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Opera on the Move in the Nordic Countries during the Long 19th ...

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280 Camilla Hambro<br />

fact that Stefano did not use traditi<strong>on</strong>al brush technique, that he fancies<br />

novelty and that he mixed colours <strong>in</strong> a very untraditi<strong>on</strong>al way. As <strong>in</strong> <strong>the</strong>ir<br />

op<strong>in</strong>i<strong>on</strong> <strong>the</strong> image reveals great talent, <strong>the</strong>y offer him a place <strong>in</strong> <strong>the</strong>ir art<br />

school, where if a student is diligent and nice to <strong>the</strong> professors for many<br />

years, <strong>the</strong>y might f<strong>in</strong>d a positi<strong>on</strong> for him pa<strong>in</strong>t<strong>in</strong>g planks.<br />

In <strong>the</strong> excerpt shown <strong>in</strong> Example 1 <strong>the</strong> professors postulate:<br />

En yngl<strong>in</strong>g har fått för sig klart,<br />

att han skall k<strong>on</strong>stnär bli<br />

och på Akademien snart<br />

kalfatras hans geni.<br />

Ingen natur<br />

bara gå på<br />

himlen är gul<br />

solen är blå!<br />

A youngster has got it clear <strong>in</strong>to his head<br />

that he is to become an artist<br />

and that his genius so<strong>on</strong><br />

is to be scrut<strong>in</strong>ized at <strong>the</strong> Academy.<br />

No nature,<br />

just head <strong>on</strong>,<br />

<strong>the</strong> sky is yellow,<br />

<strong>the</strong> sun is blue!<br />

[Translated by CH]<br />

The very l<strong>on</strong>g, susta<strong>in</strong>ed t<strong>on</strong>e <strong>on</strong> <strong>the</strong> word klar (“clear”) over <strong>the</strong> augmented<br />

dom<strong>in</strong>ant chord might <strong>in</strong>dicate that <strong>the</strong> speaker is actually unsure about<br />

<strong>the</strong> clarity of <strong>the</strong> matter and needs time to th<strong>in</strong>k about it. Ano<strong>the</strong>r peculiarity<br />

is <strong>the</strong> can<strong>on</strong>ic-melismatic sett<strong>in</strong>g of <strong>the</strong> word kalfatras (“scrut<strong>in</strong>ised”),<br />

a ra<strong>the</strong>r old-fashi<strong>on</strong>ed word of Arabic-Dutch orig<strong>in</strong> that literally means<br />

caulk<strong>in</strong>g. In <strong>the</strong> music Munktell emphasises <strong>the</strong> word <strong>in</strong> a ra<strong>the</strong>r baroque<br />

oratorio style à la Handel, which undoubtedly marks a notable c<strong>on</strong>trast to<br />

<strong>the</strong> simplicity of <strong>the</strong> surround<strong>in</strong>g musical language. In this way <strong>the</strong> professors<br />

are portrayed as old-fashi<strong>on</strong>ed, comic characters who adore scrut<strong>in</strong>is<strong>in</strong>g<br />

and attack<strong>in</strong>g <strong>the</strong> younger generati<strong>on</strong>; as put by <strong>the</strong> critic of Svenska<br />

Dagbladet (31 May 1889), not unlike <strong>the</strong> “Beckmesserei” and plait manner<br />

of Wagner’s Meisters<strong>in</strong>ger.<br />

Hence, Munktell achieved a str<strong>on</strong>g, but natural comic effect through <strong>the</strong><br />

voic<strong>in</strong>g of <strong>the</strong> professors’ opera buffa duet, which succeeded <strong>in</strong> be<strong>in</strong>g <strong>the</strong><br />

most comic moment <strong>in</strong> <strong>the</strong> opera. Aft<strong>on</strong>bladet’s critic (31 May 1889), L<strong>in</strong>dgren,<br />

stated that Munktell mastered <strong>the</strong> parody very well and had composed<br />

a good opera, even if <strong>the</strong> scene, accord<strong>in</strong>g to Nya Dagligt Allehanda (31 May

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