Fine Art - Eesti Kunstiakadeemia / Estonian Academy of Arts
Fine Art - Eesti Kunstiakadeemia / Estonian Academy of Arts
Fine Art - Eesti Kunstiakadeemia / Estonian Academy of Arts
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1 CP / 1.5 ECTS<br />
II year II semester.<br />
Objective: To study situation, where creation <strong>of</strong> work <strong>of</strong> art depends on its location, how room and light<br />
are basis for work <strong>of</strong> art.<br />
Content: To create work in glass painting technique in given room. Practical realisation is preceded by<br />
making <strong>of</strong> drafts and their discussion and analysis. Attention also on execution and presentation <strong>of</strong> drafts.<br />
Method: Individual instruction in practical work, analysis and discussion.<br />
Painting technique and technology A<br />
2 CP / 3 ECTS<br />
II year I and II semester.<br />
Two essential problems <strong>of</strong> painting are from one side casually formed ideas and concepts and from the<br />
other side non-elaborated use <strong>of</strong> material. Together they produce aesthetically raw, poorly preserving and<br />
hardly exposable work. The course observes development <strong>of</strong> technology and methods <strong>of</strong> painting<br />
technique through centuries and possibility to use those experiences today.<br />
Objective: To introduce importance <strong>of</strong> the problem and give instructions for the use <strong>of</strong> right technology<br />
and materials.<br />
Content: The course includes theoretical and practical part.<br />
Theory: overview <strong>of</strong> art history, various base materials, suitability <strong>of</strong> idea and material, preparation <strong>of</strong><br />
bases for painting, colour and its use. Copy, quote, replica.<br />
Practice: preparation <strong>of</strong> base - different methods <strong>of</strong> preparation <strong>of</strong> traditional and modern base; analysis <strong>of</strong><br />
personal creative use <strong>of</strong> material; selection <strong>of</strong> base; base frame; treatment <strong>of</strong> base according to the goal <strong>of</strong><br />
painting. Painting <strong>of</strong> academic portrait (idea, search, sketch, realisation). Painting <strong>of</strong> copy (various<br />
schemes, use <strong>of</strong> material, idea search, realisation, goal).<br />
Method: Lecture. Individual instruction with practical work, independent work. Discussion and analysis.<br />
Summer practice 3CP / 4.5 ECTS<br />
In summer after second year<br />
Objective: To provide students with experience in independent creative work, from the development <strong>of</strong><br />
idea and collection <strong>of</strong> material to completion <strong>of</strong> work.<br />
Content: First half <strong>of</strong> practice includes studying <strong>of</strong> task given by the teacher through analysing and search<br />
<strong>of</strong> solutions, collection <strong>of</strong> material (painting studies, drawings, photo, video, ready-made items etc.). After<br />
that the collected material is selected and grouped according to the principle <strong>of</strong> compliance with topic.<br />
Second half <strong>of</strong> practice includes final creation <strong>of</strong> work, its analysis and assessment.<br />
Method: Lectures, consultations, discussions. Instruction <strong>of</strong> practical work and independent work. Analysis<br />
and assessment <strong>of</strong> result.<br />
Workshop. 1CP / 1.5 ECTS<br />
SPECIALITY SUBJECTS III ACADEMIC YEAR<br />
Abstract painting<br />
6 CP (3+3) / 9 ECTS<br />
III year I semester.<br />
Objective: to give practical experience in non-figurative and abstract art, open wide spectrum <strong>of</strong><br />
possibilities and problems <strong>of</strong> abstract painting and surpass possible barriers <strong>of</strong> taste and prejudices.<br />
Content: The course is divided into two 5-week cycles. First cycle includes painting <strong>of</strong> five abstract<br />
paintings proceeding from different principles, using very varying painting rules, e.g. expressive,