Creating Circles and Ceremonies: Rituals for All ... - reading...
Creating Circles and Ceremonies: Rituals for All ... - reading... Creating Circles and Ceremonies: Rituals for All ... - reading...
222 Creating Circles & Ceremonies essential that might impede its fruition. Look at the priorities in your life and review them to see if they are consistent with what you say you want or need. Initiate any necessary changes. • Celebrate the abundance of the Earth by making and sharing a feast of fresh seasonal fruits, grains, and vegetables. • Bake bread and taste the gift of life. Shape it into a Goddess figure, and share the bounty of her body at a seasonal ritual or feast. • Give thanks for the gifts around you and for good fortune in your life. • Find ways to taste what you have accomplished in the growing season. • Honor your leadership skills or the ways in which you have supported others with wisdom. • Take a festive picnic meal to the mountains, ocean, or a river. • Send intentional energy through dance and song to ensure a harvest or the completion of projects, etc., which you have been nurturing along. • Commit or re-commit yourself to animal and/or environmental activism to protect the Earth and her creatures from further pollution or extermination. Attend to recycling. Teach and encourage others to do the same. • Find ways to give back to the Goddess for her gifts. • Share with or provide food to those who have less than you. John Barleycorn Ritual By Oberon & Morning Glory Zell-Ravenheart, 1976 This ritual is a Mystery play to be enacted in pantomime while the traditional song, “John Barleycorn,” is played or sung. These should be a bit of a musical interlude between each verse to allow the actions to catch up with the lyrics. Depending on how many people are available, many of the parts can be played by the same actors, with changes of props. Characters Notes on Costumes & Props Three Women These are the Fates or Norns. They should wear flowing, grey, hooded robes. The 1st should carry a spindle of yarn; the 2nd a cloth measuring tape; and the 3rd a large pair of shears. Or alternatively, one large crystal ball among them. John Barleycorn Straw-colored undergarb, with a green full-length cape overall that can be dropped at the right moment and a brown blanket to cover him at the beginning. A beardless man is preferred, with a long fake blond beard that can be hooked over his ears (this is not a requirement, as the beardless scene is only one verse). For the final verses he will also need a brown drinking cup, such as a wooden mug with a handle. This must be filled with whiskey. Two Reapers (May be played by the same actors as Fates, without robes) Simple scythes for each (plastic Hallowe’en prop scythes will do nicely). 9’ cord or rope. Two Forkers (May be played by the same actors as Reapers) Two pitchforks (not lethally sharp!). Loader Kid’s wagon. Best if it could be one made to look like wood, with slatted sides. But anything will do. Two Beaters (May be played by the same actors as Reapers) Two sticks. Miller (May be played by the same actor as Loader) Action: John Barleycorn is lying on his back on the ground in the center of the Circle covered by a brown blanket. Three women enter as the song begins, and circle slowly around him. On final line they shake hands over his body: There were three women came out of the West Our fortunes for to scry,
Book III: W heel of the Year 223 And these three made a solemn vow: “John Barleycorn must die.” Action: Three women continue to circle, making respectively gestures of plowing, sowing, and tossing clods of dirt over John’s body. Then they retreat, leaving him lying there. They’ve plowed, they’ve sown, they’ve harrowed him in, Threw clods upon his head, ‘Til these three all were satisfied John Barleycorn was dead. Action: At the 3rd line, John tosses back the blanket and sits up: They let him lie for a very long time, ‘Til the rains from heaven did fall, Then little Sir John raised up his head And so amazed them all. Action: John stands up. On the second line he drops his green cloak. On the third line he dons the fake beard: They let him stand ‘til Midsummer’s Day When he looked both pale and wan; Then little Sir John grew a long, long beard And so became a man. Action: Reapers enter to cut John down at the knee. He falls to the ground. Then they roll him over and tie his arms to his waist, winding rope around twice, but not fully tightening knot: They hired men with their scythes so sharp To cut him off at the knee; They rolled him and tied him around the waist, Serving him most barbarously. Action: Forkers use pitchforks to get John into wagon, where Loader sits him up: Wiccan Rite for Lammas Eve They hired men with their sharp pitchforks To pierce him to the heart, But the loader, he did serve him worse than that, For he’s bound him to the cart. Action: All three wheel John around the Circle in the wagon, retuning to the center, then shaking hands over him as in 1st scene. They wheeled him ‘round and around the field ‘Til they came unto a barn, And there they took a solemn oath On poor John Barleycorn. Action: Take John out of wagon. Beaters mime beating him with sticks. Miller mimes grinding him between stones. In this process, John loses rope. Then all retreat, leaving John crouched in center: They hired men with their crab-tree sticks To split him skin from bone, But the miller did serve him worse than that, For he’s ground him between two stones. Action: John rises, takes drinking-cup of whiskey and passes it into the Circle. Everyone drinks and passes the cup around: Now there’s little Sir John in the nutbrown bowl, And he’s brandy in the glass, And little Sir John in the nut-brown bowl Proved the strongest man at last. For the huntsman cannot hunt the fox Nor so loudly blow his horn And the tinker, he can’t mend kettles or pots Without a little Barleycorn. The place of meeting should be decorated with branches of holly and, if possible, a sheaf or two of grain. If there will be singing, music, and rhyme before the rite, themes should center on love cut short by death, love and sacrifice, and the “eternal triangle.” If there is dancing, the Priestess and Priest shall see that it is slow and intimate. Fencing and races are traditional, with a lady consenting to be the prize to be carried off by the winner—for a kiss. She may want to put on a tongue-in-cheek show of grieving for the fallen or losing one. The following may be recited by the Priestess and Priest, or it may be read aloud by various ones of the coven. In ancient times, a version of this rite, or one of the legends mentioned below, were mimed ceremoniously by the initiates.
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222 <strong>Creating</strong> <strong>Circles</strong> & <strong>Ceremonies</strong><br />
essential that might impede its fruition. Look at the priorities in your life <strong>and</strong> review them to see<br />
if they are consistent with what you say you want or need. Initiate any necessary changes.<br />
• Celebrate the abundance of the Earth by making <strong>and</strong> sharing a feast of fresh seasonal<br />
fruits, grains, <strong>and</strong> vegetables.<br />
• Bake bread <strong>and</strong> taste the gift of life. Shape it into a Goddess figure, <strong>and</strong> share the bounty<br />
of her body at a seasonal ritual or feast.<br />
• Give thanks <strong>for</strong> the gifts around you <strong>and</strong> <strong>for</strong> good <strong>for</strong>tune in your life.<br />
• Find ways to taste what you have accomplished in the growing season.<br />
• Honor your leadership skills or the ways in which you have supported others with wisdom.<br />
• Take a festive picnic meal to the mountains, ocean, or a river.<br />
• Send intentional energy through dance <strong>and</strong> song to ensure a harvest or the completion of<br />
projects, etc., which you have been nurturing along.<br />
• Commit or re-commit yourself to animal <strong>and</strong>/or environmental activism to protect the<br />
Earth <strong>and</strong> her creatures from further pollution or extermination.<br />
Attend to recycling. Teach <strong>and</strong> encourage others to do the same.<br />
• Find ways to give back to the Goddess <strong>for</strong> her gifts.<br />
• Share with or provide food to those who have less than you.<br />
John Barleycorn Ritual<br />
By Oberon & Morning Glory Zell-Ravenheart, 1976<br />
This ritual is a Mystery play to be enacted in pantomime while the traditional<br />
song, “John Barleycorn,” is played or sung. These should be a bit<br />
of a musical interlude between each verse to allow the actions to catch up<br />
with the lyrics. Depending on how many people are available, many of<br />
the parts can be played by the same actors, with changes of props.<br />
Characters Notes on Costumes & Props<br />
Three Women These are the Fates or Norns. They should wear flowing, grey, hooded robes.<br />
The 1st should carry a spindle of yarn; the 2nd a cloth measuring tape; <strong>and</strong> the<br />
3rd a large pair of shears. Or alternatively, one large crystal ball among them.<br />
John Barleycorn Straw-colored undergarb, with a green full-length cape overall that can be<br />
dropped at the right moment <strong>and</strong> a brown blanket to cover him at the beginning.<br />
A beardless man is preferred, with a long fake blond beard that can be<br />
hooked over his ears (this is not a requirement, as the beardless scene is only<br />
one verse). For the final verses he will also need a brown drinking cup, such<br />
as a wooden mug with a h<strong>and</strong>le. This must be filled with whiskey.<br />
Two Reapers (May be played by the same actors as Fates, without robes) Simple scythes<br />
<strong>for</strong> each (plastic Hallowe’en prop scythes will do nicely). 9’ cord or rope.<br />
Two Forkers (May be played by the same actors as Reapers) Two pitch<strong>for</strong>ks (not lethally<br />
sharp!).<br />
Loader Kid’s wagon. Best if it could be one made to look like wood, with slatted<br />
sides. But anything will do.<br />
Two Beaters (May be played by the same actors as Reapers) Two sticks.<br />
Miller (May be played by the same actor as Loader)<br />
Action: John Barleycorn is lying on his back on the ground in the center of the Circle<br />
covered by a brown blanket. Three women enter as the song begins, <strong>and</strong> circle slowly<br />
around him. On final line they shake h<strong>and</strong>s over his body:<br />
There were three women came out of the West<br />
Our <strong>for</strong>tunes <strong>for</strong> to scry,