Opera on the Move in the Nordic Countries during the Long 19th ...

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46 Juvas Marianne Liljas Jussi Björling Museum, Borlänge, Video recording Video recording with Märta Björling-Kärn, 1995; Jussi Björling Museum, first assistant directors and interviews: Harald Henrysson and Bertil Bengtsson Printed sources Arlberg, Fritz 1891: Försök till en naturlig och förnuftig grundläggning av tonbildnings-läran. Stockholm. Berg, Per Gustav & Stålberg, Wilhelmina (red.) 1874: Anteckningar om svenska qvinnor. Stockholm: P. G. Berg. p. 137. Björling, Anna-Lisa & Farkas, Andrew 1996: Jussi. Portland, Oregon: Amadeus Press. Björling, David 1978: Hur man skall sjunga. Stockholm: Faksimilutgåva på Eriks förlag. u.å. Björling, Gösta 1945: Jussi – Boken om storebror. Stockholm: Steinsviks förlag. Björling, Jussi 1994: Med bagaget i strupen. Stockholm: Wahlström & Widstrand. Broman, Sten 1968: ”Franz Berwalds stamträd” in: Svensk Tidning för Musik 1968. p. 7-50. Haböck, Franz 1908: ”Die physiologichen grundlagen der Altitalienischen Gesangschule”. in: Die Musik, Jahrgang 8. 1908. p. 337-348. Haböck, Franz 1923: Die Gesangkunst der Kastraten: A. Die Kunst des Cavalierie Carlo Broschi Farinelli. B. Farinellis berümte arien. Wien: Universal. Haböck, Franz 1927: Die kastraten und ihre Gesangkunst. Berlin und Leipzig: Deutsche Verlags-Anstadt in Stuttgart. Hedberg, Frans 1885: Svenska operasångare: karakteristiker och porträtter. Gehrnandts Boktryckeri – Aktiebolag. Lööw, Josef 1951: ”En sångares minnen” in: Sångartidningen 37:1951 p. 19- 20. Müller-Brunow, Bruno 1898: Tonbildung oder Gesangunterricht? Beiträge zur Aufklärung ûber das Geheimnis der schönen Stimme. Leipzig: Verlag von Carl Merseburger. Lange, Algot 1898: Om sång. Stockholm: Albert Bonniers Förlag. Lange, Algot 1900: Om tonbildning i sång och tal. Stockholm: Albert Bonniers Förlag. Levien, Mewborn John 1932: The García family. London: Novello and Company. Schultz, Agda 1922:”Björlingskvartettens konsert”. Engelholms tidning 30/12 1922. Svanholm, Set 1960: ”Stora sångarhjärta, du är evighet” in: Jussi Björling – en minnesbok. Bertil Hagman (Ed.) p. 76-78. Stockholm: Albert Bonniers Förlag 1960. Westberg, Erik 1918:”Hr Björlings konsert”. Hudiksvallsposten 20/6 1918.
The Björling ‘<strong>Opera</strong>’ Öhman, Martin 1960: “Upptäckten” in: Jussi Björling – en minnesbok. Bertil Hagman (Ed.) p. 52-53. Stockholm: Albert Bonniers Förlag 1960. Literature Ander, Owe 2008:”The Royal Court Orchestra in Stockholm 1772-1885”. in The <strong>Opera</strong> Orchestras in 18th and 19th Century Europe, vol. I The Orchestra in Society. (Ed. N.M. Jensen/F. Piperno) ESF research programme: Musical Life in Europe, 1600-1900. Circulation, Institutions, Representation. Berlin: Berliner Wissenschafts-Verlag. Bengtsson, Bertil 1999: Jussi Björling och konsertkritiken i Göteborg 1931- 1939. Göteborg: Kulturvetenskapliga institutionen, Göteborgs universitet. Brandel, Åke 1979:”Eric Westberg” in: Sohlmans musiklexikon bd. 5 1979 p. 790. Brown, Earl William 1957: Vocal Wisdom: Maxims of Giovanni Battista Lamperti. Extended edition. New York: Arno Press. Celletti, Rodolfo 1991: A History of Bel Canto. Oxford: Clarendon Press. Day, Timothy 2000: A Century of Recorded Music: Listening to Musical History. Yale, New Haven and London: University Press. Fitzlyon, April 1997: “Garcìa, Manuel” in: The New Grove Dictionary of <strong>Opera</strong>, vol.2 1997 p. 345. Fuchs, Viktor 1963: The art of singing and voice technique. London: John Calder LTD. Gardner, Howard 1994: De sju intelligenserna. Translation by Ulrica Junker. Jönköping: Brain Books AB. Gustafsson, Jonas 2000: Så ska det låta: studier av det musikpedagogiska fältets framväxt i Sverige. Uppsala: Acta Universitatis Upsalienses. Diss. Gellrich, M 1992: Üben mit Lis(z)t. Wiederdeckte Geheimnisse aus der Werkstatt der Klaviervirtuosen. Frauenfeldt: Verlag Im Waldgut. Diss. Hartman, Sven 2005: Det pedagogiska kulturarvet: Traditioner och idéer i svensk undervisningshistoria. Stockholm: Natur och Kultur. Henrysson, Harald 1993: A Jussi Björling Phonography. 2nd edition. Stockholm: Svenskt musikhistoriskt arkiv. Hodges, Donald 1989: “Why Are We Musical? Speculations on the Evolutionary Plusibility of Musical Behaviour” in: Council for Research in Music Education. Bulletin 1989, No 99. p. 6-20. Jander, Owen 1980: “Singing” in: The New Grove’s Dictionary of Music and Musicians, vol. 17, 1980. Karlsson, Henrik 2005: Det fruktade märket: Wilhelm Peterson Berger, antisemitismen och antinazismen. Malmö: Sekel Bokförlag. Liljas Juvas, Marianne 2007: ”Vad månde blifva af dessa barnen?” En studie av David Björlings pedagogik och dess bakgrund i äldre sångundervisningstraditioner. Stockholm: KMH förlaget. Diss. Liljas Juvas, Marianne 2010: ”Från mousiké till musisk pedagogik: en ämnesdidaktisk fördjupning” in: Tradition och praxis i högre utbildning: Tolv 47
Page 1: Anne Sivuoja, Owe Ander, Ulla Britt
Page 5 and 6: Contents Anne Sivuoja with Owe Ande
Page 7 and 8: Introduction Anne Sivuoja with Owe
Page 9 and 10: Introduction ity of vocal resources
Page 11 and 12: *** Introduction Methodological tra
Page 13 and 14: Introduction Broman-Kananen, Ulla-B
Page 15: Voices
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Page 24 and 25: 24 Juvas Marianne Liljas pany, New
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Page 28 and 29: 28 Juvas Marianne Liljas the histor
Page 30 and 31: 30 Juvas Marianne Liljas Consequent
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Page 38 and 39: 38 Juvas Marianne Liljas but during
Page 40 and 41: 40 Juvas Marianne Liljas pedagogue
Page 44 and 45: 44 Juvas Marianne Liljas institutio
Page 48 and 49: 48 Juvas Marianne Liljas ämnesdida
Page 50 and 51: 50 Formed to Perform Educating Stud
Page 52 and 53: 52 Marianne Tråvén most of them w
Page 54 and 55: 54 Marianne Tråvén Piccini left v
Page 56 and 57: 56 Marianne Tråvén of Monvel. The
Page 58 and 59: 58 Marianne Tråvén 1816 the singi
Page 60 and 61: 60 Marianne Tråvén holm 1851), M
Page 62 and 63: 62 Marianne Tråvén Georg Joseph V
Page 64 and 65: 64 Marianne Tråvén on him transfe
Page 66 and 67: 66 Marianne Tråvén techniques of
Page 68 and 69: 68 Marianne Tråvén approach using
Page 70 and 71: 70 Marianne Tråvén Solfeggi Stiel
Page 72 and 73: 72 Marianne Tråvén whereas in fal
Page 74 and 75: 74 Marianne Tråvén the singer onl
Page 76 and 77: 76 Marianne Tråvén From this we c
Page 78 and 79: 78 Marianne Tråvén Conclusion The
Page 80 and 81: 80 Marianne Tråvén Apel, Willi (e
Page 82 and 83: 82 Marianne Tråvén Traini, Carlo
Page 84 and 85: 84 Ingela Tägil tria and England d
Page 86 and 87: 86 Ingela Tägil play through her l
Page 88 and 89: 88 Ingela Tägil Another strange is
Page 90 and 91: 90 Ingela Tägil in boarding houses
Page 92 and 93: 92 Ingela Tägil Published referenc
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Music at the Royal Swedish
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A Nordic outlook Music at the Royal
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Two Operas or One
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Staging a national language <strong
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Staging a national language 157 is
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Staging a national language Vernacu
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Staging a national language 161 dou
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Staging a national language 163 In
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Staging a national language 165 tia
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Staging a national language 167 Kos
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Staging a national language 169 Emm
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Staging a national language 171 Roy
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Staging a national language 173 and
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Staging a national language 175 The
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Staging a national language 181 sur
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Staging a national language 183 new
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Staging a national language 187 Ark
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Maria Grape’s correspondence, Nr
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Staging a national language Qvarnst
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The introduction of Richard Wagner
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Rachel the Jewess in Copenhagen fie
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Rachel the Jewess in Copenhagen Ill
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Excursus I: Who is Jewish? Rachel t
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Rachel the Jewess in Copenhagen lit
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Performative elements and sources h
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Performative elements and sources 2
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As Gundula Kreuzer remarks: Perform
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Performative elements and sources P
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Gendered agendas and the representa
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Example 1. Helena Munktell, In Flor
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Nya Dagligt Allehanda (Stockholm) N
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Opera on the Move in the Nordic Countries during the Long 19th ...

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