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Opera on the Move in the Nordic Countries during the Long 19th ...

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Music at <strong>the</strong> Royal Swedish<br />

<str<strong>on</strong>g>Opera</str<strong>on</strong>g> <strong>in</strong> Stockholm dur<strong>in</strong>g<br />

<strong>the</strong> mid-n<strong>in</strong>eteenth century<br />

The musical repertoire and c<strong>on</strong>temporary criticism of <strong>the</strong> positi<strong>on</strong><br />

of <strong>the</strong> <str<strong>on</strong>g>Opera</str<strong>on</strong>g> as a music <strong>in</strong>stituti<strong>on</strong> with<strong>in</strong> <strong>the</strong> musical life of<br />

Stockholm<br />

Anne Reese Willén<br />

Introducti<strong>on</strong><br />

The Royal Swedish <str<strong>on</strong>g>Opera</str<strong>on</strong>g> (Kungliga <str<strong>on</strong>g>Opera</str<strong>on</strong>g>n) <strong>in</strong> Stockholm was not <strong>on</strong>ly<br />

a <strong>the</strong>atre and opera house, it was also <strong>the</strong> centre of public musical life <strong>in</strong><br />

Stockholm for a great deal of <strong>the</strong> n<strong>in</strong>eteenth century. It was <strong>the</strong> first organised<br />

music <strong>in</strong>stituti<strong>on</strong> and c<strong>on</strong>ta<strong>in</strong>ed <strong>the</strong> first public stage built for musical<br />

performance. It also housed <strong>the</strong> <strong>on</strong>ly symph<strong>on</strong>y orchestra <strong>in</strong> <strong>the</strong> city dur<strong>in</strong>g<br />

most of <strong>the</strong> century, and functi<strong>on</strong>ed as <strong>the</strong> ma<strong>in</strong> employer of musicians and<br />

s<strong>in</strong>gers. Performances were not limited to opera and music <strong>the</strong>atre, and <strong>the</strong><br />

space was also frequently used as a c<strong>on</strong>cert venue. Its positi<strong>on</strong> was <strong>the</strong>re-<br />

95

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