Creating Circles and Ceremonies: Rituals for All ... - reading...
Creating Circles and Ceremonies: Rituals for All ... - reading...
Creating Circles and Ceremonies: Rituals for All ... - reading...
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242 <strong>Creating</strong> <strong>Circles</strong> & <strong>Ceremonies</strong><br />
are unaware that these images <strong>and</strong> customs survive from ancient Pagan religions, most Americans<br />
have yet to let go of the holiday that acknowledges the place of death in life.<br />
Mexico’s Dia de los Muertos is celebrated in many parts of the United States <strong>and</strong> “is the<br />
result of a fusion between a medieval Spanish-European tradition honoring souls of the dead<br />
<strong>and</strong> pre-Columbian indigenous rites of the dead.” 2 In the mid-tenth century, Pope Gregory<br />
IV established <strong>All</strong> Souls’ Day <strong>and</strong> the Feast of <strong>All</strong> Saints on November 1st <strong>and</strong> 2nd respectively.<br />
Dia de los Muertos is a time set aside in many families to honor their ancestors by<br />
bringing offerings of yellow marigolds, photographs, copal incense, fanciful toys, food, <strong>and</strong><br />
alcoholic libations to special altars <strong>and</strong> to the gravesides of relatives <strong>for</strong> family reunions. The<br />
atmosphere of this festival is light-hearted <strong>and</strong> loving.<br />
Quest through the Shadows<br />
A Samhain Mystery Play<br />
By Oberon & Morning Glory Zell, <strong>and</strong> C<strong>and</strong>ice & Alan Campbell, 1975<br />
Props: The most important prop is the Scarecrow Throne, set in the West edge of the Circle.<br />
This is a straight-backed chair with arms. Four 6-foot-tall poles are taped securely to the legs,<br />
arms, <strong>and</strong> back of the chair, <strong>and</strong> brought inwards at the top to support a 6-inch square<br />
plat<strong>for</strong>m. Then a thin black drape is arranged over this frame, to close or open all the way<br />
down the front. Cornstalks are placed over the drape around three sides, <strong>and</strong> tied at the top<br />
below the plat<strong>for</strong>m, leaving the front open. Finally, a lit Jack-O-Lantern carved like a skull sits<br />
atop the plat<strong>for</strong>m, supported on the sides by the tops of the cornstalks (this could be a<br />
plastic Hallowe’en prop). Be<strong>for</strong>e anyone enters the ritual area, the Green Man takes a seat<br />
inside this Scarecrow, <strong>and</strong> closes the black drape around him so that nothing of him shows.<br />
He should be able to see through the material enough to follow the action. He remains utterly<br />
still until his surprise appearance at the climax of the rite.<br />
Thirteen numbered cue cards are prepared be<strong>for</strong>e the ritual, with lines of the Riddle. These<br />
will be h<strong>and</strong>ed out by the Crone to 13 people around the Circle, in order, along with 13 lightsticks,<br />
of which one is red <strong>and</strong> 12 are green. The red one goes to the first person, who gets cue card #1.<br />
<strong>All</strong> people in the Circle will need to be seated <strong>for</strong> this rite, either in chairs or cushions on the<br />
floor. No one may sit behind the Scarecrow Throne. A low black-draped altar is set in the center<br />
of the Circle, with a platter of nutcakes <strong>and</strong> a chalice of apple-pomegranate juice. Animal bones,<br />
skull, etc. are on the altar, along with a deer antler, dead leaves, an apple, <strong>and</strong> half a pomegranate.<br />
(The Circle is cast by whatever method is preferred; all motions are conducted widdershins.<br />
Enter the Witch-Crone with a Black Book, cue cards, <strong>and</strong> 13 lit lightsticks in a basket.)<br />
Crone: Come hither all beings mortal <strong>and</strong> immortal,<br />
living <strong>and</strong> dead. We welcome you<br />
to this celebration! We are gathered this<br />
evening in a Circle outside of time <strong>and</strong><br />
space. Here at Summer’s ending, the<br />
magick door between the worlds opens <strong>and</strong><br />
we find ourselves in the hall of the Lord of<br />
Shadows. (lights switch to red) I have cards<br />
<strong>for</strong> some of you. When you are questioned,<br />
you must give the answer on your card.<br />
(Crone goes around the Circle widdershins,<br />
h<strong>and</strong>ing out cards <strong>and</strong> lightsticks, starting with<br />
the red lightstick <strong>and</strong> card #1. When all the<br />
cards are h<strong>and</strong>ed out, she reads from the Black<br />
Book, remaining always on the opposite side<br />
of the Circle from Fauna.)<br />
Hear then the tale of the Goddess Fauna—<br />
Who is the sovereign of all creatures:<br />
Our Lady of the Beasts…<br />
(At the beginning of this invocation, Fauna<br />
enters dressed as a huntress in animal skins<br />
<strong>and</strong> makeup. She carries half a pomegranate,<br />
cut open to expose seeds. Circling widdershins,<br />
she begins a mime of the actions described by<br />
the Crone while very soft drum, bells, <strong>and</strong> finger<br />
cymbals add accent:)<br />
She, who is at once the vixen <strong>and</strong> the hen.<br />
Hawk-eyed, deer-footed, cat-whiskered Lady;