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Opera on the Move in the Nordic Countries during the Long 19th ...

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50<br />

Formed to Perform<br />

Educat<strong>in</strong>g Students at <strong>the</strong> <str<strong>on</strong>g>Opera</str<strong>on</strong>g> School <strong>in</strong> Stockholm 1773–1850<br />

Marianne Tråvén<br />

Found<strong>in</strong>g a school for s<strong>in</strong>gers and actors<br />

In 1773 Stockholm was given what would be a permanent opera situated at<br />

Bollhuset. It was a bold undertak<strong>in</strong>g spurred by K<strong>in</strong>g Gustav III’s cultural<br />

and political ambiti<strong>on</strong>s. However, <strong>the</strong> questi<strong>on</strong> of recruit<strong>in</strong>g and educat<strong>in</strong>g<br />

s<strong>in</strong>gers for <strong>the</strong> opera company became a topic of central c<strong>on</strong>cern. How could<br />

first-rate s<strong>in</strong>gers and actors be attracted, and how could a steady supply of<br />

s<strong>in</strong>gers be secured for <strong>the</strong> chorus? At <strong>the</strong> time Stockholm had no school for<br />

ei<strong>the</strong>r actors or s<strong>in</strong>gers. 1 As <strong>in</strong> <strong>the</strong> rest of Europe, most of <strong>the</strong> musicians<br />

and s<strong>in</strong>gers came from artisan families, and <strong>the</strong>y were often schooled by<br />

<strong>the</strong>ir families or apprenticed to a s<strong>in</strong>g<strong>in</strong>g master or an actor for <strong>the</strong>ir stud-<br />

1 There were private teachers, such as Giovanni Croce, an Italian tenor who was part<br />

of a Bologna company that played <strong>in</strong> Stockholm between 1754 and 1757. When <strong>the</strong><br />

company dissolved, Croce was hired as a court s<strong>in</strong>ger <strong>in</strong> Stockholm. (Nyblom 1923,<br />

p. 80)

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