Opera on the Move in the Nordic Countries during the Long 19th ...

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80 Marianne Tråvén Apel, Willi (ed.) 2000: “Slancio” in: Harvard Dictionary of Music, 2nd ed., Cambridge: Harvard University Press, p. 780. Ayrton, William 1827: The Harmonicon: A Journal of Music, Vol. 5, London. Bayly, Anselm 1771: A practical treatise on singing and playing with just expression and real elegance.... London. Bengtsson, Ingmar 1979: “Zellbell”, in Sohlmans musiklexikon, Vol. 5, Stockholm, pp. 872–873. Bérard, Jean Antoine 1755: L’Art du chant. Paris, preface. Beskow, Bernhard von 1870: Lefnadsminnen. Stockholm. Bohlin, Folke 1967–1969: “Johann Christian Friedrich Haeffner”,in: Svenskt Biografiskt Lexikon, Vol. 17, Stockholm, p. 701. Boodaghian, Armine 2006: Vocal Ornamentation in the Late Eighteenth Century. Ann Arbor: UMI. Cinti-Damoreaux, Laure 1997: Classic Bel Canto Technique, Mineola, New York: Dover. [Reprint of the 1849 Paris edition.] Corneilson, Peter 1998: “Vogler’s Method of Singing” in: Journal of Musicology, Vol. 16/1, pp. 91–109. Corri, Domenico c.1810: The singers Preceptor, or Corri’s treatise on vocal music. London: Chappell & Co., s. a. (c1810). Dahlgren, F. A. 1866: Förteckning öfver svenska skådespel uppförda på Stockholms teatrar 1737–1863, och Kongl. Theatrarnes personal 1773-1863, med flera anteckningar af F. A. Dahlgren. Stockholm: Norstedt & Söner. Donington, Richard 1965: The Interpretation of Early Music. 2nd ed. London: Faber. Eitner, Robert 1902: Biographisch-bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten der christlichen Zeitrechnung bis zur Mitte des neunzehnten Jahrhunderts. Leipzig: Breitkopf & Härtel. Forsstrand, Carl 1926: ”Riddarhuset som mötesplats för vetenskap och konst” in: Sveriges Riddarhus, Stockholm, pp. 391–400. Franzén, Nils Olof 1992–1994: “Olin, Elisabeth” in: Svenskt biografiskt Lexikon, vol. 28, p. 188. Forbes, Elisabeth, “Bordogni, Giulio”, in: Grove Music Online, http://www. oxfordmusiconline.com, (2012-08-01). García, Manuel 1982: Hints on Singing, transl. from the French by Beata García. New York: J. Patelson Music House. [Reprint of the 1840 edition.] Grave, Floyd K., and Grave, Margaret G. 1987: In Praise of Harmony: The Teachings of Abbé Georg Joseph Vogler. Lincoln and London: University of Nebraska Press. Göpfert, Bernd 1994: Handbuch der Gesangskunst. Wilhelmshafen: Florian Noetzel. Halén, Alfhild 1969–1971: “Johan Fredrik Hallardt” in: Svenskt Biografiskt Lexikon, vol. 18, Stockholm, p. 1. Hedberg, Franz 1885: Svenska operasångare: karakteristiker och porträtter. Stockholm: Fritzes Hovbokhandel.
Formed to Perform Hofberg, Herman & al. 1906: Svenskt Biografiskt Handlexikon, 2nd ed., vol. 2, Stockholm: Albert Bonniers Förlag. Husler, F. & Rodd-Marling, Yvonne 1983: Singing: the Physical Nature of the Vocal Organ: a Guide to the Unlocking of the Singing Voice. London: Hutchinson. Jander, Owe 1980: “Solfeggio” in: The New Grove Dictionary of Music and Musicians, vol. 17. London: Macmillan Publishers Limited, pp. 454– 455. Lablache, Luigi 1997: Metodo complete di canto: Complete Singing Method, Milano: Ricordi. [Reprint of the Italian edition for high voice of 1842.] Landell, Nils-Erik 2004: Läkaren Linné: medicinens dubbla nyckel, Stockholm: Carlsson. Lundberg, Mattias 2010: “The first hundred years of music librarianship at the Swedish Royal Academy of Music: 1771–1871: in memory of Anders Lönn (1943–2009)” in: Fontes artis musicae Vol. LVII/3, pp. 236–249. Luterkort, Ingrid 1998: Om igen, herr Molander! Kungl. Dramatiska teaterns elevskola 1787–1964. Stockholm: Stockholmia Förlag. Mancini, Giambattista 1774: Pensieri e riflessioni pratiche sul canto figurato. Vienna: Ghelen. Nordin Hennel, Ingeborg 1997: Mod och försakelse: Livs- och yrkesbetydelser för Kongl Theaterns skådespeleskor 1813–1863. Hedemora: Gidlunds. Norlind, Tobias 1922: “Berg, Isak Albert”, in: Svenskt Biografiskt Lexikon, vol. 3, Stockholm, pp. 377–379. Norlind, Tobias 1931: “Craelius, Carl Magnus” in: Svenskt Biografiskt Lexikon, vol. 9, Stockholm, pp. 61–64. Nyblom, Holger 1923: Gustaf III:s <strong>Opera</strong>, Stockholm: Tisells Tekniska Förlag. Personne, Nils 1913: Svenska teatern: Några anteckningar, vol. 1, Stockholm. Pulte, Diane M. 2005: The Messa di Voce and its Effectiveness as a Training Exercise for the Young Singer, Diss. Ohio State University. Reid, Cornelius 1971: Bel Canto, Principles and Practices. New York: J. Patelson Music House. Rosselli, John 1992: Singers of Italian <strong>Opera</strong>: The history of a profession. Cambridge: Cambridge University Press. Sanford, Sally A. 1995: “A Comparison of French and Italian Singing in the Seventeenth Century” in: Journal of Seventeenth-Century Music, Vol. 1/1. Schwalbe, Ernst 1905: Vorlesungen über Geschichte der Medizin. Jena: G. Fischer. Stieler, Carl August 1820: Lärobok i de första grunderna för Musik och Sång vid ungdomens undervisning i Skolor och Gymnasier, Stockholm. Sundberg, Johan 1987: The Science of the Singing Voice. Urbana: Northern Illinois University Press. Theophrosyne 1823: Läsning för kyrkans och skolornas vänner. Stockholm: Fr. B. Nestius. 81
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Anne Sivuoja, Owe Ander, Ulla Britt
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Contents Anne Sivuoja with Owe Ande
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Introduction Anne Sivuoja with Owe
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Introduction ity of vocal resources
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*** Introduction Methodological tra
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Introduction Broman-Kananen, Ulla-B
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Voices
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18 Juvas Marianne Liljas such young
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24 Juvas Marianne Liljas pany, New
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26 Juvas Marianne Liljas given free
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28 Juvas Marianne Liljas the histor
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Page 52 and 53: 52 Marianne Tråvén most of them w
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Page 58 and 59: 58 Marianne Tråvén 1816 the singi
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Page 70 and 71: 70 Marianne Tråvén Solfeggi Stiel
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Page 78 and 79: 78 Marianne Tråvén Conclusion The
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Page 86 and 87: 86 Ingela Tägil play through her l
Page 88 and 89: 88 Ingela Tägil Another strange is
Page 90 and 91: 90 Ingela Tägil in boarding houses
Page 92 and 93: 92 Ingela Tägil Published referenc
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Staging a national language <strong
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Staging a national language 157 is
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Staging a national language Vernacu
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Staging a national language 161 dou
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Staging a national language 163 In
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Staging a national language 165 tia
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Staging a national language 167 Kos
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Staging a national language 169 Emm
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Staging a national language 171 Roy
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Staging a national language 173 and
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Staging a national language 175 The
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Staging a national language 181 sur
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Staging a national language 183 new
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Staging a national language 187 Ark
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Maria Grape’s correspondence, Nr
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Staging a national language Qvarnst
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The introduction of Richard Wagner
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Rachel the Jewess in Copenhagen 223
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Rachel the Jewess in Copenhagen fie
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Rachel the Jewess in Copenhagen Ill
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Excursus I: Who is Jewish? Rachel t
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Performative elements and sources h
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Performative elements and sources 2
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As Gundula Kreuzer remarks: Perform
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Performative elements and sources P
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Gendered agendas and the representa
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Example 1. Helena Munktell, In Flor
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Nya Dagligt Allehanda (Stockholm) N
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