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Opera on the Move in the Nordic Countries during the Long 19th ...

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270 Kristel Pappel<br />

The sources used for <strong>the</strong> research comprise libretti and <strong>the</strong> copies used<br />

by <strong>the</strong> opera director, vocal scores used by c<strong>on</strong>ductors with hand written<br />

remarks and adaptati<strong>on</strong>s, cast lists and announcements (all <strong>in</strong> <strong>the</strong> Est<strong>on</strong>ian<br />

Theatre and Music Museum, fund T 187, register 1, and fund Mo 256),<br />

newspapers and o<strong>the</strong>r pr<strong>in</strong>ted materials. The ma<strong>in</strong> <strong>the</strong>mes are scenography<br />

and directi<strong>on</strong>, s<strong>in</strong>g<strong>in</strong>g and roles, adapti<strong>on</strong>s and <strong>the</strong> orchestra. The most<br />

difficult questi<strong>on</strong> c<strong>on</strong>cerns <strong>the</strong> s<strong>in</strong>gers and <strong>the</strong>ir corporeal presence and<br />

expressi<strong>on</strong>. Sources <strong>in</strong> Tall<strong>in</strong>n do not give direct answers. Dur<strong>in</strong>g <strong>the</strong> next<br />

stage of <strong>the</strong> research it would be useful to compare <strong>the</strong> guides to act<strong>in</strong>g of<br />

<strong>the</strong> n<strong>in</strong>eteenth century and <strong>the</strong> reviews (if <strong>the</strong>y exist) of performances <strong>in</strong><br />

o<strong>the</strong>r city <strong>the</strong>atres of <strong>the</strong> German cultural space. Ano<strong>the</strong>r possibility is to<br />

analyse <strong>the</strong> c<strong>on</strong>temporary criticism of <strong>the</strong> operetta and drama producti<strong>on</strong>s<br />

of Tall<strong>in</strong>n City Theatre, and to comb<strong>in</strong>e <strong>the</strong> results with observati<strong>on</strong>s of<br />

performativity <strong>in</strong> <strong>the</strong> opera producti<strong>on</strong>s.

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