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THE SHE KING; OR, THE BOOK OF ANCIENT POETRY

THE SHE KING; OR, THE BOOK OF ANCIENT POETRY

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22 <strong>THE</strong> PEEFACE TO <strong>THE</strong> <strong>SHE</strong>. <strong>THE</strong> PEEFACE TO <strong>THE</strong> <strong>SHE</strong>. 23<br />

text up to Tsze-hea. Yen Sze-koo states it positively in<br />

his note appended to Lew Hin's catalogue of the copies<br />

of the She ; and hence, as the text and the preface came<br />

to Maou together, there arose the view that the latter<br />

was made by that disciple of the sage. It became current,<br />

indeed, under his name, and was published separately<br />

from the odes, so that, in the catalogue of the T'ang<br />

dynasty, we find " The Preface to the She by Puh Shang,<br />

in two Books," as a distinct Work.<br />

But there is another account of the origin of the Pre<br />

face which seems to conflict with this. In par. 4 of the<br />

2nd section of last chapter I have made mention of Wei<br />

Different ac- King-chung or Wei Hwang, one of the great<br />

^f0the eprt Han scholars who adopted the text of Maou.<br />

face- He serves as a connecting link between the<br />

western and eastern dynasties of Han; and in the account<br />

of him in the " Literary Biographies " we are told that<br />

" Hwang became the pupil of Seay Man-k'ing, who was<br />

famous for his knowledge of Maou's She; and he after<br />

wards made the Preface to it, remarkable for the accuracy<br />

with which it gives the meaning of the pieces in the Fung<br />

and the Ya, and which is now current in the world." A<br />

testimony like this cannot be gainsayed. If we allow<br />

that, when Maou first made public his text, there were<br />

prefatory notes accompanying it, yet Hwang must have<br />

made large additions to these, as Maou himself, in the<br />

opinion of Ch'ing K'ang-shing, had previously done.<br />

Since the time of Choo He, many eminent scholars,<br />

such as Yen Ts'an in the Sung dynasty, and Keang Ping-<br />

chang in the present, adopt the first sentence in the<br />

introduction to each ode as what constituted the original<br />

preface, and which they do not feel at liberty to dispute.<br />

They think that so much was prefixed to the odes by the<br />

historiographers of the kingdom or of the States, when<br />

they were first collected, and they would maintain like<br />

wise, I suppose, that it bore the stamp of Tsze-hea.<br />

Keang calls these brief sentences " the Old preface"<br />

and " the Great preface," and the fuller explanation which<br />

is often appended to them, and which he feels at liberty<br />

to question, he calls " the Appended preface," and " the<br />

Little preface."<br />

After long and extensive investigation of the subject,<br />

I have no hesitation in adopting the freer choo^ He.g<br />

views of Choo He, with a condensed account views on the<br />

of which I conclude this chapter: re ace"<br />

" Opinions of scholars are much divided as to the<br />

authorship of the Preface. Some; ascribe it to Confucius;'<br />

some to Tsze-hea; and some to the historiographers of<br />

the States. In the absence of clear testimony it is im<br />

possible to decide the point; but the notice about Wei<br />

Hwang, in the literary Biographies of the Han dynasties, 8<br />

would seem to make it clear that the Preface was his<br />

work. We must take into account, however, on the other<br />

Land, the statement of Ch'ing Heuen, 3 that the Preface<br />

existed as a separate document when Maou appeared with<br />

his text, and that he broke it up, prefixing to each ode<br />

the portion belonging to it. The natural conclusion is<br />

that the Preface had come down from a remote period,<br />

and that Hwang merely added to it and rounded it off.<br />

In accordance with this, scholars generally hold that the<br />

first sentences in the introductory notices formed the<br />

original Preface which Maou distributed, and that the<br />

following portions were subsequently added.<br />

" This view may appear reasonable; but when we ex<br />

amine those first sentences themselves, we find some of<br />

them which do not agree with the obvious meaning of<br />

the odes to which they are prefixed, and give merely the<br />

rash and baseless expositions of the writers. Evidently,<br />

from the first, the Preface was made up of private specu<br />

lations and conjectures as to the subject-matter of the<br />

odes, and constituted a document by itself, separately ap<br />

pended to the text. Then on its first appearance there<br />

were current the explanations of the odes which were<br />

given in connection with the texts of Ts'e, Loo, and Han,<br />

so that readers could know that it was the work of later<br />

1 This is too broadly stated. No one has affirmed that the Preface as<br />

a whole was from the hand of Confucius. Ch'ing E-ch'uen (A.D. 1033<br />

1107) held that the Great preface was made by him. The style, he says,<br />

is like that of the appendixes to the Yih, and the ideas are beyond what<br />

Tsze-hea could have enunciated. Wang Tih-shin (later on in the Sung<br />

dynasty) ascribed to Confucius the first sentence of all the introductory<br />

notices, and called them the Great preface.<br />

2 Adduced above. 3 Also adduced above.

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