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THE SHE KING; OR, THE BOOK OF ANCIENT POETRY

THE SHE KING; OR, THE BOOK OF ANCIENT POETRY

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72 <strong>THE</strong> <strong>BOOK</strong> <strong>OF</strong> <strong>POETRY</strong>. [?AET I.<br />

Why must he go, nor dare to stay<br />

Brief space at rest and still ?<br />

Absent my noble lord I mourn,<br />

May he return ! may he return !<br />

2 Grand in the south the thunder rolls<br />

Along that mountain's side.<br />

Why must he go from this, nor dare<br />

Brief time at rest to bide ?<br />

Absent my noble lord I mourn,<br />

May he return! may he return !<br />

3 Grand in the south the thunder rolls,<br />

Around that mountain's base.<br />

Why must he go from this, nor dare<br />

Indulge himself a space ?<br />

Absent my noble lord I mourn,<br />

May he return ! may he return !<br />

IX.<br />

The PSami yen mei; narrative. ANXIETY <strong>OF</strong> A YOUNG LADY TO<br />

GET MABBIED.<br />

1 Ripe, the plums fall from the bough;<br />

Only seven tenths left there now !<br />

Ye whose hearts on me are set,<br />

Now the time is fortunate !<br />

2 Eipe, the plums fall from the bough;<br />

Only three tenths left there now !<br />

Ye who wish my love to gain,<br />

Will not now apply in vain !<br />

3 No more plums upon the bough !<br />

All are in my basket now !<br />

Ye who me with ardour seek,<br />

Need the word but freely speak!<br />

The Seaou sing; allusive. <strong>THE</strong> THANKFUL SUBMISSION TO <strong>THE</strong>I?<br />

LOT <strong>OF</strong> <strong>THE</strong> INFEB10B MEMBEBS OP A HABEM.<br />

We have here the description by .one of the concubines of the lot of<br />

BK II. XL] <strong>THE</strong> <strong>BOOK</strong> <strong>OF</strong> POETET.<br />

herself and her companions. It is the early dawn, and she is returning<br />

from her visit to the prince's chamber, which had been allowed her by<br />

his wife, who alone could pass the whole night with her husband. T.he<br />

others were admitted only for a short time, and had to go and return in<br />

the dark. But so had the influence of king Wan and T*ae-sze wrought,<br />

that throughout Shaou and tlie South the wives of the princes dealt kindly<br />

with their inferiors. They were not jealous, and the others were not en<br />

vious. Such is the interpretation given to this piece.<br />

1 Behold those starlets small,<br />

How three or five the east illume!<br />

Swiftly we came when fell the gloom,<br />

And now at dawn the hall<br />

Of the harem we leave, nor dare gainsay<br />

Our lot which grants us here no longer stay.<br />

2 Behold those starlets small,<br />

Orion and the Pleiads bright!<br />

Swiftly we came as failed the light,<br />

And here brought to the hall<br />

Our coverlets and sheets. Now we return,<br />

Nor our inferior lot presume to mourn.<br />

XI.<br />

The Eeang yew sze ; allusive. JEALOUSY CUBED ; <strong>THE</strong> BESTOEATION<br />

OP GOOD FEELING IN A HABEM.<br />

The bride of some prince in the south, we are told, had refused to allow<br />

her cousins, who by rule should have accompanied her, to go with her to<br />

the harem; but afterwards, coming under the influence of King Wan<br />

and Tae-sze, she repented of her jealousy, sent for them, and was happy<br />

with them. The lines agree tolerably well with this traditional inter<br />

pretation.<br />

1 See how the Keang's great branches flow,<br />

Here leave its stream, and there back go !<br />

When first our lady came as bride,<br />

She would not have us by her side.<br />

She would not have us by her side ;<br />

But soon a better course she tried.<br />

2 The islets part the Keang's broad course,<br />

Which soon resumes its wonted force.<br />

When first as bride our lady came,<br />

To be with us she thought it shame.

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