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Sexualistation of Young People

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According to social learning theory, what<br />

is important is not necessarily the content<br />

<strong>of</strong> the media itself but rather the implicit<br />

values that it represents, which provides<br />

the potential for harm. As such, what is<br />

<strong>of</strong> importance here is not simply that a<br />

child sees two people engaged in sex, but<br />

more to do with the nuances surrounding<br />

how the couple relate to each other and<br />

the attitudes this reinforces. As much <strong>of</strong><br />

the pornographic material available today<br />

increasingly centres around gendered<br />

themes <strong>of</strong> power and violence, then this<br />

is what children will be responding to.<br />

Of course, as is the case with all media,<br />

effects on the viewer are mediated by the<br />

perceived realism <strong>of</strong> the material and an<br />

individual’s engagement with it. 222<br />

‘Barely legal’ pornography<br />

Despite a US Supreme Court ruling<br />

in 2002 223 criminalising ‘virtual’ child<br />

pornography – pornography featuring<br />

adults who appear to be minors or<br />

computer-generated imagery <strong>of</strong> minors<br />

– there has been an ‘explosion in the<br />

number <strong>of</strong> sites that childify women’ 224<br />

These include sites focusing on the<br />

youthfulness <strong>of</strong> the females depicted, on<br />

loss <strong>of</strong> virginity, on pairing young women<br />

with much older men, and on glamorising<br />

incest. 225 There is also a trend for female<br />

porn actresses to appear in preambles<br />

to the main film talking direct to camera<br />

about their early sexual experiences; <strong>of</strong>ten,<br />

these will allegedly have taken place while<br />

the actress was still a child. 226<br />

There is evidence that such websites<br />

encourage consumers to view children as<br />

legitimate sex objects. Adults exposed to<br />

‘barely legal’ or virtual child pornography<br />

make stronger links between youth and<br />

222 Peter and Valkenburg (2006); Ward and<br />

Rivadeneyra (1999)<br />

223 Ashcr<strong>of</strong>t v. Free Speech Coalition (2002)<br />

224 Olfman (2008)<br />

225 Dines (2008)<br />

226 Evidence provided to the Review by Peter<br />

Johnson, British Board <strong>of</strong> Film Classification (2009)<br />

sexuality than adults exposed to materials<br />

featuring older-looking models and are<br />

also more likely to associate sex and<br />

sexuality with subsequent non-sexual<br />

depictions <strong>of</strong> minors. 227<br />

“For some men, children became the<br />

object <strong>of</strong> their sexual desire, especially<br />

after they clicked on the pop-up ads for<br />

teen porn, which led them into the PCP<br />

[Pseudo Child Porn] sites, and eventually<br />

into real child porn. For some men, the<br />

teen sites were just a stepping stone to<br />

the real thing, as they moved seamlessly<br />

from adult women to children.” 228<br />

Computer games<br />

Online games are by far the most<br />

common way in which children aged<br />

8–11 in the UK make use <strong>of</strong> the internet,<br />

with 85 per cent <strong>of</strong> younger children<br />

and 64 per cent <strong>of</strong> adolescents playing<br />

regularly. 229 With advances in technology,<br />

games are becoming increasingly graphic<br />

and realistic. 230 At the same time, children<br />

are more and more likely to play games<br />

without adult supervision: three-quarters<br />

<strong>of</strong> 12–15-year-olds have a games console<br />

in their bedroom. 231<br />

Many games feature highly sexualised<br />

content and there is a notable lack <strong>of</strong><br />

strong female characters. In a recent<br />

content analysis, 83 per cent <strong>of</strong> male<br />

characters were portrayed as aggressive,<br />

while 60 per cent <strong>of</strong> female characters<br />

were portrayed in a sexualised way<br />

and 39 per cent were scantily clad. The<br />

equivalent figures for male characters<br />

were 1 per cent and 8 per cent<br />

respectively. 232 Violence against women<br />

is <strong>of</strong>ten trivialised. For example, in the<br />

227 Paul and Linz (2008); Ashcr<strong>of</strong>t v. Free Speech<br />

Coalition (2002)<br />

228 Dines (2008)<br />

229 Ofcom (2007)<br />

230 Martinez and Manolovitz (2009)<br />

231 Ofcom (2009)<br />

232 Dill and Thill (2007)<br />

Sexualisation <strong>of</strong> <strong>Young</strong> <strong>People</strong> Review<br />

47

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