Creating Circles and Ceremonies: Rituals for All ... - reading...

Creating Circles and Ceremonies: Rituals for All ... - reading... Creating Circles and Ceremonies: Rituals for All ... - reading...

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16 Creating Circles & Ceremonies One of these codes is the law of Perfect Love and Perfect Trust. This means that we only enter into a Circle with the feeling and intention that we can behave toward all members and toward the rite in general with this attitude. It means we agree to open our hearts and minds to each person in an aura of trust, and to not betray the trust of anyone in the Circle. If we cannot enter a Circle in this manner—for instance, if we have a major quarrel with someone in the Circle, or if we are simply in an ornery mood that we can’t shake—then we should not enter the Circle at all. In accordance with the Three-Fold Law, our behavior, feelings, or mood may increase exponentially, and possibly contaminate the magick that is trying to happen. What does this mean when we do not know all of the participants in a large ritual? How can we be in “perfect love” with strangers? My interpretation is that we agree to behave as if we had this perfect love and trust. Much as we practice the “ suspension of disbelief” in some magickal workings, we practice an assumption of belief about the mutual trustworthiness of the participants with whom we share our Circle. If everyone abides by this law, this should not be a problem, and will eventually create the feeling of total love and trust. In smaller Circles, of course, the level of intimacy and trust is deepened, and consequently the intensity of the magick is also increased. In my Tradition, the Holy Order of Mother Earth, we often refer to our magickal practices as “HOME Cooking.” Therefore I like to use the analogy of baking a cake to represent the various aspects of creating a magickal Circle: Before baking the cake, it is necessary to clean off the counter. We do not want to prepare food on a counter cluttered with yesterday’s dirty dishes or piles of unsorted papers. Similarly, we purify the space we are going to use in our ritual. This may involve magickally banishing unwanted energies, or it may simply entail sweeping the floor and unplugging the phone. Purification may also include ritual baths for the participants, smudging the room or the people who enter, or sprinkling the area with salt water. These acts clear the field in which we wish to work and makes the work proceed more smoothly. Next we bring out a large bowl in which we are going to mix the ingredients for the cake. The bowl is a container that holds the ingredients so they will mix together. If we simply threw them on the counter, we could not mix them. In this way, the Circle becomes a cauldron that hermetically seals the energies we invoke until they can adequately transform. This cauldron or bowl is formed by “casting the Circle.” This marks the physical area that is now clearly defined as sacred space. It may be marked on the ground or floor by drawing with chalk or cornmeal, or even by a scattering of flowers. Often it is drawn symbolically in the air by a Priestess or Priest with some sort of magickal tool, such as a sword, knife (athamé), wand, or crystal. Or, it may be delineated simply by the walls of the temple or room. Finally, if need be, it can also be created in the realm of your imagination, without any outward movement or markings at all. Samples of Circle Castings will be given in Chapter 3. Once we have an adequate bowl and a clean space in which to work, we bring in our ingredients according to the recipe chosen. For a cake, it’s eggs, flour, milk, and sugar. For a Circle, this includes the Elements and Directions, the Deities and Spirits chosen for the rite, ancestors, faeries, animal spirits, and whatever else is appropriate for the purpose of the ritual. These ingredients are invoked into the Circle and “stirred” together by the Priestess and/or Priest and the participants. It is not enough to merely follow a cookbook of ingredients; a talented baker adds that extra special something that makes the recipe unique. The Deities that are called into the Circle are the special magick that makes for a good “cake.” The Deities are the archetypal principles that we wish to connect with in ourselves and remember as influences in our working. They bring the essence of the Divine—that mysterious element that we cannot control or completely plan for, but that we can invite. This invitation of a Deity or Deities is called Invocation. Then comes the working. This is where we stir the “ingredients” together. Do we beat them like egg whites for meringue, or gently fold them together, as in a marble cake? Do we add surprise ingredients and stir in one direction, or do we mix some ingredients separately before

Book I: T he Magick Circle 17 adding? This is the most creative part of a ritual, and it is the real essence of the magick. After the working we need to raise energy in order to transform the ingredients into something new. In baking a cake, this is the part where we apply heat by placing the mixed ingredients in the oven. In a Circle, raising energy may entail drumming and dancing, chanting, meditating, or focusing energy on symbolic objects or on the Priestess herself. When this energy is applied, as in the case of heat from the oven, a transformation does indeed take place—the cake now holds a new form. Once this transformation has taken place, a cooling-off period is needed. In the same way that a cake “sets” better if it is allowed to sit for a bit, a Circle often spends this time sharing food, drink, and discussion that allays the previous intensity of raising energy. Once cooling has taken place, the cake can be taken out of the pan. It will hold its new shape and can be shared outside the kitchen. In the Circle, this means that the magick has taken place in whatever fashion was intended, and the Circle can be removed to allow that magick to pass on to wherever it is intended. The “pans” are cleaned, the “containers” and “ingredients” put away, and the ritual is ended. Circle Symbolism By Bran th’ Blessed The four-quartered Circle of Magick is a central element in most Western magickal rituals. It is called “the portal between the worlds,” a means of connecting with the Deities, Spirits, and Elemental Powers of a realm beyond the material universe. It is envisioned as a vortex within which we focus our own innate psychic powers, called forth by ritual actions from the subliminal depths of the mind and soul. It is a “sacred space,” a sanctuary for communion with the old ones, the deities of our faith. Many levels of symbolism are intrinsic to the Magick Circle:. Among these metaphors are metaphysical and mystical concepts that describe the greater reality within which our lives are experienced. The four “corners” of the Circle of Magick correspond with the compass directions and their associated Elements (Earth, Air, Fire or Water). A fifth Element, Spirit, is often associated with the center of the Circle or with the Circle as a whole. Anaximander of Miletus, a Greek philosopher of the sixth century BCE, proposed that reality had its foundation in an all-pervasive, unending substance which he called the Infinite or Boundless, the Divine Source of all things. The Boundless divided itself into two components by spinning about its center. Its hotter and lighter component was flung outward to form the heavens while its colder and heavier component sank toward the center to form the Earth. Later the Earth separated further into the dry land and the wet oceans. Today we find this same explanation for the formation of planets, stars and galaxies whose shapes are sculpted by the interplay of gravity and energy. Anaximander’s Boundless is the Spirit of the Circle imagery and the source of Heaven (Air) and Earth. Spirit is the very force and fiber of existence; but in spite of its fundamental importance in our being, it is virtually beyond comprehension. The realm of wind, water, stone, and flesh is manifest Spirit; the realm of Earth, Moon, Sun, and stars is manifest Spirit; time and space, energy and gravity, the realm of imagination, memory, emotion, and desire—all are Spirit manifest in that they can be named and known. Yet the aspect of Spirit that transcends naming and knowledge, incomprehensible in its mystery, is the ultimate Source of all these things. Many Pagan groups, Wiccan covens, and the HOME Tradition place Air in the East and Fire in the South. Some believe Water should be assigned the direction of the nearest ocean. Earth is generally assigned to the North, and Fire to the South; but in the Southern Hemisphere, Earth may be assigned to the frozen Antarctic South, and Fire to the hot equatorial North. However the details, Circle symbolism speaks to the heart and mind with images that remind us of our bonds to the universe and its awesome wonders.

Book I: T he Magick Circle 17<br />

adding? This is the most creative part of a ritual, <strong>and</strong> it is the real essence of the magick.<br />

After the working we need to raise energy in order to trans<strong>for</strong>m the ingredients into<br />

something new. In baking a cake, this is the part where we apply heat by placing the mixed<br />

ingredients in the oven. In a Circle, raising energy may entail drumming <strong>and</strong> dancing, chanting,<br />

meditating, or focusing energy on symbolic objects or on the Priestess herself. When this<br />

energy is applied, as in the case of heat from the oven, a trans<strong>for</strong>mation does indeed take<br />

place—the cake now holds a new <strong>for</strong>m.<br />

Once this trans<strong>for</strong>mation has taken place, a cooling-off period is needed. In the same<br />

way that a cake “sets” better if it is allowed to sit <strong>for</strong> a bit, a Circle often spends this time<br />

sharing food, drink, <strong>and</strong> discussion that allays the previous intensity of raising energy.<br />

Once cooling has taken place, the cake can be taken out of the pan. It will hold its new<br />

shape <strong>and</strong> can be shared outside the kitchen. In the Circle, this means that the magick has<br />

taken place in whatever fashion was intended, <strong>and</strong> the Circle can be removed to allow that<br />

magick to pass on to wherever it is intended. The “pans” are cleaned, the “containers” <strong>and</strong><br />

“ingredients” put away, <strong>and</strong> the ritual is ended.<br />

Circle Symbolism<br />

By Bran th’ Blessed<br />

The four-quartered Circle of Magick is a central element in most Western magickal<br />

rituals. It is called “the portal between the worlds,” a means of connecting with the Deities,<br />

Spirits, <strong>and</strong> Elemental Powers of a realm beyond the material universe. It is envisioned as a<br />

vortex within which we focus our own innate psychic powers, called <strong>for</strong>th by ritual actions<br />

from the subliminal depths of the mind <strong>and</strong> soul. It is a “sacred space,” a sanctuary <strong>for</strong><br />

communion with the old ones, the deities of our faith.<br />

Many levels of symbolism are intrinsic to the Magick Circle:. Among these metaphors<br />

are metaphysical <strong>and</strong> mystical concepts that describe the greater reality within which our<br />

lives are experienced. The four “corners” of the Circle of Magick correspond with the compass<br />

directions <strong>and</strong> their associated Elements (Earth, Air, Fire or Water). A fifth Element,<br />

Spirit, is often associated with the center of the Circle or with the Circle as a whole.<br />

Anaxim<strong>and</strong>er of Miletus, a Greek philosopher of the sixth century BCE, proposed that reality<br />

had its foundation in an all-pervasive, unending substance which he called the Infinite or<br />

Boundless, the Divine Source of all things. The Boundless divided itself into two components<br />

by spinning about its center. Its hotter <strong>and</strong> lighter component was flung outward to <strong>for</strong>m the<br />

heavens while its colder <strong>and</strong> heavier component sank toward the center to <strong>for</strong>m the Earth. Later<br />

the Earth separated further into the dry l<strong>and</strong> <strong>and</strong> the wet oceans. Today we find this same<br />

explanation <strong>for</strong> the <strong>for</strong>mation of planets, stars <strong>and</strong> galaxies whose shapes are sculpted by the<br />

interplay of gravity <strong>and</strong> energy. Anaxim<strong>and</strong>er’s Boundless is the Spirit of the Circle imagery <strong>and</strong><br />

the source of Heaven (Air) <strong>and</strong> Earth. Spirit is the very <strong>for</strong>ce <strong>and</strong> fiber of existence; but in spite<br />

of its fundamental importance in our being, it is virtually beyond comprehension.<br />

The realm of wind, water, stone, <strong>and</strong> flesh is manifest Spirit; the realm of Earth, Moon,<br />

Sun, <strong>and</strong> stars is manifest Spirit; time <strong>and</strong> space, energy <strong>and</strong> gravity, the realm of imagination,<br />

memory, emotion, <strong>and</strong> desire—all are Spirit manifest in that they can be named <strong>and</strong><br />

known. Yet the aspect of Spirit that transcends naming <strong>and</strong> knowledge, incomprehensible in<br />

its mystery, is the ultimate Source of all these things.<br />

Many Pagan groups, Wiccan covens, <strong>and</strong> the HOME Tradition place Air in the East <strong>and</strong><br />

Fire in the South. Some believe Water should be assigned the direction of the nearest ocean.<br />

Earth is generally assigned to the North, <strong>and</strong> Fire to the South; but in the Southern Hemisphere,<br />

Earth may be assigned to the frozen Antarctic South, <strong>and</strong> Fire to the hot equatorial<br />

North. However the details, Circle symbolism speaks to the heart <strong>and</strong> mind with images that<br />

remind us of our bonds to the universe <strong>and</strong> its awesome wonders.

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