The Town screenplay - Movie Cultists

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THE TOWN - Rev. 5/20/10 (Buff Reshoots) 85. 119 CONTINUED: (2) 119 C.O. #2 calls out: BIG MAC Don’t tell me ‘makin’ a change.’ Either you got heat or you don’t. (on to him) I heard a bread truck got dropped. DOUG Yeah? I didn’t hear about it. FIVE MINUTES! C.O. #2 DOUG Let me ask you something. In case I don’t see you again. Doug’s father looks skeptical. DOUG Why didn’t you look for her? Look for who? BIG MAC DOUG When my mother left. You never called her. Tried to find her. She might have come back. BIG MAC When your mother left, you cried so hard that you were throwing up. All over the parlor. So I told you if you looked around you might find her, to give you an activity. I didn’t think you would carry it like a fuckin’ disease. You want to think she was an angel -- go ahead. But look out your front door. How many twenty-two-yearold girls are out there -- fucking around, with kids they don’t want and no sense in their head? Your mother wasn’t no different. That’s the hard truth. I made my peace with it. Make yours. I didn’t look for her ‘cause there was nothin’ to find. (regards his son) I got to die five times before I get out of here. (MORE) (CONTINUED)
THE TOWN - Rev. 5/20/10 (Buff Reshoots) 86. 119 CONTINUED: (3) 119 BIG MAC (CONT'D) (beat) But I’ll see you again. (taps visitor’s glass) This side or the other. A117 INT. FRAWLEY’S APARTMENT - NIGHT A117 * This scene comes after Doug’s visit to his father. * Frawley is feeling stymied, burning midnight oil. * We MOVE THROUGH his apartment, see that there are still * unpacked boxes. Little furniture, an open bottle. He * stands going through case files, computer on and looks up * at his own WALL which, like the FBI, is COVERED WITH * IMAGES. * He is looking at images from the NORTH END ROBBERY. He * sets them down. * He picks up a CAMBRIDGE TRUST set of pictures. Leafs * through them. * WITNESSES: * We see Barnes, then Claire. * He holds his look on Claire’s photo. * B117 INT. FBI FRAWLEY’S OFFICE - DAY B117 * Frawley pacing, on the phone, looking out the window. * FRAWLEY * Claire Keesey, please. * (beat) * She’s the manager. * (beat) * Since when? * C117 INT. FBI WORKSPACE - DAY C117 * Frawley and Dino. * FRAWLEY * -- she may have a good reason for * quitting, but procedure says * follow up, and that’s how you do * this job. * DINO * Okay... * (CONTINUED)
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THE TOWN by Peter Craig Rev. 08/25/
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The Town screenplay - Movie Cultists

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