Creating Circles and Ceremonies: Rituals for All ... - reading...

Creating Circles and Ceremonies: Rituals for All ... - reading... Creating Circles and Ceremonies: Rituals for All ... - reading...

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22 Creating Circles & Ceremonies 1. A ritual is not a spectator sport. If you don’t wish to participate, please stay far enough away that your conversations, etc. won’t interfere in the rite. 2. Leave your mundane self and earthly business outside the Circle, and enter with your magickal self. Enter the Circle in “Perfect Love and Perfect Trust,” having worked through personal difficulties beforehand. 3. Meet everyone’s magickal self in the Circle as if for the first time, remembering that we have been partners since life began. Treat everybody and everything in the Circle with respect, tact, courtesy, and love. 4. A ritual is like a religious service, one in which considerable power may be raised, so please behave reverently and carefully in Circle. 5. Keep solemn silence except when Truth wishes to speak through you. Speak only Truth in Circle, and your magickal affirmations will have the force of that Truth. 6. A ritual need not be solemn, yet it should be serious in that humor should be used with purpose. Gratuitous remarks can disrupt the circle’s energy and focus, so please refrain from making them. 7. The best rituals are those that seem spontaneous, yet they’ve often been planned carefully. So look to those leading the rite for clues on when to join in with chanting, drumming, etc. 8. When moving about in the Circle, always move in the direction of the Casting (usually deosil/clockwise). Walk around the Circle if necessary, but don’t walk across or against the flow. 9. Ritual objects and tools are invested with power and should be treated with respect. A person’s tools and musical instruments are private and should not be touched without permission—especially anything wrapped, sheathed, or boxed. 10.Once the Circle is cast, enter or exit only at great need. If you must enter or exit the Circle, please cut yourself a door or have one of the ritual officers do so. One of the Priestess’ or Priest’s jobs may be to channel the Goddess and/or God in the Circle. Help them by: • Watching them, listening to them, following them. • Empowering them and the ritual by your participation. Feed your energy and visualizations through them into the Circle. • Putting objections aside and saving criticism until later. If you cannot go along with something, leave the Circle. We are all sisters and brothers in the Circle, but we may work in different ways. Be sensitive to different needs and styles before and during a ritual. Respect the differences between all magickal selves and include them, for they are all needed to complete the Circle. Basic Ritual Structure By Oberon Zell-Ravenheart Magick is the art of coincidence control, or, as Anodea Judith says, “probability enhancement.” When we practice magick we deliberately shift the patterns of probabilities in our favor, so that the things we want to happen are more likely to come about. That’s why many people cite Aleister Crowley’s definition of magick as “causing change to occur in conformity with Will.” The way we do this is to focus all our energies in the same direction, the way a laser focuses all the light waves in a single coherent direction. By using the appropriate colors, incense, words, meditations, charms, spells, chants, Elements, and planetary powers, we can maximize the influences on our side – sort of like piling rocks on one end of a balance beam until eventually the whole thing tips. If we do this very precisely, we can achieve a perfect equilibrium of factors that will allow the beam to be pivoted around the fulcrum to the way we want it to go.

Book I: T he Magick Circle 23 Natural magick is magick that works with the forces, fields, and energies of Nature. We do this kind of magick best when we merge ourselves into the natural flow and become one with it. The flow of an effective ceremony can be likened to any other sublime activity, such as sex, a gourmet meal, a concert, a story, a movie, etc. The energy is built through organic stages to a climax, and then returns in mirrored increments to the final anticlimactic finish. In Wicca and many other forms of Pagan magick, especially when working in a group, we do all this within a Magick Circle. Here is a brief outline of a basic generic 13-part ritual structure commonly used in many rites throughout much of the American, European, British, and Australian magickal community. If you learn this form, you will be at home in just about any Circle anywhere, in all of their infinite variations. There are entire books, tapes, and CDs full of variations on this basic form, with countless different chants, invocations, blessings, etc.—many of which are in the forms of songs and poetry. What I offer here are only samples. This 13-part outline may be used as a starting point for creating an infinite variety of more complex forms. One of the best things about magickal rituals is that they offer so much room for creativity! I. BANISHING/CLEANSING (optional; not used in all rituals) A. Smudging and/or: B. Asperging (with salt water) II. GROUNDING (optional; not used in all rituals) A. Guided meditation (“Tree of Life”) or: B. Physical movement III. CASTING THE CIRCLE (Deosil/clockwise for “doing;” widdershins/counterclockwise for “undoing.” All movements henceforth within the ritual should follow direction of casting.) A. Walk circumference with a tool (blade or wand) or: B. Caster stands in center and rotates with tool C. All dance circumference D. Chant/sing while holding hands E. Visualization/meditation while holding hands IV. CALLING THE QUARTERS A. East (Air) B. South (Fire) C. West (Water) D. North (Earth) Optional: E. The Great Above (or Spirit) F. The Great Below (or Abyss) G. The Center (Spirit or Faerie) V. INVOKING DEITIES & SPIRITS A. The Goddess B. The God Optional: C. Ancestors D. Guardian Spirits or Angels E. The Fae F. Animal Totems G. Higher Self VI. STATEMENT OF PURPOSE Clarifying the intention of the ritual. VII. WORKING Elements of the ritual are symbolized and/ or represented. Dynamics between chosen elements are dramatized, healed, transformed, or energized (this is the most creative part). VIII. POWER RAISING & RELEASING A. Chanting and/or Drumming B. Dancing C. Grounding IX. COMMUNION A. Charging/Blessing and Sharing: 1. Food (cakes, bread, fruit, etc.) 2. Drink (water, juice, wine, etc.) X. HIATUS A. Meditation or: B. Sharing, discussion, announcements, business C. Silence XI. THANKS & DISMISSAL OF SPIRITS A. Deities/Spirits (in reverse order of invocation) XII. THANKS & DISMISSAL OF ELEMENTS A. Directions/Elements (in reverse order of invocation) XIII. OPENING THE CIRCLE (in reverse direction of casting) Usually done in same manner as it was cast, i.e. by song, dance, blade, wand, etc. NOTE: Maximum participation is desired. Parts are often shared.

Book I: T he Magick Circle 23<br />

Natural magick is magick that works with the <strong>for</strong>ces, fields, <strong>and</strong> energies of Nature. We do<br />

this kind of magick best when we merge ourselves into the natural flow <strong>and</strong> become one with it.<br />

The flow of an effective ceremony can be likened to any other sublime activity, such as sex, a<br />

gourmet meal, a concert, a story, a movie, etc. The energy is built through organic stages to a<br />

climax, <strong>and</strong> then returns in mirrored increments to the final anticlimactic finish.<br />

In Wicca <strong>and</strong> many other <strong>for</strong>ms of Pagan magick, especially when working in a group, we<br />

do all this within a Magick Circle. Here is a brief outline of a basic generic 13-part ritual structure<br />

commonly used in many rites throughout much of the American, European, British, <strong>and</strong> Australian<br />

magickal community. If you learn this <strong>for</strong>m, you will be at home in just about any Circle<br />

anywhere, in all of their infinite variations. There are entire books, tapes, <strong>and</strong> CDs full of variations<br />

on this basic <strong>for</strong>m, with countless different chants, invocations, blessings, etc.—many of<br />

which are in the <strong>for</strong>ms of songs <strong>and</strong> poetry. What I offer here are only samples. This 13-part<br />

outline may be used as a starting point <strong>for</strong> creating an infinite variety of more complex <strong>for</strong>ms.<br />

One of the best things about magickal rituals is that they offer so much room <strong>for</strong> creativity!<br />

I. BANISHING/CLEANSING (optional; not<br />

used in all rituals)<br />

A. Smudging<br />

<strong>and</strong>/or: B. Asperging (with salt water)<br />

II. GROUNDING (optional; not used in all<br />

rituals)<br />

A. Guided meditation (“Tree of Life”)<br />

or: B. Physical movement<br />

III. CASTING THE CIRCLE (Deosil/clockwise<br />

<strong>for</strong> “doing;” widdershins/counterclockwise<br />

<strong>for</strong> “undoing.” <strong>All</strong> movements<br />

hence<strong>for</strong>th within the ritual should follow<br />

direction of casting.)<br />

A. Walk circumference with a tool<br />

(blade or w<strong>and</strong>)<br />

or: B. Caster st<strong>and</strong>s in center <strong>and</strong><br />

rotates with tool<br />

C. <strong>All</strong> dance circumference<br />

D. Chant/sing while holding h<strong>and</strong>s<br />

E. Visualization/meditation while<br />

holding h<strong>and</strong>s<br />

IV. CALLING THE QUARTERS<br />

A. East (Air)<br />

B. South (Fire)<br />

C. West (Water)<br />

D. North (Earth)<br />

Optional: E. The Great Above (or Spirit)<br />

F. The Great Below (or Abyss)<br />

G. The Center (Spirit or Faerie)<br />

V. INVOKING DEITIES & SPIRITS<br />

A. The Goddess<br />

B. The God<br />

Optional: C. Ancestors<br />

D. Guardian Spirits or Angels<br />

E. The Fae<br />

F. Animal Totems<br />

G. Higher Self<br />

VI. STATEMENT OF PURPOSE<br />

Clarifying the intention of the ritual.<br />

VII. WORKING<br />

Elements of the ritual are symbolized <strong>and</strong>/<br />

or represented. Dynamics between chosen<br />

elements are dramatized, healed, trans<strong>for</strong>med,<br />

or energized (this is the most creative<br />

part).<br />

VIII. POWER RAISING & RELEASING<br />

A. Chanting <strong>and</strong>/or Drumming<br />

B. Dancing<br />

C. Grounding<br />

IX. COMMUNION<br />

A. Charging/Blessing <strong>and</strong> Sharing:<br />

1. Food (cakes, bread, fruit, etc.)<br />

2. Drink (water, juice, wine, etc.)<br />

X. HIATUS<br />

A. Meditation<br />

or: B. Sharing, discussion,<br />

announcements, business<br />

C. Silence<br />

XI. THANKS & DISMISSAL OF SPIRITS<br />

A. Deities/Spirits (in reverse order of invocation)<br />

XII. THANKS & DISMISSAL OF<br />

ELEMENTS<br />

A. Directions/Elements (in reverse<br />

order of invocation)<br />

XIII. OPENING THE CIRCLE (in reverse<br />

direction of casting)<br />

Usually done in same manner as it was cast,<br />

i.e. by song, dance, blade, w<strong>and</strong>, etc.<br />

NOTE: Maximum participation is desired.<br />

Parts are often shared.

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