THE SHE KING; OR, THE BOOK OF ANCIENT POETRY
THE SHE KING; OR, THE BOOK OF ANCIENT POETRY
THE SHE KING; OR, THE BOOK OF ANCIENT POETRY
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72 <strong>THE</strong> <strong>BOOK</strong> <strong>OF</strong> <strong>POETRY</strong>. [?AET I.<br />
Why must he go, nor dare to stay<br />
Brief space at rest and still ?<br />
Absent my noble lord I mourn,<br />
May he return ! may he return !<br />
2 Grand in the south the thunder rolls<br />
Along that mountain's side.<br />
Why must he go from this, nor dare<br />
Brief time at rest to bide ?<br />
Absent my noble lord I mourn,<br />
May he return! may he return !<br />
3 Grand in the south the thunder rolls,<br />
Around that mountain's base.<br />
Why must he go from this, nor dare<br />
Indulge himself a space ?<br />
Absent my noble lord I mourn,<br />
May he return ! may he return !<br />
IX.<br />
The PSami yen mei; narrative. ANXIETY <strong>OF</strong> A YOUNG LADY TO<br />
GET MABBIED.<br />
1 Ripe, the plums fall from the bough;<br />
Only seven tenths left there now !<br />
Ye whose hearts on me are set,<br />
Now the time is fortunate !<br />
2 Eipe, the plums fall from the bough;<br />
Only three tenths left there now !<br />
Ye who wish my love to gain,<br />
Will not now apply in vain !<br />
3 No more plums upon the bough !<br />
All are in my basket now !<br />
Ye who me with ardour seek,<br />
Need the word but freely speak!<br />
The Seaou sing; allusive. <strong>THE</strong> THANKFUL SUBMISSION TO <strong>THE</strong>I?<br />
LOT <strong>OF</strong> <strong>THE</strong> INFEB10B MEMBEBS OP A HABEM.<br />
We have here the description by .one of the concubines of the lot of<br />
BK II. XL] <strong>THE</strong> <strong>BOOK</strong> <strong>OF</strong> POETET.<br />
herself and her companions. It is the early dawn, and she is returning<br />
from her visit to the prince's chamber, which had been allowed her by<br />
his wife, who alone could pass the whole night with her husband. T.he<br />
others were admitted only for a short time, and had to go and return in<br />
the dark. But so had the influence of king Wan and T*ae-sze wrought,<br />
that throughout Shaou and tlie South the wives of the princes dealt kindly<br />
with their inferiors. They were not jealous, and the others were not en<br />
vious. Such is the interpretation given to this piece.<br />
1 Behold those starlets small,<br />
How three or five the east illume!<br />
Swiftly we came when fell the gloom,<br />
And now at dawn the hall<br />
Of the harem we leave, nor dare gainsay<br />
Our lot which grants us here no longer stay.<br />
2 Behold those starlets small,<br />
Orion and the Pleiads bright!<br />
Swiftly we came as failed the light,<br />
And here brought to the hall<br />
Our coverlets and sheets. Now we return,<br />
Nor our inferior lot presume to mourn.<br />
XI.<br />
The Eeang yew sze ; allusive. JEALOUSY CUBED ; <strong>THE</strong> BESTOEATION<br />
OP GOOD FEELING IN A HABEM.<br />
The bride of some prince in the south, we are told, had refused to allow<br />
her cousins, who by rule should have accompanied her, to go with her to<br />
the harem; but afterwards, coming under the influence of King Wan<br />
and Tae-sze, she repented of her jealousy, sent for them, and was happy<br />
with them. The lines agree tolerably well with this traditional inter<br />
pretation.<br />
1 See how the Keang's great branches flow,<br />
Here leave its stream, and there back go !<br />
When first our lady came as bride,<br />
She would not have us by her side.<br />
She would not have us by her side ;<br />
But soon a better course she tried.<br />
2 The islets part the Keang's broad course,<br />
Which soon resumes its wonted force.<br />
When first as bride our lady came,<br />
To be with us she thought it shame.