Dof Magazine
Abstract photography has in it‘s core, the intention of fulfilling our imaginary by the simple use of form, color and lines. Daruma‘s photos are prime examples of a reality within. Unlike any other artistic interpretation, abstraction in photography draws it‘s uniqueness from an acute insight of our surroundings. As if an extra layer of unorthodox perception is somehow required to spot true abstraction in a world which is overly detailed.
Abstract photography has in it‘s core, the intention of fulfilling our imaginary by the simple use of form, color and lines. Daruma‘s photos are prime examples of a reality within. Unlike any other artistic interpretation, abstraction in photography draws it‘s uniqueness from an acute insight of our surroundings. As if an extra layer of unorthodox perception is somehow required to spot true abstraction in a world which is overly detailed.
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photography publication<br />
issue #4
issue #4<br />
online photography publication<br />
editor<br />
/ luis monteiro<br />
contact<br />
/ dofzine@gmail.com<br />
website<br />
/ www.dofzine.com<br />
printed version<br />
/ www.dofzine.magcloud.com<br />
cover<br />
/ G9 at G20, daruma*<br />
backcover<br />
/ untitled, luis monteiro<br />
2
3<br />
/ contents<br />
4 / featured photographer daruma*<br />
12 / featured photographer marzena gregier<br />
22 / showcase color abstracness<br />
37 / final thoughts ministract...
5<br />
/ featured photographer<br />
daruma*<br />
Abstract photography has in it‘s core, the intention of fulfilling our<br />
imaginary by the simple use of form, color and lines. Daruma‘s<br />
photos are prime examples of a reality within.<br />
Unlike any other artistic interpretation, abstraction in photography<br />
draws it‘s uniqueness from an acute insight of our surroundings. As<br />
if an extra layer of unorthodox perception is somehow required to<br />
spot true abstraction in a world which is overly detailed.<br />
swiss vent, daruma*
dissymmetry, daruma*<br />
6
7<br />
fern, daruma*
ainy season, daruma*<br />
‘‘ Ministract \‘mi-ne-‘strakt\ - of or pertaining to that which might be minimal, might<br />
be abstract or might even be both. ‘‘<br />
daruma*<br />
8
9 electronic rainbow, daruma*
kanso, daruma*<br />
10
11<br />
The ministract concept opens a big creativity door and frees our<br />
imagination into realms of hidden patterns, colors, even secrets<br />
dreams...
featured photographer<br />
marzena gregier<br />
In the transition from minimalism to color abstractness one can find<br />
a world of interpretation.<br />
A new reality is presented through the many possibilities of<br />
looking at a subject. In most cases, they are self-referenced and<br />
relate only to what is depicted in the frame.<br />
Marzena achieves this by exploring the colorfulness of her subjects<br />
and by the different techniques applied that characterizes her<br />
photography.<br />
They are autonomous and promote an insight on the ordinary.<br />
12
13<br />
botão de alarme, marzena
15 x-file lock, marzena
17 piu wr piu wa, marzena
19 spr in g in wr, marzena
Some of her photos are minimal in their true meaning, others fall more to<br />
the abstract side. Nonetheless she strikes me as a seeker of the colorful, an<br />
experimenter of visual compositions that doesn‘t conform with the existing frames.<br />
21 cd br o r b, marzena
showcase<br />
color abstracness<br />
23 the road to oz, tailer ransom
tangled, tailer ransom<br />
24
25 coat, octavus
27 the red is peeking, tailer ransom
el botonito amarisho, felicitas<br />
28
29 abstract exit, lukeroberts
stay_down, ikhon<br />
30
31 edge, tailer ransom
ed decline, marc_l´esperance<br />
32
33 tubular trail, digitalfrrreak
35 atypical sunset, tailer ransom
issue #4<br />
online photography publication<br />
/ contributors<br />
4-11 / daruma*<br />
www.flickr.com/photos/daruma/<br />
12-21 / marzena gregier<br />
www. marzenagregier.blogspot.com/<br />
22-24, 26-27, 31, 34-35 / tailer ransom<br />
www.flickr.com/photos/tailorransom/<br />
25 / octavus<br />
www.octavus.deviantart.com/<br />
28 / felicitas<br />
www.flickr.com/photos/felumolina/<br />
29 / lukeroberts<br />
www.lukeroberts.deviantart.com/<br />
30 / ikhon<br />
www.ikhon.deviantart.com/<br />
32 / marc_l‘esperance<br />
www.flickr.com/photos/cml/<br />
33 / digitalfrrreak<br />
www.digitalfrrreak.deviantart.com/<br />
all images published in DOF magazine are sole<br />
property of the contributing photographers. no<br />
image may be copied or reproduced without the<br />
express permission of it‘s owner.<br />
thanks to all the contributing photographers.<br />
36
final thoughts<br />
37 37<br />
ministract...<br />
After last issue of DOF I ended up feeling I hadn´t quite explain minimalism in all<br />
it´s scope and I´m pretty sure I´m still not doing it with this one. Nonetheless I will<br />
be quite satisfied by at least present the two most prominent interpretations.<br />
In a world of new trends, the concept of ministract fits like a glove and even<br />
though you might not agree with it, it sure sums up what is quickly becoming a<br />
photographic technique and an artistic expression.<br />
My own interpretation of ministract, is one I´m already putting into practise with<br />
some experimental subjects (to be shown in future issues) and that combines what<br />
I understand as true from both concepts. On one hand, through minimalism, you<br />
have what can be identified, what can in a closer look communicate itself and be<br />
just that, pure and minimal, even if just at a technical level. On the other hand, the<br />
introduction of abstraction in our perception of this same subject, brings into light<br />
what is not immediately there, what the viewer as to make of it.<br />
This kind of topics always brings me down to more theoretical thoughts that I´m<br />
sure not everybody will be agreeing with... thankfully DOF is about the photos that<br />
are featured here not about what I ramble over them...<br />
by luis monteiro
photography publication<br />
issue #4