper pitch.<br />
When you are speaking an invocation in a group ritual, remember that you are the conduit<br />
between the Elemental energies <strong>and</strong> the will of the participants in the ritual Circle. You will need<br />
to project your voice, speaking out so that everyone present can hear <strong>and</strong> feel the invocation.<br />
This is particularly critical if you are outside where sound can easily be lost. Personal ritual<br />
invocations need not be spoken with such projection, but it is still best to speak them aloud.<br />
Speaking aloud gives the Elemental <strong>for</strong>ces within you an opportunity to come fully <strong>for</strong>ward. It is<br />
a <strong>for</strong>m of self-witnessing. How <strong>and</strong> what you hear within ritual space may be different than how<br />
<strong>and</strong> what you hear in a state of ordinary consciousness. Try invocation both ways, aloud <strong>and</strong><br />
silent, in order to hear, see, <strong>and</strong> feel the differences <strong>for</strong> yourself. Experiment with the power of<br />
your own voice to come into resonance with the power of the Elements. Make lots of magick!<br />
Summoning the Elements—Generic<br />
By Oberon & Crow Dragontree<br />
Here is a generic approach to Quarter calling, with little variation from Quarter to Quarter.<br />
Something this simple may be used <strong>for</strong> many rituals, as it requires very little ef<strong>for</strong>t to<br />
memorize. This is useful if you are having newcomers or visitors taking part in the ceremony<br />
<strong>and</strong> you want to give them a way to participate that won’t be too challenging.<br />
Four people are selected be<strong>for</strong>e the ritual begins, <strong>and</strong> given, respectively, a censer of<br />
burning incense, a lit red c<strong>and</strong>le, a chalice of water, <strong>and</strong> a bowl of salt. The celebrant representing<br />
the Eastern Quarter st<strong>and</strong>s in the east, holding the incense. Strongly <strong>and</strong> confidently<br />
call out something like this:<br />
Hail to the Ancients of East <strong>and</strong> Air!<br />
We call you to our Rite!