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VILNIUS - In Your Pocket

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Sts. Peter & Pauls’ Church (Šv. Apaštalų Petro ir<br />

Povilo Bažnyčia) J-3, Antakalnio 1, tel. (+370) 5 234<br />

02 29. Believed to have been built on the site of a site of<br />

worship to Milda, the pagan goddess of love, this breathtaking<br />

Late Baroque masterpiece was commissioned to celebrate<br />

victory over the Russians in 1668 by Michael Casimir Pac,<br />

the Grand Hetman of the Lithuanian armies, who never lived<br />

to see its completion. Financed by two of Pac’s cousins and<br />

completed under several master craftsmen including the<br />

Polish Jan Zaor and Italian Gianbattista Frediani, the rather<br />

plain façade betrays an interior by Giovanni Pietro Perti and<br />

Giovanni Maria Galli that’s quite simply out of this world. Containing<br />

over 2,000 astonishing stucco mouldings representing<br />

miscellaneous religious and mythological scenes, of equal<br />

magnificence are the 20th-century altar containing a wooden<br />

figure of Christ, Antakalnio Jėzus (Jesus of Antakalnis) which<br />

features real human hair brought from Rome in 1700 and the<br />

Latvian chandelier made of brass and glass beads and dating<br />

from 1905. Q Mass 07:00, 07:30, 17:00 (Polish), 18:00, Sun<br />

07:30, 08:30 (Polish), 10:00, 11:30, 13:00 (Polish), 18:00.<br />

St. Theresa’s Church (Šv. Teresės Bažnyčia) C-5,<br />

Aušros Vartų 14, tel. (+370) 5 212 35 13. Probably Vilnius’<br />

best surviving example of Early Baroque religious architecture,<br />

work on the first incarnation of St. Theresa’s was completed<br />

in around 1650. Built at the behest and expense of the then<br />

Deputy Chancellor Steponas Pacas (Pol. Stefan Pac), the<br />

straightforward idea behind its construction was to create<br />

the most beautiful church in the city, a fact that can clearly<br />

be seen by its elaborate façade, predominantly the work of<br />

the Swiss-born Constantino Tencalla (1610-1647) who also<br />

worked on St. George’s Chapel inside the city’s Cathedral.<br />

The spectacular and predominantly rococo interior, much of<br />

it added in the middle of the 18th century, is a riot of golds<br />

and pinks. J<br />

Places of interest<br />

Centre of Europe (Europos Centras) Lithuania has<br />

the proud and noble distinction along with at least six other<br />

places of being smack in the middle of Europe. The Lithuanian<br />

claim stems from a 1989 ruling by Jean-George Affholder of<br />

France’s <strong>In</strong>stitut Géographique National who announced that<br />

the site lies at Bernotai, close to the village of Purnuškės<br />

some 26km north of Vilnius. The exact point, which can be<br />

reached by driving out of the city on the A14 in the direction<br />

of Molėtai and looking for the signs, has been commemorated<br />

with the construction of an expensive monument, a fact that<br />

may go a long way to explaining why a recent recalculation<br />

placing the centre of Europe six kilometres closer to Vilnius<br />

is being more or less ignored by the cash-strapped nation.<br />

Ultimately one should remember that Europe is a concept<br />

and not actually a continent at all, making the whole affair<br />

slightly ridiculous in the first place.<br />

Dawn Gate (Aušros Vartai) C-5, Aušros Vartų 12, tel.<br />

(+370) 5 212 35 13. Completed in 1522, the Dawn Gate (or<br />

Sharp Gate (Ostra Brama) as it’s known to the Poles) is the<br />

only remaining gate from the city’s original defensive walls.<br />

As was common at the time, an image of the Virgin Mary<br />

was placed above all gates to protect the city, and the story<br />

of the Dawn Gate starts from this simple historic fact. The<br />

current image, known as The Blessed Virgin Mary Mother<br />

of Mercy, was painted on eight pieces of oak in around 1630<br />

by an unknown artist, was embellished with gold and silver<br />

about 40 years after that, was housed inside a purpose-built<br />

chapel above the gate in 1706 and is believed to have magic<br />

healing powers. <strong>In</strong>terestingly, the Dawn Gate is revered by<br />

both the Catholic and Orthodox faiths and is such an important<br />

part of the city’s cultural heritage that it remained open<br />

vilnius.inyourpocket.com<br />

what to see<br />

Keturiasdešimt Totorių<br />

<strong>In</strong> 1397, Vytautas<br />

the Great,<br />

known as Vitaut<br />

(Вітаўт) to the<br />

Belarusians and<br />

Witold to th e<br />

Poles, famously<br />

settled a group<br />

of former Tatar<br />

p r i s o n e r s o f<br />

war and their<br />

families in the<br />

Grand Duchy of<br />

Lithuania in the<br />

then culturally<br />

and ethnically<br />

complex region<br />

around Vilnius,<br />

Richard Schofield<br />

or Vilna as it<br />

was called at the<br />

time. These Turkic newcomers, who became known as<br />

the Lipka Tatars (Lipka probably from the Crimean Tatar<br />

word for Lithuania), sprang up in several settlements in<br />

the area including today’s tiny village of Keturiasdešimt<br />

Totorių (Forty Tatars), one of the oldest Lipka Tatar<br />

settlements in the former Grand Duchy of Lithuania and<br />

just 20km south of Vilnius. The history and culture of the<br />

Lipka Tatars is a beguiling mix of influences embodying<br />

the religions of shamanism, Islam and Christianity and a<br />

language that evolved into a form of spoken Belarusian<br />

that was written in the Arabic script, a unique language<br />

that lasted well into the 1930s. Predominantly Islamic,<br />

the Lipka Tatars had an unusually liberal attitude towards<br />

women, with co-education being the norm, although this<br />

didn’t stop polygamy, a practice that allegedly bought<br />

about the name Keturiasdešimt Totorių with the no doubt<br />

apocryphal story of a local Lipka Tatar man who had four<br />

wives that each bore him 10 sons. Keturiasdešimt Totorių<br />

is a typical local anomaly, being both infamous although<br />

seldom visited, the latter perhaps for good reason as<br />

there’s little to see beyond the village’s wooden mosque,<br />

first mentioned in written sources in 1558 and rebuilt in<br />

1815 after Napoleon’s Grande Armée raised it to the<br />

ground during the ill-fated invasion of Russia two centuries<br />

ago. Despite the lack of local attractions, a short<br />

visit to Keturiasdešimt Totorių is highly recommended,<br />

not least for anyone with even a passing interest in the<br />

strange and illustrious history of the region. Now looking<br />

entirely out of place, the mosque is the Islamic version<br />

of the local Catholic wooden village church, simple in<br />

design and unfortunately seldom open to the public. The<br />

main attraction however is the surrounding cemetery<br />

complete with gravestones dating back hundreds of<br />

years and many carved with a star and the Moon at the<br />

top with Arabic inscriptions underneath. Getting to the<br />

village can be a bit of an adventure for those without<br />

access to a car or the strength to cycle there. The N°42<br />

bus service runs fairly regularly from the stop in the<br />

northwestern corner of the large square outside the<br />

train and bus stations, but only goes as far as the small<br />

town of Pagiriai, two kilometres short of the required<br />

destination. Alternatively, a local service runs from the<br />

bus station all the way to Keturiasdešimt Totorių several<br />

times a day, continuing the journey to Skarbutenai before<br />

turning round and coming back again. This gives visitors<br />

about 45 minutes to see the mosque.<br />

August - November 2012<br />

61

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