Opera on the Move in the Nordic Countries during the Long 19th ...

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6 Ulla-Britta Broman-Kananen Staging a national language 155 Joakim Tillman The introduction of Richard Wagner’s music dramas in Stockholm 195 Jens Hesselager Rachel the Jewess in Copenhagen 221 Kristel Pappel Performative elements and sources 250 Camilla Hambro Gendered agendas and the representation of gender in women composers’ operas and theatre music at the dawn of the “women’s century” 271
Introduction Anne Sivuoja with Owe Ander, Ulla-Britta Broman-Kananen and Jens Hesselager The long nineteenth century (1780–1918) was the Golden Age of opera all over Europe, both for composition and for performance. <strong>Opera</strong> became entertainment for the new bourgeoisie and the educated classes after having been for centuries mainly, although not exclusively, a courtly pleasure. The architectural spaces where operas were performed were amongst the largest secularised rooms in bourgeois society. Always centrally located, the opera theatres offered performance possibilities, not only for opera, but also for other types of musical performances (as Anne Reese Willén shows in this volume). Accelerating urbanisation and societal and social changes affected the themes, settings and also the censorship of operas; Verdi’s operas, for example, were important for the Risorgimento in Italy (and often under the censor’s tight control). Elsewhere too opera became an important politico-cultural tool for creating and transmitting appropriate national pasts, presents and futures of different European nations and nation-states, as well as a means of criticising the existing social order. <strong>Opera</strong> also served as a means to hide politically sensitive issues by re-channelling public attention. All of this could be done in a more disguised form in opera than in 7
Page 1: Anne Sivuoja, Owe Ander, Ulla Britt
Page 5: Contents Anne Sivuoja with Owe Ande
Page 9 and 10: Introduction ity of vocal resources
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Music at the Royal Swedish
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Two Operas or One
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Staging a national language <strong
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The introduction of Richard Wagner
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Example 1. Helena Munktell, In Flor
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Nya Dagligt Allehanda (Stockholm) N
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Opera on the Move in the Nordic Countries during the Long 19th ...

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